Restaurants

The real reason there’s a queue outside the Cereal Killer Café

The Cereal Killer Café is a temple to cereal on Brick Lane, east London. It serves only cereal — and also Pop-Tarts, which taste like pavements smeared with chocolate — and flavoured milk. It has been open for one month and is already famous for its monomania, its whimsy — look, cereal! — and its co-owner’s on-air fight with a Channel 4 News journalist about the morality of selling £3.50 bowls of cereal in a ‘poor area’. (The Channel 4 reporter did not notice the bespoke chocolatier next door or the boxer-short boutique nearby, in which golden boxer shorts hang on hangers. He did not notice that the East End is

The most preposterous restaurant to have opened in London this year

Somerset House, a handsome Georgian palace on the Thames, was once the office of the Inland Revenue, and the courtyard was a car park, but that particular hell is over. Instead there is Skate at Somerset House with Fortnum & Mason, which is a purple-lit skating rink next to a ‘pop-up’ shop or ‘Christmas arcade’. This, because all PR copywriters think they write for Jennifer’s Diary in 1952, is apparently ‘the most chic and complete Christmas experience in London this season’. I doubt it. There is, for instance, no sign of Rudolph the red-nosed reindeer, Father Christmas, or rogue elves, although there is a ‘twinkling 40ft Christmas tree hand-picked from the

The hotels trying to turn Cornwall into Kensington

Mousehole is a charming name; it is almost a charming place. It is a fishing village on Mount’s Bay, Cornwall, beyond the railway line, which stops at Penzance, in an improbable shed; I love that what begins at Paddington, the most grandiose and insane of London stations, ends in a shed. The Spanish invaded Mousehole in 1595 but Drake’s fleet came from Plymouth and chased them away; nothing so interesting has happened since; just fishing, tourism and decline. Now there are galleries and restaurants and what the Cornish call ‘incomers’ buying cottages, in which they place ornamental fishing nets after painting everything white. (For something more ‘authentic’, you can visit

Dear Mary: Do I really have to take my shoes off indoors?

Q. There has been a marked increase in the number of people who have pristine flooring and are so keen not to have outside dirt brought in that it has, in my view, entered the value system of good manners for me to offer to remove my shoes when arriving at their homes. That’s fine. But in the evening, especially if I’m invited to a dinner or drinks party, I think about my shoes according to the rest of my outfit. To then have to take off the soft, possibly Jimmy Choo, suede shoes or delicate leather boots and spend the evening in barely stockinged feet is, to me, uncomfortable

The real French embassy is a restaurant

Semper eadem. There is some basement in a Mayfair street that is forever France. It is not far from the American embassy, a strong candidate for the all-time monstrous carbuncle award. Bad enough that it should ever have been built: worse still, some ‘architects’ want to preserve it. Its menacing hideousness has made a significant contribution to the growth of anti-American sentiment in modern Britain. Only a hundred yards away, there is an unpretentious building. No disrespect to successive French ambassadors in London, who have made heroic efforts to put the best possible gloss on a failed state, but Le Gavroche has done more than diplomacy ever could to justify

A buffet in an Egyptian tomb

Atlantico is a vast buffet inside the Lopesan Costa Meloneras Resort Spa and Casino in Gran Canaria. The Lopesan Costa Melonoras Resort Spa and Casino — or, as I will henceforth call it, TLCMRSAC — looks like Citizen Kane’s Xanadu without the art, the metaphor or the tragedy. It has towers, chandeliers, vistas, pools, terraces, tennis courts, a swim-up bar, a miniature golf course and palm trees. It is a synthetic paradise for Europeans who want sun in November in their own time zone; it is more unnatural than Las Vegas. Atlantico has roughly one thousand covers, if you include an annexe room styled like an Egyptian tomb with a

Barry Humphries’s diary: The bookshop ruined by Harry Potter

Do fish have loins? Last Tuesday, in a pretentious restaurant, I ordered a ‘loin of sea trout’. It looked just like an ordinary piece of fish — a bit small, as is usual in pretentious restaurants — on a plate sprinkled and drizzled as though the chef had perhaps coughed over it rather violently or vigorously scratched his head before giving it to the waiter. In Australia, I was once offered a shoulder of some other fish, so I suppose one might even be able to enjoy a rump of whitebait or even a saddle of flounder. But generally speaking I don’t mind loin when applied to the loinless, and

Want to shake hands with your dinner? Beast is your kind of restaurant

Beast is next to Debenhams on Oxford Street and it is not conventionally beast-like; rather it is monetised and bespoke beastliness, which is not really beastliness at all. It is something worse. The outside is Dead Animal Inc: glassy, corporate, bland. The reception has a 10ft bronze bear covered with swirls which look like paisley or some photogenic skin disease. A woman presses the button inside the lift for you, should you be too stupid or lazy to do it yourself. And downstairs, as the lift opens and you peer into the dark, you see a fridge full of hanging beef with labels flickering in a cold synthetic wind. They

Gymkhana is morally disgusting – and fortunately the food’s disgusting too

Gymkhana is a fashionable Indian restaurant in Albemarle Street. It was, according to its natty website, ‘inspired by Colonial Indian gymkhana clubs, set up by the British Raj, where members of high society came to socialise, dine, drink and play sport’. This is revolting, in the same way that eating in homage to apartheid South Africa or to commemorate the genocide of native Americans is revolting. Not that this is exceptional, of course; these days no crime is so calamitous it cannot be seconded into an entertainment experience or themed meal. There is, after all, a cafeteria at Auschwitz which received the following review online: ‘They have a range of

Dear Mary: Can I run out on an apprenticeship for my dream interview?

Q. I have been trying to get an apprenticeship in fashion for over a year without success. I just had a day-long interview where I had to sew and cut and was employed on the spot. My problem is that a few hours later, I got the call to come in to be interviewed by a designer who has been my fashion idol since I was 15. He would be much cooler to work for. He may not offer me a job but it seems like a chance of a lifetime. How should I play this, Mary? —Name and address withheld A. Honour is all. ‘Employed on the spot’ means

Today’s Disney princesses look like Russian mafia wives. This is their café

The Disney Café is a gaudy hell on the fourth floor of Harrods, Knightsbridge. It is adjacent to the Harrods Disney Store, and also the Harrods Bibbidi Bobbidi Boutique, in which females between the ages of three and 12 can, for fees ranging from £100 to £1,000, be transformed into the tiny, glittering monsters called Disney princesses. They look like the late Queen Mother, but miniaturised. They glide — or are carried, if very small — from boutique to café in hooped plastic gowns in poisonous pink; combustible cloud-dresses, made for arson. Their hair is tight with curls and hairspray, and topped with the essential tiara. They look obliviously class-obsessed

Rextail: a restaurant for billionaire children

Rextail is a restaurant for billionaire children, such as Richie Rich. Its owner, Arcady Novikov, has already opened a restaurant for billionaire men and their spindly billionaire wives — the bonkers fusion Asian/Italian barn Novikov, which travels with its own angry cloud of cigar smoke and identity crisis; so a restaurant for children is the next logical step in the redevelopment of London as a playpen for plutocratic families or cults. Children are sophisticated these days, especially if they fly first class or tumble around private aeroplanes; most of the clientele at the Disney Café by Harrods (note the terrible ‘by’, a pretentious substitution for ‘in’, which I suspect has

Fischer’s is like visiting Vienna without having to go to Austria (thank God)

Fischer’s is Austria made safe for liberals, gays, Jews and other Untermenschen riffraff, because it is a restaurant, not a concentration camp, and because it is in Marylebone High Street, not Linz. It is the new restaurant from Chris Corbin and Jeremy King, who opened the Wolseley, the Delaunay and Brasserie Zédel, and it is more profound and lovely than any of them. There is always a clock in a Corbin and King restaurant, a big old clock from some fairytale train station, poised over the clientele as they stuff and age; for remembrance of mortality, I guess. Or maybe they just like big clocks? In any case, the guests

Rhubarb has the loveliest, craziest dining room I have ever seen

The Edinburgh Fringe Festival: the city is full of glassy-eyed narcissists eating haggis pizza off flyers that say Michael Gove: Prick. I saw the Grim Reaper in the Pleasance Courtyard, of all places. Even Death likes an audience these days, has a media strategy, an agent, a gimmick. But this is not a review of comics — mating habits and most likely mental illnesses or ‘conditions’, plus hats — disguised as a review of the food that comics eat. All comics are mad. You know this. They live on self-hatred and Smarties, when they can afford them. Instead, I go to Rhubarb. Rhubarb is the sister restaurant to the Witchery

L’Escargot is Soho as Soho sees itself

L’Escargot, or the Snail, is a famous restaurant on Greek Street, Soho, opposite the old Establishment club; the oldest French restaurant in London, they say (1927), and who am I to argue? It is the type of restaurant that non-Londoners have heard of and used to visit. They passed photographs of Larry Olivier and Mick Jagger staring glumly at them as they took off their overcoats in the hallway for a pre- or post-theatre supper; despite this, or maybe because of it, the Snail fell into a long and sad decline. Its green and gold rooms embraced silence. The waiters snarled; the snails wilted. They had been there too long.

At the Chiltern Firehouse, smugness should be on the menu

Here then is Gatsby’s house, after an invasion by the Daily Mail. It is called the Chiltern Firehouse. It is a restaurant in a newly opened hotel in a Victorian Gothic former fire station in Marylebone, a proud and grimy district in total denial about its shocking levels of air pollution. The building has a fairytale intensity, with red brick turrets; it is a Roald Dahl prison repointed to its extremities by the man who made the Chateau Marmont in LA. The chef is Nuno Mendes, formerly of Viajante. But what else? Ah — now we are sucked into a wind tunnel of paps and buzz; like so much nonsense,

Jonathan Ray

What it takes to be Best Sommelier of the World

It is blossom time in Tokyo. An unruly pack of journalists, photographers and TV crews prowls the corridors of the Grand Prince Hotel Takanawa, where a world championship is taking place. Where’s the smart money going? Who’s looking good and who’s out of sorts? Who stayed out last night and who was tucked up in bed nice and early? ‘That’s Bruce, the coach of the Canadian team, he’ll know what’s cooking,’ mutters a colleague as an anxious looking guy scuttles past. ‘And there’s the European champion,’ whispers another as a dark-suited young man darts out of a door and hurries away. A Japanese film crew sprints off in pursuit. Finally,

Harry’s Bar, where a slice of cake costs €32 – and is worth it

Harry’s Bar is a dull pale box. This is remarkable in Venice, which is a hospice for dying palaces, held up aching over the world’s most charismatic puddle; Harry’s is a transgressive anti-palazzo. It is a world-famous restaurant, the jewel of the Cipriani brand, and it is very conscious of this honour; it sells branded tagliarelli and books about the meals it served 30 years ago to the rich and famous; it is into auto-iconography, like the city it lives in. For this, and so much else, I blame Ernest Hemingway. He ate here after shooting birds in the lagoon and doesn’t the world know it? Some men fought against

The rudest restaurants in London

Wong Kei is a mad Chinese restaurant on Wardour Street, Chinatown. Until recently it was considered the rudest restaurant in London and, because human stupidity is without end, it became a tourist attraction in its own right, a destination for masochists too frightened to visit an actual dominatrix who would hit them with a stick. The owner decided this notoriety upset him so he instructed the staff — no more deliberate or casual or accidental rudeness. This was considered so notable that it was reported in national newspapers. I never thought Wong Kei was particularly rude, but then I am Jewish. I had an interesting reaction to a meal there

After visiting the Cherwell Boathouse, I might spare Oxford from burning

It is now two decades since I lived in Oxford. I was then a drunk and lonely puddle of a person, with only a gift for screaming; but no matter how low I sank, to paraphrase Alcoholics Anonymous literature, I never sank quite as low as to consider eating at the ’bab van (kebab van) outside Univ (University College) on the High (High Street); I preferred to dine in Hall (a hall). Oxford, you see, has its own native dialect, a sort of pidgin posh best worn with a depressed carnation and a giant inedible chip made of class terror. Perhaps the roots of my eventual redemption were in that