Racism

A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed

Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a favourite. He specialises in bored, talkative characters who squirt the time away swapping memories and indulging in bursts of creative play-acting. It’s dull to watch but good fun to perform. Thesps love to step out of character and road-test a range of fictional personalities. ‘Master Harold’… and the boys is classic Fugard. We’re in an empty restaurant in South Africa in 1950. Lunch service has ended. Two waiters twiddle away the afternoon discussing sex, ballroom dancing and beating women (as if this were a standard feature of male behaviour). Enter

An elegy for New York

New York The master of the love letter to New York, E.B. White, eloquently described the city as a place that can ‘bestow the gift of loneliness and the gift of privacy’. Like many of us, he believed that the place would last and that it would always matter. White was an optimist, sophisticated and thoroughly American. He was lucky to die in 1985. I say lucky because fate spared him from seeing the wreckage of his dream city. New York was also my dream place, an indelible part of my youth: a poem of steel-and-limestone majesty, of high-end shops, hotels, theatres and nightclubs, of dandies and high-class women, of

A decorative pageant that would appeal to civic grandees: The Secret River reviewed

The Secret River opens in a fertile corner of New South Wales in the early 1800s. William, a cockney pauper transported to Australia for theft, receives a pardon from the governor and decides to plant a crop on 100 acres of Aboriginal land. His doting wife, Sal, begs him to take her and their young sons back to her beloved London. They make a deal. William must succeed as a farmer within five years or pay for their passage home. He clashes with a tribe of spear-waving Aboriginals who make it clear that they want him off their ancestral turf. Neither side speaks the other’s language. ‘This is mine now.

The joys of Radio 4’s Word of Mouth

I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was still fighting Wigan social services for sight of the official dossier on his years as a child in care, fostered at first and then dumped back in the system and institutionalised in care homes and then a remand home. Eighteen years of his life stored in an Iron Mountain data facility. He’d been asking for his files, the story of his life, since he came of age. It was not easy to forget that programme; the banal cruelties of the system and Sissay’s resolute dignity in talking about them. At

The Royal Mint’s transphobic decision to snub Enid Blyton

Who knew the Royal Mint, of all places, had been captured by the cult of political correctness? According to the Mail, the Mint’s Advisory Committee decided not to put Enid Blyton on a 50p coin to commemorate the 50th anniversary of her death because she is ‘a racist, sexist, homophobe and not a very well-regarded writer’. That’s an odd statement, since it suggests that had she been a better-regarded writer, her racism, sexism and homophobia would have been overlooked. Perhaps that’s the Mint’s rationale for not removing Charles Dickens and William Shakespeare from the £10 note and £20 note respectively, in spite of their liberal use of anti-Semitic caricatures. The

The brutal truth

Novelists will always be interested in enclosed communities — or the ‘total institution’, as sociologists say. When you separate a group of individuals from larger society with a wall and a controlling mechanism, all sorts of interesting facts about the way people interact become apparent. Convents, hospitals, asylums, schools, universities and prisons all serve the purpose. But different nations tend to prefer one sort of institution over another. It’s a curious fact that where the British will enter into a novel of school life with gusto, Americans show a distinct preference for writing about prisons. Of course there are British novels with episodes set in prison — The Heart of

Capital punishment

Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps it is right. Motifs of Jewish financial chicanery that have never really gone away are back. The internet age has allowed memes about Rothschilds, rootless financiers and other thinly veiled claims of Jewish duplicity to thrive as they haven’t for several generations. A film at the start of this new exhibition at the museum in Camden gives some context, with clips of recent anti-Jewish statements from the likes of Louis Farrakhan and other conspiracy theorists. It also includes Donald Trump talking about ‘elites’ draining power from America, which strikes me

Relative values | 31 January 2019

Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp at any old crap. Worse, whenever I try to draw his attention to stuff I consider to be extra specially worth watching — Fauda, Babylon Berlin, etc. — he rejects it because it has been tainted by my recommendation. So the next brilliant thing he won’t get to see is Gomorrah (Sky). This relentlessly dour

A tainted paradise

Ian Fleming’s voodoo extravaganza Live and Let Die finds James Bond in rapt consultation of The Traveller’s Tree by Patrick Leigh Fermor. ‘This, one of the great travel books, is published by John Murray at 25s’, proclaims a footnote in the first edition. Fleming was a friend of Leigh Fermor, so this is to be expected. Published in 1950, The Traveller’s Tree may still be the best non-fiction account of the West Indies. ‘It’s by a chap who knows what he’s talking about’, M tells 007, knowingly. But Paul Morand’s 1929 Hiver caraïbe comes a close second. The question is: why has it taken 90 years for this masterwork to

Without prejudice

For months I’ve been looking forward to the Guardian’s much-heralded report on racism in Britain, which was unveiled this week. As a nation, we suffer from our fair share of divisions, with new fault lines opening up all the time, but our record when it comes to race relations is pretty good. Surely, a newspaper that prides itself on being guided by the evidence would reflect this? We’re often told by members of the identitarian left that Britain is more racist than most other countries, but I didn’t expect the Guardian to fall for that. When comparing different countries, one way of gauging the level of racism is to ask whether

Teenage kicks | 8 November 2018

Lauren Gunderson’s play I and You opens in the scruffy bedroom of 17-year-old Caroline. Lonely, beautiful and furious, she’s unable to participate in school life owing to a chronic liver problem. Into her hideaway barges Anthony, a handsome geek, who wants her to help with a Walt Whitman project. Caroline tries to chase him off but resourceful Anthony charms her into accepting his presence. What follows is a hilarious and beautifully observed study of modern teenage romance. Parents will recognise details like this: Caroline offers her guest a Coke but instead of asking him to fetch it from the kitchen she sends the request to Mom by text. Five minutes

Identity politics are by definition racist

To mark last weekend’s one-year anniversary of the violent right-wing demonstrations in Charlottesville, Virginia, a meagre two dozen card-carrying white supremacists showed up in the town, vs thousands of anti-racism protesters — proportions that may reflect the nation as a whole. Nevertheless, ever since the 2017 rally, the American left has thrown around the pejorative ‘white supremacist’ with such abandon that you’d think the country was jagged with peaked white hats from sea to shining sea. By fits and starts, the past 50 years have seen equality of opportunity for minorities in the States improve dramatically. Yet racial rhetoric, and the overall touch-and-feel of race relations on the ground, is

Wind-up position

 Los Angeles Baseball is the best American sport. It’s great because it’s timeless — it exists in a space beyond time. Unlike other major sports, baseball requires no clock. It’s a ballet of set pieces — at-bats, walks, strikes, balls — and bursts of motion. The grace of a swing, the artistry of a double play — none of these run to the ceaseless demands of a clock. It’s a balance between individual achievement and team play. We know the names of the individual greats, but it requires a team of great individuals to win the World Series. The tension can be incredible. A flamethrowing pitcher facing down a slugger

Fortnite’s fun, so it must be bad

It was only a matter of time. The headteacher of a primary school in Ilfracombe in Devon has banned ‘Flossing’, the dance craze linked to the video game Fortnite, on the grounds that it’s being used to ‘intimidate’ other children. ‘Fortnite is about mass killing of other human beings and being rewarded by a dance of celebration if you are successful,’ she told the Telegraph. This is the latest example of the moral panic surrounding Fortnite, a video game in which up to 100 players compete against each other, either individually or in ‘squads’, to see who can be the last man standing. So far this year, the National Crime

United Nations’ British racism report gaffe

Brexit Britain is a more racist country than before the referendum, according to the United Nations, whose inspector told us on Friday that anti-foreigner rhetoric has now become ‘normalised’. But how did Tendayi Achiume, the UN’s special rapporteur on racism, manage to make such a stark finding having spent just 11 days in Britain? After all, if her ‘end of mission statement’ is anything to go on, Mr S. thinks her conclusions might have been somewhat cobbled together. Achiume, it seems, didn’t even get a chance to run her damning report through a spellcheck before publishing it. Referring to a study by Warwick University, Achiume managed to misspell the university’s name

The power of words | 3 May 2018

‘For me rhyming was normal,’ said Benjamin Zephaniah, reading from his autobiography on Radio 4. Back in the 1960s, on Saturday afternoons in their house in Hockley, Birmingham, where Zephaniah grew up with his seven siblings, the drinks trolley would come out and the record player be plugged in — Desmond Dekker, Millie Small and Prince Buster — ‘the lyrics of Caribbean life’. The church, too, gave him a love of words and vocal performance, Zephaniah delivering his first gig by reciting a list of the books of the Bible both ways, forwards and in reverse order. The music and the poetry were part of everyday life, ‘it was how

Diary – 19 April 2018

Our ducks are back. Two wild mallard have spent the last five springs on the brook which gurgles past us in Herefordshire. Each year they produce a paddling of chicks; each year most of the ducklings are killed by predators. Our friend Becky thinks she spotted an otter, more likely stoat or mink, in the brook. The fluffy ducklings have little chance of survival. We wish the mother duck would nest somewhere safer but there is no telling her or her green-headed drake. If I have felt kinship with the ducks lately it was because I was being pursued by sharp-fanged ferrets from the anti-meritocratic, politically unrepresentative, over-indulged arts establishment.

Quentin Letts isn’t racist – our theatrical culture, which hands out jobs on the basis of racial profiling, is

Oh my goodness. Quentin Letts is ‘a racist’ apparently . It says so on Twitter. In his review of the RSC’s The Fantastic Follies of Mrs Rich he referred to the quality of Leo Wringer’s performance and asked, ‘Was Mr Wringer cast because he is black?’ The RSC’s top brass assembled in full muster and denounced Letts for his ‘blatantly racist attitude to a member of the cast.’ I haven’t seen the production, only the reaction to Letts’s reaction to the production, but that’s enough. What’s striking is that the RSC’s accusation is false. Letts did not say the actor was bad because he was black. That would have been

Can you prove you’re not a racist?

After an essay in this month’s Prospect about literature and freedom of speech, it seems I was cited on Twitter as a ‘racist provocateur’. Now, I rather fancy being a ‘provocateur’. But as for the adjective… Someone can call you ‘stupid’, and that’s just one person’s opinion. It doesn’t seem true because a single childish naysayer has impugned your intellectual prowess. Yet hitherto, the tag ‘racist’ has tended to stick. And it’s self-verifying. Why ever would anyone call you a racist if you weren’t one? In our current climate of sensitivity about race (and everything else), finger-pointers wield enormous power. A sole review of my last novel — amid perhaps

Are racist chants now acceptable on the British left?

On Friday the Guardian columnist and Corbyn-supporter Owen Jones sent out this Tweet to his followers: Palestinians urgently need our solidarity. Join me protesting Trump’s Jerusalem speech outside London’s US Embassy *tonight* >> https://t.co/JfGW6sTqjJ pic.twitter.com/2VPeqf21og — Owen Jones (@OwenJones84) December 8, 2017 As a video of the resulting demonstration shows, the crowd outside the embassy loudly chanted (among other things) ‘Khaybar Khaybar, ya yahud, Jaish Muhammad, sa yahud’. This is a famous Islamic battle-cry which might be translated, ‘Jews, remember Khaybar, the army of Muhammad is returning.’ https://twitter.com/hurryupharry/status/939253702497628161 The battle of Khaybar relates to a 7th century attack on a Jewish community by the armies of Mohammed. Now two obvious