Social media

The death of David Amess and the narcissism of the discourse

The speed with which tragedy turns into farce these days is quite something. Within minutes of Sir David Amess’s death being announced, social media was filled with sizzling hot takes. The back-and-forth centred on whether the decline in ‘civility’ and the use of dehumanising language in politics was to blame for the murder of an MP. It recalled nothing so much as the recriminations after Jo Cox’s death, except that the teams here had, as it were, swapped shirts at half-time. Back then, the left more or less directly attributed Jo Cox’s murder to the language used by the partisans of Brexit: ‘traitors’, ‘saboteurs’ and so on. Back then, the

Facebook’s empire is beginning to crumble

When empires crumble they slide slowly at first, then the temple walls come crashing down. Facebook is not quite at the latter stage yet, but you can hear the creaking in the pillars and lintels. This week, the social media giant suffered two blows: an outage which took down its platform, along with Instagram and WhatsApp, and an expose by a disillusioned ex-employee who accuses the company of saying one thing about social responsibility in public – while behaving quite differently in private. Many of us might not notice if Facebook suddenly wasn’t there. But it is a different story for the many businesses which have built their model on

I miss life before Big Tech

Do any of you remember the time when everything took place on the terraces and in outdoor cafés? Before everyone retreated into laptops and mobile telephones and Twitter? When the streets thrummed with possibility and the potential for new encounters was everywhere? Well, that’s all gone now, thanks to some pretty ugly-looking fellows with names such as Dorsey and Zuckerberg. But we’re the ones who adopted their useless inventions and live by them as if they were the Sermon on the Mount. The social consequences have been devastating — the young make noises instead of articulating speech — and had Cassandra been around 20 or so years ago she would

Emma Raducanu’s victory is being spoiled by the usual suspects

How do you take the pleasure out of something so marvellous and joyful as Emma Raducanu’s US open victory last night? Easy — turn on Twitter, which spoils everything including sport. Raducanu’s victory is truly a great triumph; the most breathtaking sporting feat by a female British athlete in our lifetimes. Emma is 18 and beautiful, just did her A-levels and got A* marks, had been 400/1 to win the tournament, never dropped a set — all these facts make her achievement even more delightful. I’ll stop the adulation there, because an entire industry of sports commentators already exists to make these points over and over. We don’t all need

Technology is robbing us of the power to forget

Two years ago, Lauren Goode, a senior writer at Wired magazine, cancelled her wedding and it was awkward. These things always are, but you get over it because the brain slowly learns how to skip over painful memories. Or it did, before social media. Goode has made a career out of wittily stripping away the pretensions of consumer tech, and when her wedding plans blew up consumer tech had its revenge. She ended her eight-year relationship in 2019 — but the internet didn’t get the message and kept confronting her with ‘a cyborg version of me, a digital ghost, that is still getting married’. As she wrote in Wired, at

I was held to ransom by hackers

I’m the owner of two small galleries which sell 20th-century ceramics and artworks. One of the ways we’ve become known is through Instagram. We’ve got almost 50,000 followers and sell a lot of work through there. In May, I was away for the weekend with friends in Somerset. On Saturday morning, I saw an email in our shared work account (purporting to be) from Instagram. It was congratulating us for getting a blue tick — verification that confirms the account is an ‘authentic presence’. Thrilled, I clicked the link in the email to confirm. It took me to an official-looking Instagram page where I entered our login details. I was

Mesmerising and monstrous: @zola reviewed

The distinction between on and offline life blurred long ago. The greatest spats, sexual self-fashionings and mad soliloquies now unfurl on social media. The splenetic rhythms and fundamental shallowness of this medium make it a questionable source for art, but Janicza Bravo’s @zola — the first film ever released based entirely on a series of viral tweets — makes a tight, original fist of such material. @zola is A’Ziah ‘Zola’ Wells King, who in 2015 as a 19-year-old exotic dancer and stripper living in Detroit unleashed a 148-tweet thread, billed as #thestory, which detailed a chain of nasty but fascinating events during a surreal trip to Tampa. Full of sex,

Isn’t it time social media cracked down on racism?

No sooner had Bukayo Saka’s penalty kick thudded into the gloves of the Italian goalkeeper than you could see it coming. Racists were not going to miss the opportunity to attack the England team. And sure enough, within hours the sewer that is Twitter (even at the best of times) had become a torrent of effluent. I don’t know a great deal about coding, but I can’t think it is really all that difficult to pick up certain words and remove them Yes, it does show there is still an underbelly of racism in English society — even if the charge that we are a country of ‘systemic racism’ left

The bogus business of stigma-busting

Our society is bristling with social stigmas, we’re told, even in the progressive West, even in London. Life is so horribly stigmatised that celebrities are increasingly keen to raise awareness not of diseases or disabilities, but of the stigma that’s said to surround them. So: less campaigning for cancer research, more for breaking the stigma around talking about cancer. Less feeding the world, more brave standing up to the stigma attached to food poverty. Once you’re alert for stigma, it’s astonishing how much mention of it there is. There are the obvious and much discussed stigmas surrounding mental illness and sexuality, but also (I’ve read) there’s a stigma around having

Beware Boris’s sinister crackdown on free speech

A Conservative government that boasts it is a defender of free speech against the attacks of ‘the woke’ is about to impose the severest censorship this country has seen in peacetime since parliament abolished press controls in the 1690s. In an extraordinary power grab – which is all the more extraordinary for the absence of opposition – ministers want to silence views that carry no criminal penalty. This is more than a much-needed crackdown on racial attacks on black footballers or incitements to violent crime or any other crime; it is an unmerited attack on free speech. The government’s draft Online Safety bill imposes a ‘duty of care’ on internet companies to remove content that

Big Tech is turning into Big Brother

The Big Tech social media giants are having to rethink their policy of censoring anybody who suggests that Covid originated from a lab near Wuhan, rather than through some local chowing down on sweet and sour pangolin testicles. This is because it now seems quite possible, if not probable, that the virus was kindly bestowed upon us by Chinese scientists. I don’t know either way, but I would suggest that a suspicion that the virus was man-made, given the proximity of the Wuhan Institute of Virology, scarcely qualifies as a lunatic conspiracy theory to be banned from public utterance. But that’s what the Big Tech companies decided — almost certainly

How TikTok can turn a book into a bestseller

I have an American friend who loves reading, but is clueless about technology. The last time I visited him he was still using Internet Explorer, which even Microsoft has given up on. My friend was puzzled when he walked into his local bookshop and was met by a table of books with the sign ‘#BookTok made me read it’. Soon afterwards I received a bewildered WhatsApp message: ‘What is BookTok?!’ Until recently, I didn’t know. Before the pandemic, I was a working stand-up comic. I’ve never been on television and you probably haven’t heard of me, but I was happy. I worked six nights a week, made enough to pay

A brilliant, tense, ragged slice of drama: Waiting for Lefty reviewed

A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel Redford whose Borat accent becomes grating after a little. She plays Masha, a computer wizard and language expert, who works for a firm of hackers appointed to spread fake news ahead of the referendum. Masha uses two techniques. She poses as a British Facebook subscriber and drops scary comments on to her timeline. ‘If we don’t leave the EU, Muslim extremists will flood the country.’ Her other ploy is to share a quiz about bikinis with her female correspondents. If the offer is taken up, the bots can harvest data

TikTok intifada: the role of new media in old conflicts

In Israel last month, a video on the social media platform TikTok encouraged users to film themselves assaulting Orthodox Jews. That video became a spark that ignited outrage across the country. A band of Jewish extremists, Lehava, organised a march in response. They clashed with Arab groups at Damascus Gate. In a situation that was already a tinderbox, things escalated from there. Why did it happen? Why would any ordinary person get pleasure from assault? ‘There is a competition for likes and views,’ a 15-year-old victim told an Israeli news organisation. ‘A video of an Arab slapping an ultra-Orthodox man will get you both.’ A violent riot set off by

Covid has emboldened our modern censors

The past year has accelerated all kinds of trends that were already moving through our societies. Social atomisation, the decline of the high street and communities, the rise of the nanny state — Covid and lockdown have brought all of these to the fore. Among the most concerning is the rise of Big Tech censorship, and the way in which a handful of Silicon Valley oligarchs have come to set the terms of debate and even rule on what is true. This week representatives from Facebook and Twitter were brought before parliament to discuss their firms’ censorship of discussion around Covid. Two particularly pertinent cases were raised — though there

Lara Prendergast

The curious rise of cottagecore

Cottagecore, not to be confused with cottaging, is an aspirational lifestyle trend. The word is relatively new —although you’ll find it used all over TikTok — but the idea isn’t. If you have ever dreamt of leaving behind the urban sprawl for something more bucolic, or donned a cheesecloth dress and flower crown in the hope that it will make you seem a little folksy, you’ll understand the aesthetic. Cottagecore is the eternal search for a pastoral idyll, updated for the Instagram generation. It is hardly surprising that such a romantic movement has been revived during a time of pestilence and isolation. Throughout the pandemic, many of us have felt

The first-century saint who went viral

Earlier this year, Saint Veronica went viral. A tweet observing that every painting of the saint made her look like a merchandise seller at the Crucifixion was liked more than 35,000 times and retweeted more than 6,700 times. Not bad for a first-century saint. I disagree slightly. Veronica doesn’t strike me so much as a proto T-shirt tout, more as an early Christian super-fan. ‘I touched the hem of his garment.’ ‘Yeah? Well, I literally mopped the sweat from his brow.’ The Sudarium of Saint Veronica is one of art history’s more peculiar subjects. While some saints and their attributes are easy to confuse (Tau? Sword? Saw? Tongs?), if there’s

Promising material squandered: BKLYN – The Musical reviewed

BKLYN — The Musical gives itself a headache for no reason. What does ‘BKLYN’ mean? Perhaps it’s a random jumble of letters caused by a muffin landing on the keyboard. A punter who sees the title once and later looks it up online is unlikely to recall the precise order of the letters, and his search will probably fail. And he’ll have trouble discussing the show with his friends because he won’t know how ‘BKLYN’ is pronounced. It turns out that the show’s heroine is called Brooklyn, and the writers decided to capitalise her name and extract three of its letters. Sensible theatre-makers don’t create problems like this for themselves.

The true cost of Gordon Elliott’s crass stupidity

Thanks to Covid, there could be no spine-tingling roar at the Cheltenham Festival this year as the first race runners set off, no exultant crowds lining the rails from the finish to the winners’ enclosure to cheer their sweaty heroes. Twitchy racing officials will have watched with their gaze half averted for fear that equine fatalities or excessive whip use by jockeys desperate to extract the last ounce of effort from their mounts will have swelled the chorus of the sport’s opponents and would-be eradicators. Publishing schedules mean that I must write before a Festival race is run, but I have no doubt that the week will have been dominated

Clubhouse left me with one question: why am I here?

For my 13th birthday in 1995 I requested — and got — my own ‘line’. This meant that I could jabber all night without taking the phone out of service for everyone else. Getting your own line was a rite of passage for teenage girls in America back then, and everybody just sighed and let us get on with it. Talking on the phone all the time was simply something girls did. Women, meanwhile, at least according to film and TV, spent their time sitting by the phone eagerly awaiting calls from men that usually didn’t come. But then the feminised world of the endless, open-ended voice call dwindled with