Scotland

Does The Spectator hate the Welsh?

This St. David’s Day weekend, I devote this column to a celebration of the world’s most under-appreciated ethnic group. Under-appreciated, certainly, in the pages of The Spectator, whose editorial policy suffers from a Pictish delusion that its readers are eager to hear of the appointment of a new procurator fiscal in Ayrshire, or political divides on Pitlochry council, while having zero interest in the finer country to the west. Sometimes mere exposure to Wales may be enough to inspire greatness, as in the work of Alfred Russel Wallace or Led Zeppelin Now in celebrating Wales, we need some ground rules. Since the Welsh are much more agreeable than other Celtic

welsh

Give me Shakespeare’s Macbeth over Jo Nesbo’s any day

It must have seemed a good idea to someone: commissioning a range of well-known novelists to ‘reimagine Shakespeare’s plays for a 21st-century audience’. The first six novels have come from irreproachably literary authors of the calibre of Jeanette Winterson (The Winter’s Tale) and Margaret Atwood (The Tempest). Now, however, we have something a little different: Jo Nesbo, the Norwegian crime writer, has recast Macbeth as a thriller, allegedly set in 1970, though this timeframe should not be taken too literally. The plot is very loosely connected with Shakespeare’s. The location is a crumbling city in a dystopian country where many of the names have a Scottish ring. Prostitution, gambling and