Had the air of a Blue Peter Christmas special: Grange Festival’s The Yeomen of the Guard reviewed
The Yeomen of the Guard has been called the ‘English Meistersinger’ but the more you think about that, the dafter it gets. It’s not just the very obvious difference in scale and means between Wagner’s five-hour national epic and Gilbert and Sullivan’s sprightly opéra comique. Wagner’s whole drama builds to a collective affirmation of German art. The Yeomen begins by setting up a fantasy of an English golden age – the Tower of London in the 16th century – then systematically cuts it to ribbons. Act One’s gallant hero becomes Act Two’s callous seducer, whose march towards his own happy ending leaves a trail of collateral damage: a spiral of
