Restaurants

Rextail: a restaurant for billionaire children

Rextail is a restaurant for billionaire children, such as Richie Rich. Its owner, Arcady Novikov, has already opened a restaurant for billionaire men and their spindly billionaire wives — the bonkers fusion Asian/Italian barn Novikov, which travels with its own angry cloud of cigar smoke and identity crisis; so a restaurant for children is the next logical step in the redevelopment of London as a playpen for plutocratic families or cults. Children are sophisticated these days, especially if they fly first class or tumble around private aeroplanes; most of the clientele at the Disney Café by Harrods (note the terrible ‘by’, a pretentious substitution for ‘in’, which I suspect has

Fischer’s is like visiting Vienna without having to go to Austria (thank God)

Fischer’s is Austria made safe for liberals, gays, Jews and other Untermenschen riffraff, because it is a restaurant, not a concentration camp, and because it is in Marylebone High Street, not Linz. It is the new restaurant from Chris Corbin and Jeremy King, who opened the Wolseley, the Delaunay and Brasserie Zédel, and it is more profound and lovely than any of them. There is always a clock in a Corbin and King restaurant, a big old clock from some fairytale train station, poised over the clientele as they stuff and age; for remembrance of mortality, I guess. Or maybe they just like big clocks? In any case, the guests

Rhubarb has the loveliest, craziest dining room I have ever seen

The Edinburgh Fringe Festival: the city is full of glassy-eyed narcissists eating haggis pizza off flyers that say Michael Gove: Prick. I saw the Grim Reaper in the Pleasance Courtyard, of all places. Even Death likes an audience these days, has a media strategy, an agent, a gimmick. But this is not a review of comics — mating habits and most likely mental illnesses or ‘conditions’, plus hats — disguised as a review of the food that comics eat. All comics are mad. You know this. They live on self-hatred and Smarties, when they can afford them. Instead, I go to Rhubarb. Rhubarb is the sister restaurant to the Witchery

L’Escargot is Soho as Soho sees itself

L’Escargot, or the Snail, is a famous restaurant on Greek Street, Soho, opposite the old Establishment club; the oldest French restaurant in London, they say (1927), and who am I to argue? It is the type of restaurant that non-Londoners have heard of and used to visit. They passed photographs of Larry Olivier and Mick Jagger staring glumly at them as they took off their overcoats in the hallway for a pre- or post-theatre supper; despite this, or maybe because of it, the Snail fell into a long and sad decline. Its green and gold rooms embraced silence. The waiters snarled; the snails wilted. They had been there too long.

At the Chiltern Firehouse, smugness should be on the menu

Here then is Gatsby’s house, after an invasion by the Daily Mail. It is called the Chiltern Firehouse. It is a restaurant in a newly opened hotel in a Victorian Gothic former fire station in Marylebone, a proud and grimy district in total denial about its shocking levels of air pollution. The building has a fairytale intensity, with red brick turrets; it is a Roald Dahl prison repointed to its extremities by the man who made the Chateau Marmont in LA. The chef is Nuno Mendes, formerly of Viajante. But what else? Ah — now we are sucked into a wind tunnel of paps and buzz; like so much nonsense,

Jonathan Ray

What it takes to be Best Sommelier of the World

It is blossom time in Tokyo. An unruly pack of journalists, photographers and TV crews prowls the corridors of the Grand Prince Hotel Takanawa, where a world championship is taking place. Where’s the smart money going? Who’s looking good and who’s out of sorts? Who stayed out last night and who was tucked up in bed nice and early? ‘That’s Bruce, the coach of the Canadian team, he’ll know what’s cooking,’ mutters a colleague as an anxious looking guy scuttles past. ‘And there’s the European champion,’ whispers another as a dark-suited young man darts out of a door and hurries away. A Japanese film crew sprints off in pursuit. Finally,

Harry’s Bar, where a slice of cake costs €32 – and is worth it

Harry’s Bar is a dull pale box. This is remarkable in Venice, which is a hospice for dying palaces, held up aching over the world’s most charismatic puddle; Harry’s is a transgressive anti-palazzo. It is a world-famous restaurant, the jewel of the Cipriani brand, and it is very conscious of this honour; it sells branded tagliarelli and books about the meals it served 30 years ago to the rich and famous; it is into auto-iconography, like the city it lives in. For this, and so much else, I blame Ernest Hemingway. He ate here after shooting birds in the lagoon and doesn’t the world know it? Some men fought against

The rudest restaurants in London

Wong Kei is a mad Chinese restaurant on Wardour Street, Chinatown. Until recently it was considered the rudest restaurant in London and, because human stupidity is without end, it became a tourist attraction in its own right, a destination for masochists too frightened to visit an actual dominatrix who would hit them with a stick. The owner decided this notoriety upset him so he instructed the staff — no more deliberate or casual or accidental rudeness. This was considered so notable that it was reported in national newspapers. I never thought Wong Kei was particularly rude, but then I am Jewish. I had an interesting reaction to a meal there

After visiting the Cherwell Boathouse, I might spare Oxford from burning

It is now two decades since I lived in Oxford. I was then a drunk and lonely puddle of a person, with only a gift for screaming; but no matter how low I sank, to paraphrase Alcoholics Anonymous literature, I never sank quite as low as to consider eating at the ’bab van (kebab van) outside Univ (University College) on the High (High Street); I preferred to dine in Hall (a hall). Oxford, you see, has its own native dialect, a sort of pidgin posh best worn with a depressed carnation and a giant inedible chip made of class terror. Perhaps the roots of my eventual redemption were in that

Gordon Ramsay joins in the posh invasion of Battersea

London House is in Battersea, which some people call South Chelsea, but is more East Wandsworth to my mind; or maybe North Clapham, or, even better, West Brixton. This is the self-hatred that the housing bubble has brought to London: we have whole sorrowful postcodes that long to be something else because original posh London, which is SW1 and W1 and SW3, does not really exist any more, or rather it does, but it does not belong to us, so we might as well forget about it. So we have London House. It was obviously a marketing essential to tag this restaurant to London, and also to mention houses, which

Dear Mary: How can I escape the tyranny of teacher presents?

Q. It’s only April and yet I am being emailed by parents who have already taken charge and are drumming up support for collective year presents for teachers at my children’s schools. I have one son and two daughters who are all leaving their respective schools and I would prefer to thank staff members on my own terms. Am I being petty? — H.K., Hampshire A. Many parents would be relieved that this organisational chore was taken off their hands but others would agree with your instinctive reaction. If you wish to distance yourself from the herd and the modern tyranny of present-giving, say, ‘Oh dear — for the first

So is Moro a Tory restaurant now?

Moro (‘moorish’ or ‘sexist’) is a Spanish restaurant on Exmouth Market, near the bones of the old Guardian and Observer building on Farringdon Road. I don’t mind telling Spectator readers (‘you people’) that I once kissed the bricks of this building, quite seriously, like Jews kiss the tarmac at Ben Gurion Airport. (At least that is the story; but I have never seen anyone do it. Kiss some dirty tarmac. What for?) Moro is distinguished as the restaurant in which Guardian journalists first realised Julian Assange is mad. He stood up near an olive and announced he didn’t care if the leaks led informants to be murdered, which is a

The Fable would do better as an American Psycho theme bar

The Fable is three floors high and two days old, a monster newly hatched on the Holborn Viaduct; deep below is the valley of the River Fleet, which is genuinely fabulous, but absent from sight. The Fable has the following interesting schtick — fairytales. The question, of course, is whose? Here, cries the PR nonsense, lie the breadstick fairies, who I thought were all dead and lying at the bottom of the Thames, poisoned or just killed by ennui. ‘Inspired by the wit and wisdom of Aesop, the fantasy world of fairytales and our spellbinding adventures around the globe, the Fable is a dynamic all-day bar and restaurant,’ it babbles. Really?

Dear Mary: What do I do now I haven’t sent a thank-you letter?

Q. Over New Year I stayed with a man who combines being a generous and exciting host with a punctilious need for swift, hand-written appreciation. I had every intention of writing as soon as I got home, but my parents said an email wouldn’t do. However, since we were collected from the airport I didn’t have the address and postcode (he lives abroad); also, I didn’t know what his correct title was for the envelope, and I didn’t know what stamp to put on. Then, when I finally had the information, I was told, ‘He gets even more enraged by late letters than by no letters at all.’ I am sure

Dear Mary: How can I hide my tattoo from the in-laws?

Q. I have a tattoo the length of my forearm and am worried it will alienate my new boyfriend’s parents on a forthcoming beach holiday. There will be no way of covering it up in a very hot climate. My boyfriend says his parents are way too pompous and it will be good for them to have a tattooed guest ‘in their face’ every day for a week, but I have no wish to irritate people who have been kind enough to invite me to Barbados. How should I handle this? — Name and address withheld A. Visit the website www.veilcover.com and watch a video showing how to completely mask

Tanya Gold: Child-friendly, sex-free, nut-heavy – just the hotel for my 40th birthday

Woolley Grange is a child-friendly country house hotel that seems, at first, entirely monstrous — a grey Tudor house in Wiltshire, with gables like teeth and a pond outside, possibly haunted. It is like a smiling wife who bares her fangs and eats the car park and all the Hondas within; a cinematic fiend of a house, in fact, but I am only reading Hilary Mantel these days, and she has the gift of bestowing menace on everything — clingfilm, envelopes, nuts. A country house hotel doesn’t stand a chance. We are here because it is New Year’s Eve. It is my 40th birthday, A has decided that he hates

A restaurant in a synagogue. How strange can it be?

A restaurant in a synagogue may be too mad even for this column but we are Jews, so why not? (Column shrugs with the secret frisson of negative stereotyping.) 1701 is adjacent to Bevis Marks Synagogue in the City of London; it is the oldest, wisest and most camouflaged synagogue in Britain, disguised, presumably for safety, as a Christopher Wren church. This anticipates the joy of confusion — rabbis (I have long stopped calling them rabbits, being above such idiocies, as in Orthodox Rabbit, Progressive Rabbit, Welsh Rabbit) being asked for salad dressing, waiters being asked for blessings, security men (Jews love security men, in a complex way) being asked

How new food rules could ruin restaurants

The coalition said they would tame health and safety, which would be great for those of us in the food -business. But they, like the public, like to blame Brussels, and the problem is not with Europe, or not often. EU law is basically Napoleonic, and sensible. It places the onus on the operators to ensure safety, and to be able to prove that what they do is safe. If it turns out not to be, then they will be prosecuted and likely clapped in jail. Fair enough if you have maimed or poisoned someone. Our law is basically Roman and we like to stipulate every tiny detail in statues. Where

Tanya Gold on eating at the Shard

What to say about the Shard that isn’t said by the fact it is 1,020 feet high and looks like a slightly elongated cheese triangle, and that it is designed as a home and office for those who want nothing more than to live and work in a building that looks like a slightly elongated cheese triangle? I cannot help but think that its architect, who is called Renzo Piano, is a fan of — or possibly secret PR for — Dairylea and was also a very unhappy small boy. (Freud may be over-quoted on the soothing possibilities of size, but he is still right. Small becomes big, and so

When an economist turns into a winemaker

My friend Mitch Feierstein is a jolly, cheerful, life-enhancing fellow. He is emphatically not one of those economists whose purse-lipped response to any new phenomenon is ‘no good will come of this’ and who have predicted six of the past two recessions. But he is a profound pessimist. In a book he published last year, Planet Ponzi, he devotes page after relentless page to the troubles of the world economy. He depicts the West as a ship without engine or rudder, adrift on a sea of bad debt, worse paper and wholly unrealistic expectations. It is even gloomier than the voyage of the Ancient Mariner. He at least found redemption.