Robert pattinson

Mickey 17 is the latest film from the South Korean writer-director Bong Joon-ho, who won an Oscar for Parasite and made Snowpiercer and Okja. It’s a dystopian sci-fi satire starring Robert Pattinson twice over (all will be explained) but while it initially kicks some decent ideas around, it eventually descends into a cartoonish, sub-Armando Iannucci comic caper with, as far as I could ascertain, nothing fresh to say. It’s not the biggest disappointment I’ve had in my life but it’s up there. The film is set some time in the future and Pattinson plays Mickey 17, a crew member on a space-colonisation mission who, in the opening sequence, has fallen

The latest Batman film, The Batman, may be a reboot, or even a reboot of a rebooted reboot that’s been rebooted. Hard to tell any more. Tracey Ullman once joked that her mother had served leftovers for so long that no one could recall the original dish and this feels like that. What was the original dish? Was it Tim Burton’s version from 1989 starring Michael Keaton? I don’t know. All I know is that you hope each time for something fresh and surprising and entertaining but every film since has simply attempted to out-film noir the last. We can go darker still! Bruce Wayne, more traumatised by his childhood

Tenet is the latest high-concept, time-bending blockbuster from Christopher Nolan and it’s the film that (unofficially) reopens cinemas in the UK. It has everything that fans of Inception or Interstellar might want. There are spectacular set pieces. There’s time going forwards and then reversing, so it’s bullets flying back into the gun as crashed cars right themselves. There is a relentlessly pounding soundtrack. There is Sir Michael Caine playing Sir Michael Caine — his character is called Sir Michael Crosby but I wasn’t fooled — and as for the plot? Incoherent. Which fans seem to like. (‘I can’t explain any of it but it’s genius,’ I heard one say on