Star wars

Was Carrie Fisher really ‘a genius’?

‘People throw the word “genius” around a lot,’ said a talking head on BBC2 this week, ‘but she was a genius, truly.’ If it wasn’t for the heading on this column, I suspect it might have taken you a while to guess the unquestionable genius being referred to here. But then again, for Carrie Fisher: A Life in Ten Pictures, considered analysis and fear of hyperbole would only have got in the way. Not that this prevented the programme from being inadvertently revealing. Granted, if you wanted to know the full story of Fisher’s life – including the fact that she married Paul Simon – you’d have been better off

The genius of stop-motion wizard Ray Harryhausen

Modern Two in Edinburgh reopens this week, and what more fitting subject for a show in a time of global catastrophe than Ray Harryhausen, titan of cinema, creator of beasts, destroyer of cities, king of adventure? If you were near a screen at any point during the Cold War, you almost certainly watched Harryhausen movies. The tentacled Beast from 20,000 Fathoms, so realistic it was awarded an X certificate upon arrival in Britain; the mythical marvels of The 7th Voyage of Sinbad; and the vicious skeletons of Jason and the Argonauts captivated generations of viewers. These indelible creations, all handmade by one man, the animator, special-effects pioneer and producer Ray