Suicide

The Spectator’s notes | 26 November 2015

Because, it says, of its ‘liberal values and respect for human dignity’, the Economist has put out a film about Emily, a 24-year-old Belgian woman, who wants assisted dying. She is physically healthy, and comes, the film assures us, from a happy family. She has suffered from severe depression since childhood, however. By her own account, her self-made video (two years ago), in which she says ‘I don’t want to live a lie’ and ‘It keeps feeling empty whatever I do’, made her feel empowered. It inspired her to seek death at the hands of doctors. Belgium is one of two countries in the world which permits assisted dying for

Many people feel their life is worthless. The Assisted Dying Bill tells them they might just be right

As Charles Killick Millard conceded, there was an issue about grandparents. Millard, the leading figure of the Voluntary Euthanasia Legalisation Society back in the 30s, realised that people might cajole their elderly relatives into choosing death. But this had its benefits, he argued: ‘It would make querulous old folk more careful how they dilated upon their aches and pains.’ Havelock Ellis, one of the Society’s celebrity supporters, was blunter: he expressed his annoyance that ‘we are terribly afraid of killing those citizens whom we all regard as financially unpromising.’ There is a callousness in those remarks which resurfaces whenever assisted suicide is put forward. You can hear it in Baroness

Matters of life and death

‘Bait by Cartier,’ she growls as her priceless diamond bracelet is strapped to a piece of rope and dropped overboard in the hope it might lure a fish on to the line. She’s stuck on a boat with a group of survivors after the freighter she was aboard was hit by a German U-boat during the second world war. She was Tallulah Bankhead, playing Connie, heroine of John Steinbeck’s novel-cum-film Lifeboat, for Mystery Theater, the American radio drama series, first broadcast in 1950 and now replayed on Radio 4 Extra (Sunday). They just don’t make voices like that anymore. It had star quality streaked right through it. That deep husky

Eyes wide shut | 2 July 2015

Asif Kapadia’s documentary about Amy Winehouse, whom Tony Bennett describes as ‘one of the truest jazz singers that ever lived’, and who died of alcohol poisoning at 27 (FFS), is masterly and gripping, which is a pity, as you can’t look away. You will want to look away, and may even yearn to do so once the heroin comes into play, and the crack, and that husband and that gig in Belgrade, when she was all unsteady, shuffling and broken beneath the big hair, but you can’t. Oh, Amy, I kept thinking, if only — if only — you’d said, ‘Yes, yes, yes’. It is almost unbearable in this way.

We don’t encourage suicide, so why should we assist it?

As MPs prepare to consider a private member’s bill to license what is being euphemistically called ‘assisted dying’, in Belgium a young woman with mental health problems has been cleared for euthanasia some time this summer. The Belgium-based outlet DeMorgen outlined the situation of the 24-year-old, identified only as ‘Laura’. Aside from depression and the feeling that ‘she wanted to die ever since childhood’, ‘Laura’ is physically healthy, enjoys coffee, friends and going to the theatre. According to the New Yorker, 13 percent of Belgians who died by euthanasia last year didn’t have a terminal illness — and 3 percent suffered from mental disorders. Belgium legalised euthanasia in 2002.  Since then the

Turing’s long shadow

As a young student, the atheist Alan Turing — disorientated with grief over the death of his first love Christopher Morcom — wrote to Morcom’s mother with an atomic theory of how one’s spirit might transmigrate. Years later, he brought the modern computer age into being by positing machines imbued with consciousness. You can’t help wondering what Turing’s shade — whether ethereal or perhaps digital — makes of his posthumous fame. Plays; books; postage stamps. Now, following Benedict Cumberbatch’s doomy big-screen portrayal of the Bletchley Park codebreaking genius in The Imitation Game, David Lagercrantz fictionalises the murky aftermath of Turing’s death. In doing so, he explores questions not only of

Men behaving badly: Nero, Claudius and even Seneca could be intensely cruel to women — and fish

They lived in barrels, they camped on top of columns, or in caves: the lives of the sages are often inconceivable to the modern reader. Seneca, however, that rich, compromised sophisticate of the first century AD, is instantly kin, his voice weary with consumerism, his problems definitively first-world. ‘Being poor is not having too little,’ he observed. ‘It is wanting more.’ Those in need might disagree. But from where Seneca was sitting, in his personal banqueting suite with 500 ivory-legged tables (all matching, no less — matching furniture in Rome was considered staggeringly smart, due to the lack of means of mechanical reproduction) he was able to cultivate the elegant

A phone used to be a helpline. Now it’s a device used to film people in distress

A pal recently told me a story. It was about a friend of theirs who had been travelling on a train last summer, one of those old fashioned trains, with the windows that let you open the door from the outside. He was leaning on the door with his arm resting outside when another train suddenly passed by and clipped his hand. His wrist snapped. There was blood everywhere. He turned back into the carriage and was relieved to see his fellow travellers reaching for their phones. He assumed they were dialling for help. But he quickly realised he was wrong. They were in fact taking photos. I was reminded of this somewhat grim story today, after

The crisis of masculinity won’t be solved with antidepressants

There was much discussion recently about the rise in male suicide rates, after official figures published last week showed they were at their highest level since 2001. But one aspect of this has attracted little attention: the lack of support for men abused by their partners. In a poll of 130 Citizens Advice Bureaux workers, 63 per cent said it was easy to get help for women reporting domestic abuse, compared to 13 per cent for men. It’s bad enough that men struggle to find help once they pluck up the courage to ask for it. But they are also less likely than women to look for support in the first place – and more likely to be

Policymakers must address high male suicide rates

It’s pretty tough to find good news in suicide statistics, but today’s figures for 2013 are particularly grim reading. The number of suicides increased from 2012, and the male suicide rate is now at its highest since 2001. The male rate of suicide has increased significantly since 2007, where it stood at 16.6 deaths per 100,000 population, to 19.0 deaths per 100,000 as the graph below shows: [datawrapper chart=”http://static.spectator.co.uk/yGG0M/index.html”] It used to be the case that young men were the most likely to kill themselves, but the highest suicide rate in the UK is now for men aged 45 to 59, at 25.1 deaths per 100,000. This is the highest for

‘Another terrible thing…’: a novel of pain and grief with courage and style

Nobody Is Ever Missing takes its title from John Berryman’s ‘Dream Song 29’, a poem which I’d always thought related to Berryman’s strange sense of guilt over his father’s suicide. At the heart of Catherine Lacey’s novel there is another suicide that brings with it enormous pain and grief, that of the heroine Elyria’s adopted sister Ruby, six years earlier. This is a novel of extremes — to put it mildly — charting Elyria’s slide into a derelict state. It is a witty, knowing and lyrical work that takes as its subject the thoughts and feelings of a woman who has suffered more misery than most humans can take. The

Should ‘suicide’ mean pig-killing?

There was a marvellous man in Shakespeare’s day known as John Smyth the Sebaptist. ‘In an act so deeply shocking as to be denied by Baptist historians for two and a half centuries,’ Stephen Wright, the expert on separatist clergy wrote, ‘he rebaptised first himself and then his followers, and set out his new views in The Character of the Beast (1610).’ His former confederate Richard Bernard fired a counterblast in that year showing (to his own satisfaction) that ‘the Church of England is Apostolicall, the Separation Schismaticall’. Reading a word like sebaptist we take the prefix se- to indicate a reflexive act, a self-baptism, as we would if reading

Good Samaritans or sinister surveillance? The app that tries to stop suicide

According to an email I received earlier this afternoon, I should be worried about the mental state of someone I know. An alert popped up in my inbox from an app called ‘Radar‘ which the Samaritans launched this week, telling me a tweet from someone I followed might suggest they were contemplating suicide. Here’s the tweet: Clearly the Samaritans need to work on their formula, otherwise I’ll be receiving daily alerts whenever Jim Murphy warns against Scottish Labour committing electoral self-harm or one Conservative faction warns another faction that it is being politically suicidal. The Samaritans say they pursued the app, which monitors certain words and phrases in tweets before

Charles Saatchi’s new book of photos makes me feel sick

Charles Saatchi, the gallery owner, has created his own Chamber of Horrors in this thick, square book, ‘inspired by striking photographs’. One of the most successful of these is a black and white image of male and female figures: ‘Gruesome and gaunt, they look like extras from an early piece of zombie cinema.’ They are, it soon becomes clear, oddments saved by firemen from a blaze at Madame Tussauds in 1925. Madame Tussaud, the author reminds us, ‘would ‘tiptoe through the piles of corpses behind the guillotine to discover the most illustrious of the heads, and would promptly make casts of them, her hands bathed in their blood’. Each little

Radio 4 deserts the British bird. Shame on them!

A strange coincidence on Saturday night to come back from the cinema, having seen a film about a woman fighting to save her job while suffering from depression and thoughts of putting an end to it all, only to switch on the radio and hear from people who have had suicidal thoughts themselves or who have suffered the peculiar, awful grief of losing someone to suicide. The film was affecting and sensitively done, but after listening to In Memoriam: Conversations on a Bench (Radio 4) I realised how different the impact of radio can be. It was not that the film had in any way glamorised depression, or turned us

When did suicide cease to be morally repugnant?

The great Theodore Dalrymple once came up with the theory that there is a fixed level of righteous indignation in any society. As soon as we become more relaxed about one area — say, drug taking — we get much more prudish and finger-wagging about something else — smoking, for example. Sometimes one taboo easily takes the place of a previous one. Race, for example, has become the new sex, with the F-word and C-word de-stigmatised and replaced by the N-word and P-word as no-nos (the new taboo also comes with its own hypocrisies, obviously, and few of today’s moral leaders send their kids to vibrant inner-city schools). But in

It’s time we accepted that depression is a terminal illness

For Robin Williams, depression was a terminal illness. He also, his wife has revealed, suffered from Parkinson’s disease. These two problems are far more connected than most people know: for many sufferers the first signs of Parkinson’s, often ten years or more before the more readily recognized abnormal movements are seen, are those of a depressive illness. Why? Because the abnormal brain chemistry of the two illnesses is essentially the same. But it is a grave mistake to assume that Williams must have killed himself because he couldn’t face the onset of Parkinson’s. He killed himself because he suffered from depression. Suicide is the final symptom of a mental illness.

Why I’m against posthumous pardons, even for Alan Turing

Ross Clark is a columnist I try to read because he is never trite. So I was sorry to miss performances of his musical play staged earlier this month. Shot at Dawn is about a sister’s quest for a recognition (after his death) of her brother, Harry Briggs, a soldier in the Great War who was executed for desertion. The play is sympathetic to the idea of posthumous pardon; coupled with this, it’s a lament that society punishes people without trying to understand why they do what they did. A second theme emerges: homosexuality, and the difficulty (then) of living with this in a world that does not understand. I

Assisted dying? Ancient religion was all for it

There is something mildly unexpected about religious groups’ hostility to euthanasia. After all, in the ancient world one of the major differences between e.g. Christians and pagans was that Christians were renowned for welcoming, indeed rejoicing at, death. Pagans found this incomprehensible. Not that pagans feared the afterlife. Although, in the absence of sacred texts, there were no received views on the matter, Greeks reckoned that if the gods were displeased with you, they would demonstrate it in this life rather than the next. Initiates into the Eleusinian Mysteries were promised a prosperous afterlife, but Diogenes the cynic retorted: ‘Do you mean that Pataikion the thief will enjoy a better

The terminal confusion of Dignity in Dying

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_3_July_2014_v4.mp3″ title=”James Harris and Madeleine Teahan discuss the Assisted Dying Bill” startat=874] Listen [/audioplayer]If you were around in the days when the US series M*A*S*H was a regular feature on British television, its sing-song theme is probably still lodged in your memory: ‘Suicide is painless/ It brings on many changes/ And I can take or leave it if I please’. However catchy, it is broadly untrue. The human life force is stubborn, and it takes a visceral struggle to extinguish it. Suicide, as commonly practised by amateurs, is not painless: it is frequently agonising, complicated, botched and has ample potential to leave one still alive but with a cruel