Social justice

What monuments stand to teach Americans about themselves

Why do we raise monuments? Why do we tear them down? These questions hover over MONUMENTS, now on view at Los Angeles’s Museum of Contemporary Art and the Brick. The premise is straightforward enough: gather the remains of America’s shattered sculptural conscience – decommissioned Confederate statues and their graffiti-marred plinths – and display them alongside contemporary works on racial topics. This comparison is supposed to reveal something about America’s nature and history, and it certainly does: it shows us just how attached we are to grievance. Both the raising and the destruction of monuments nourishes convictions on either side, ensuring that the argument can never end. Readers will remember the

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Michelle Obama’s new book about style lacks substance

First lady is a strange role. Even when your husband is the first black president, and you’re a Princeton and Harvard-educated former corporate lawyer, America still projects its most regressive ideas about gender onto you. So I understand that Michelle Obama, like Hillary Clinton before her (skipping Laura Bush, a more classical first lady, along with, more recently, Jill Biden and Melania Trump), might have felt constrained, faced with expectations she could never satisfy. I don’t doubt that being black added enormously to that burden. Yet there is nothing more irritating than the person of Michelle Obama complaining. And she is always complaining. There is always sexism or racism or

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