Statues

The statue of the Bristol merchant Edward Colston is apparently guilty of a hate crime. Let us hope that the four charged with pulling him down are indeed, for their sake, ‘on the right side of history’, as they claim, since statues have a habit of getting their own back on those who dishonour them. The statue of Theagenes (5th C bc) provides an instructive example. A Greek from the island of Thasos, Theagenes was one of the greats of the games’ circuit (so one should hope: his father was a priest of Heracles). As a boxer and all-in fighter (pankratiast), he won twice at the Olympics (boxing 480 bc,

In the 18th century, art historians’ admiration for the beauty of white-ish ancient Greek marble statuary led people to draw conclusions, on the back of their belief in classical ‘authority’, about white superiority. This, we are told, turned many classicists into racists. Today some members of the Cambridge Classics Faculty feel the white-ish plaster-cast replicas of those statues in their museum ‘entrench[es] racism’ in the same way. Their proposal is to put up a notice about it. Wow. Go, Cambridge! That’ll show those racists! And surely those still disgustingly white originals all over the world need notices as well. Two things need to be said. This is a modern ‘problem’:

Not since September 1642, when a mob of Parliamentary soldiers opened fire on the sculpture of the Virgin Mary carved into the side of the University Church, has Oxford been in such a fury over statues. The ‘Rhodes must fall’ campaign that started among radical students in 2016 has now spread to the senior common rooms, particularly the SCR of Worcester College which, astonishingly, has taken over from Balliol and Wadham as the headquarters of the workers’ revolution. More than 150 academics have signed a petition calling for their fellow dons to maintain a virtual picket line around Oriel College — that is, to refuse to teach its students or

The recently unveiled funerary monument of Princess Diana prompts comparison with Greek and Roman archetypes. To many, Diana was a heroic figure. Greek sculptors represented females as dignified figures, intricately coiffed, in graceful, loose-fitting, free-flowing tunics and ankle-length cloaks, with contrasting vertical and diagonal folds. Males were nude, a public statement of power and physical perfection, as if human significance did not end in death. Both were idealised figures, illustrating character and quality, not likeness. There is no hint of heroic ideals in this Diana, dressed presumably as a nursery teaching assistant. She does not even look like Diana, an attractive, delicate-featured woman. For Romans, in contrast to Greeks, likeness

The Church of England has once again misunderstood the mood of the nation. Guidance published this week urges the country’s 12,500 parishes and 42 cathedrals to address, search out, assess and remove offensive artefacts of ‘contested heritage’. The framework follows the call by Justin Welby, Archbishop of Canterbury, for a review of church statues. Of course racism must be taken seriously, but I doubt I was the only cleric who, upon hearing this development, let out a loud groan. The edict is both a concession to advocates of divisive identity politics and a distraction from the more pressing issues on which the church should be focused. Covid unleashed untold misery

When Mao’s Red Guards first got to work in China, they defaced statues before they tore them down. It was common to find a statue of Buddha, for example, with new signs saying: ‘Destroy the old world! Establish a new world!’ Boris Johnson’s government isn’t keen on statue removal, but it is offering a compromise. Oliver Dowden, the Culture Secretary, has adopted a policy of ‘retain and explain’, whereby the statue remains but with a plaque giving more historical context. Explanation, it is assumed, can only be good. Yet you only have to look at the single case where ‘retain and explain’ has been deployed to see what we could

There is a proposal to change how we criminalise people who damage statues. This proposed change is set out in the Police, Crime, Sentencing and Court Bill and has received much criticism — it is the supposed cause of last night’s protests in Bristol, the first place in the UK to see a prominent statue being toppled last summer. But it is not for lawyers to tell the public what they can or should think — the law is the law, but any changes to it are political decisions. Lawyers can elucidate how our regulations currently work but it is for the public and their politicians to decide what those

I have known Ghislaine Maxwell for more than 40 years, since she was a student at Balliol. I always liked her, everyone did, and I find it hard to reconcile the Ghislaine I knew with the heinous crimes of which she now stands accused. I visited her several times at Headington Hall, her family house on the edge of Oxford, when her father Robert Maxwell was at the height of his power. It was a peculiar house, rented from the council, like an enormous municipal town hall. The entrance hall and corridors were lined with at least a hundred framed cartoons by Jak and Mac of the great narcissist newspaper

The Scottish National party and its supporters like the world to see Scottish independence as a final act of decolonisation, Scots throwing off the yoke of English imperialism and, with it, the taint of having been imperialists themselves. Last week Scots academic Sir Geoff Palmer compared it to the process that led to his native Jamaica gaining its independence. Yet Scots were the greatest of British colonialists and, for most of the 300-odd years of the Union, strong unionists. Scots statuary of figures from before the 1707 Act of Union is quite sparse. But even those few earlier Scots haven’t been exempt from the wider debate about our monuments. In

The latest victim in this summer’s mania could be the name of one of London’s best-known and wealthiest areas: Holland Park, in the west of the capital. A monument in the park itself, of the 19th-century politician Henry Vassall-Fox, the third Baron Holland, was splattered with red paint on Wednesday. After, the Royal Borough of Kensington and Chelsea suggested that the park, underground station and entire district could end up being renamed. The park and neighbourhood was named after Henry Fox, the first Baron Holland. His descendent, the third Baron, technically owned slaves and dozens of plantations in Jamaica through his wife’s estate. Hence this weeks’ desecration, with a cardboard