Suffolk

A walled garden in Suffolk yields up its secrets

In the hot summer of 2020, during the Covid pandemic, Olivia Laing and her husband Ian moved from Cambridge to a beautiful Georgian house in a Suffolk village and began work on restoring the neglected, extensive walled garden behind it. She was vaguely aware that the garden had been owned and loved by the well-known garden designer and plantsman Mark Rumary, who had died in 2010. He had been the landscape director for the East Anglian nursery of Notcutts, and I remember him as a genial man overseeing extensive, award-winning tree and shrub exhibits at the Chelsea Flower Show in the 1980s. I once owned a copy of the Notcutts

The joy of Suffex: England’s county that never was

There is a point on the dreaded A12 – a road so soulless it makes the M4 looks like Shangri La – when you reach the end of Essex. If you’re driving from London it takes you a surprisingly long time; there’s a lot of noisy beige concrete to go over – about 60 miles’ worth – with roadside highlights including a large, sad-looking ‘adult shop’ that was clearly a Happy Eater or Little Chef in more innocent times, and dejected-looking service stations with alarming short slip-roads. Then of course there are lorries galore thundering along, laden with shipping containers bound for Felixstowe, Britain’s happiest sounding port. Heading east you’ll pass signs

Roger Deakin – at ease in the countryside as a poacher with deep pockets

Few authors have left such an immediate legacy as Roger Deakin. When he died of a sudden illness in 2007, aged 63, he had written just two books: Waterlog, which set off the wild swimming craze, and the even more influential Wildwood, which helped kickstart the publishing phenomenon of nature writing. Yet both books only really became well known after his death. During his lifetime he was, at best, a cult taste. When I approached the BBC 20 years ago with the idea that he should present a televisual version of Waterlog in which he swam ‘across’ England, through its ponds, lakes and rivers, I was told no one was

Why now is the time to visit Aldeburgh

I have been reading Ronald Blythe’s Next to Nature which came out in October, just a few months before the great man’s death aged 100. And so a weekend holiday in Suffolk was calling to me. I went to Aldeburgh, on the coast, north of the river Alde. The town appears to be thriving – full of bustling cafés and London money. It is fashionable and chic. In many respects it is a world away from Blythe’s Akenfield. But there is much here to charm you. I lingered by a wonderful second-hand bookshop, Reed Books 4, its window display with Peter Kent’s Fortifications of East Anglia, George Ewart Evans’s The

What really went on at Britain’s Bikini Atoll?

Nearly a century ago, some Chinese water deer swam the River Ore to Orford Ness. They had escaped from the ornamental deer park at Woburn Abbey in Bedfordshire and, perhaps through ancestral homing instinct, headed as far east as possible without falling into the North Sea. They climbed unsteadily on to this strange shingle spit at the end of England and made it home, along with the gulls, thistles, wild poppies and the brown hares who, reportedly, are too burly to be airlifted by the Ness’s marsh harriers and barn owls. The pioneering deers’ descendants have borne witness since to many faces of human folly. From the first world war

The sumptuous Suffolk estate that transports you to Tuscany

Ah Italia! Land of gelato, Vespas and frescoes – I’ve pined for the place so many times over the last year that it’s difficult to know which I love more: Italy itself or the idea of Italy.  The joy of travel is always sparked in part by imagination: the anticipation of a place before you arrive; the memory of it once you leave. And it’s not without reason that we love to recreate the places we admire back home. The Chinese have even gone so far as to enshrine their nostalgia for England through Shanghai’s mock English suburb Thames Town. It’s a riot of British stereotypes – from phone boxes to village greens.  We too love to

From Suffolk to Essex: why moving east makes sense

You might remember, back before Covid, when life was ‘normal’, at three o’clock on a Friday afternoon, the Volkswagens, Audis and Jaguars clogging up the pavements of Kensington, Parsons Green and Hammersmith would one by one nudge out, and make for the Great West Road, duly clotting the A4 like a fast-food addict’s aorta. To all points west they would go – to the dewy hamlets of Hampshire, to the honeyed villages of the Cotswolds, to the pebbled beaches of Dorset’s Jurassic Coast, to the curvaceous nooks of Devon’s South Hams. But there is another way you can go, my friends, one which isn’t west. You can go east. And, boy,

Building Sizewell C would be a nuclear-sized disaster

I love Suffolk. This Christmas I will be there with my family and we’ll almost certainly walk up the coast, joining dog-walkers, bird-watchers, hikers and even swimmers in one of the most beautiful and unspoiled parts of the UK. The secret of Suffolk is its relative inaccessibility. No major motorway connects it and once you arrive you’re committed to a sprawling network of country lanes that twist through heathland and grazing marsh, mudflats and reedbeds. Minsmere, a nature reserve that’s home to 6,000 wildlife species, is among its glories. The nightjar, the woodlark, the Dartford warbler and the silver-studded butterfly are just some of the rare species found there. At

East Anglia is the place for birds

I first visited Orford in 1970, at peak Cold War when this stretch of the East Anglian coast was one of the most dangerous places to be, so that for three months of each winter living in Aldeburgh, I was perfectly positioned for maximum danger between Orford Ness with its secret atomic weapon testing, and Sizewell’s nuclear power station. I was too busy writing books to worry but Orford, bristling with military security and terrifying ‘Keep out’ notices, gave me nightmares. Now it is quiet save for some magnificent gales and rain battering the windows of this house overlooking the water. I am in mid-book as usual, and Orford Ness

Bring back the great British holiday camp

By the 1980s, after decades of immense popularity, the great British holiday camp was in terminal decline. The huge camps founded by Billy Butlin and Fred Pontin — the chalets, the dining hall, the redcoats (Butlin’s) and bluecoats (Pontins) — were becoming passé. Now the few that remain have been rebranded as holiday villages. But why not bring them back? Surely old-fashioned camps had exactly what we need today: simplicity, gentle fun and a sense of community. They were about team effort, not atomised nuclear families. Above all perhaps, they had a sense of identity. And they were a life-changer for me. I recently came across an online video of

How John Constable got masterpiece after masterpiece out of a tiny corner of rural Suffolk

Before his marriage John Constable returned regularly in early summer to his native village of East Bergholt. When he wrote from there to his wife-to-be, Maria Bicknell, he almost always exclaimed that Suffolk was ‘in great beauty’. His enthusiasm was never more eloquent than on 22 June 1812, when he declared: ‘Nothing can exceed the beautiful appearance of the country at this time, its freshness, its amenity — the very breeze that passes the window is delightful, it has the voice of Nature.’ I often think about Constable (1776–1837) as I pace across the water meadows on my daily constitutional — partly because this too is an East Anglian landscape