Russia

‘The line dividing good from evil cuts through the heart of every human being… This line is not static within us; it sways to and fro over the years. Even in a heart imbued with evil, it allows a small bridgehead of good to remain. And it permits a small niche of evil to survive even in the kindest of hearts.’ These words were written by Alexander Solzhenitsyn, seeking to explain why The Gulag Archipelago was necessarily ambiguous. But they also fit elements of the Savile scandal, which is being prejudged in increasingly black and white terms. Charles Moore’s observation that this grim affair is a ‘dreadful warning’ about the

Like the most desperate of priests, and the most marginal of activists, Nick Cohen wants us all to be like him. He’s an angry journalist who can’t imagine why everyone doesn’t think like an angry journalist. In What lonely planet are they on? Cohen attempts a take-down of travel guide publisher Lonely Planet, implying that they’re all liberal lefties, happy to whitewash the crimes of dictators in order to sell more books. To do so he cites the work of Thomas Kohnstamm, a Lonely Planet author who admits making stuff up (though, here and elsewhere, Kohnstamm maintains that the job he was commissioned for was a desk-edit, rather than a

‘Not one word’, exclaimed Turgenev of Tolstoy, ‘not one movement of his is natural! He is eternally posing before us!’ The recurrent underlying theme of A.N. Wilson’s prize-winning biography of Tolstoy, now re-issued after a quarter of a century, is the novelist as grand impersonator. Wilson (a prolific novelist himself) believes that there is a strong impulse in novelists to don masks or test alter egos, and that this impulse rioted in Tolstoy’s character. Throughout his long life Tolstoy switched between playing at sad orphan, landowner, libertine, crazed gambler, spiritual elder, holy fool, paterfamilias, historian, village idiot, cobbler and dissident. Sometimes he postured as a bearded prophet, doling out portentous

The central themes of Russian history have remained constant for over a millennium.  Russia’s vast spaces and lack of any natural borders have always made her inhabitants terrified of invasion. And to protect the country against invaders, and to preserve its unity, Russia’s rulers seem always to have felt it necessary to assert their authority with great brutality. All this is at least hinted at in the very first introduction to Russian history. The Primary Chronicle, compiled in Kiev around 1113, tells us that there was no law among [the Slavs], but tribe rose against tribe…  Accordingly they …  said to the people of Rus [who were probably Scandinavians]: ‘Our

The mirrored sunglasses worn by Putin on the cover of Angus Roxburgh’s The Strongman give the Russian president the look of a crude mafia boss, while the half-face photo on the cover of Masha Gessen’s book makes him appear both more ordinary and more sinister. This hints at the difference of the authors’ approach. Gessen focuses on the trajectory of a postwar Soviet boy growing up in a shabby communal flat, fierce and vengeful in street fights, who dreams of joining the KGB. This dream was fulfilled: Putin got a boring job as an agent in East Germany, and ten years after returning home he surprisingly became the most powerful