Sondra Radvanovsky

Splendid revival of an unsurpassed production: Royal Opera’s Turandot reviewed

Puccini’s Turandot is back at the Royal Opera in the 40-year old production by Andrei Serban and… well, guilty pleasure is an unfashionable notion these days, but I still feel a batsqueak of shame at enjoying it so much. It’s not the chinoiserie – anyone who believes that an opera based on an 18th-century Italian pantomime should be taken literally is probably beyond help. No, it’s a Spectator headline from years back that still nags. ‘Turandot is a disgusting opera that is beyond redemption’ was the gist of a review of this same staging by the late Michael Tanner, and if it was anyone else you’d put it down to