Racism

Panning for music gold: The Catchers, by Xan Brooks, reviewed

They were known as song catchers: New York-based chancers with recording equipment packed in the back of the van, heading south in search of hill country music that could make the record company (and, relatively, the recorder) rich. The singer would get a flat fee of $30. Among themselves, over a beer, the catchers called it panning for gold, diving for pearls, trapping fireflies in a jar. Their territory was the far beyond, where ‘people played banjos and fiddles, washboards and dulcimers… Songs poured through the hills like migrating salmon.’ Dogs scramble into treetops; bears grab at driftwood; hundreds of thousands are left homeless Xan Brooks’s second novel focuses on

How claims of cultural appropriation scuppered an acclaimed new ballet

On 14 March 2020 I was at Leeds Grand Theatre for the première of Northern Ballet’s Geisha. The curtains swung open on fishermen flinging out their nets, geisha, samurai, 19th-century Japanese village folk, followed by the sudden appearance of American sailors. It was in essence a Japanese Giselle: the tale of a geisha, spurned by her American lover, who dies of grief, and whose restless spirit returns from the grave. Far from being offended, the Japanese Embassy offered their official imprimatur It was a unique production. Many of the dancers at Northern Ballet are Japanese, Chinese or Korean and this was an east Asian story. The ballet was created by

Glamour or guilt? The perils of marketing the British country house

The most angst-ridden sub-category of the very rich – admittedly a lucky bunch to start with – must surely contain those who have inherited a British country house, along with the exhortation to keep it up. Imagine the anxiety of knowing that one is custodian of a large, crumbling pile of distinguished architecture, stuffed with meaningful antiquities and perpetually besieged by damp, dry rot and taxes. For those of us who are already reliably paralysed by small-scale admin, it would be enough to drive you to drink or worse. In contrast, the landed gentry who survive best in this modern terrain must be energetic, ruthless and ingenious; in all probability

Falsifying history can only increase racial tension

For many years the academic sociologist Frank Furedi has been among the strongest conservative voices in the front line of the culture wars. The target of his latest book is the systematic campaign to discredit the history of the West in the interest of a modern political agenda. The vandalising of statues, the ‘decolonisation’ of institutions and curricula, the recasting of museums and the rearrangement of libraries are all symptoms of something more fundamental. Furedi argues that historical memory is the foundation of western identity and culture. The object of the campaigners is to discredit the West’s ideals and achievements. The result has been to persuade a generation of young

Why Britain riots

33 min listen

This week: The Spectator’s Gus Carter was in Rotherham and Birmingham in the days after the riots. Locals tell Gus that ‘violent disorder isn’t acceptable but people from down south don’t know what it’s like up here’. A retired policeman in Birmingham adds that ‘it’s just yobs looking for an excuse – and yobbos come in all sorts of colours’. You can hear Gus’ report on the podcast. (02:25)  Next: Gus and Lara take us through some of their favourite pieces in the magazine, including Flora Watkins’ notes on ragwort and Isabel Hardman’s review of Swimming Pretty: The Untold Story of Women in Water. Then: In the magazine this week Edmund

Ross Clark

Why Britain riots

Riotous summers seem to occur in Britain with about the same frequency as sunny ones: roughly every decade. Sometimes it’s Afro-Caribbeans protesting (Brixton in 1981), sometimes Asians (Oldham in 2001). The white working classes rioted over the poll tax in 1990 and in Southport this year. The riot in Harehills, Leeds, last month was precipitated by social services removing children from a Roma couple. Whatever sparks the unrest, what all riots have in common is that they involve mindless destruction. Rioters smash and burn their own communities and opportunists descend, trying to exploit the situation for political ends. Fake news and misinformation abound. So it is with the current round

Our academics are attacking the whole concept of knowledge

The first problem about decolonisation is the word itself. Colonisation is the process of establishing control over a foreign territory and its indigenous inhabitants, by settlement, conquest or political manipulation. But decolonisation? It has come to mean much more than the reversal of that process. Today, it refers to an altogether wider agenda, whose central objective is to discredit or downgrade the cultural achievements of the West. Objective truth and empirical investigation are mere western constructs. They are optional ideas which need have no weight beyond the western societies which invented them. But the West has imposed them on the rest of the world by a process akin to the

The irrepressible musical gift of Huddie Ledbetter

Huddie Ledbetter, better known by the prison moniker Lead Belly, was a musical genius born in the southern United States just as Jim Crow laws were starting to bite. He fell foul of an unapologetically racist legal system and ended up serving on a chain gang in 1915, later doing time in state penitentiaries in Texas (1918-25), Louisiana (1930-34) and at Rikers Island in New York (1939). Sheila Curran Bernard takes as her focus the years 1933 to 1935 when, after years of imprisonment, Ledbetter took an academic, John Lomax, to be his manager and organise his entrance into the larger musical world of northern America. She reveals for the

Is anti-white racism tearing America apart?

53 min listen

Freddy Gray speaks to Jeremy Carl, Senior Fellow at the Claremont Institute. They discuss his book, The Unprotected Class: how anti-white racism is tearing America apart. They also cover affirmative action, and where America goes from here.  Watch this episode on Spectator TV. 

Visitants from the past: The Ministry of Time, by Kaliane Bradley, reviewed

If you could resuscitate a hunk from history, who would you choose? The secretive Whitehall ministry in Kaliane Bradley’s striking debut is working on time travel, facilitating the removal of various Brits from their own era to (roughly) ours. The candidates were all due to die anyway, so the risk of altering history is minimal. Curiously, the boffins do not pick Lord Byron, but a naval officer on the doomed Franklin expedition to the Arctic, lost in the search for the Northwest Passage. Each time traveller is assigned a ‘bridge’ – someone to both monitor and help them adapt to 21st-century London. Lieutenant Graham Gore is paired with a young

Don’t write off Hofesh Shechter – his new work is uniquely haunting

In 2010, when his thrillingly edgy and angry Political Mother delivered modern dance a winding punch right where it hurt, I had high hopes for Hofesh Shechter. Here was an outsider with the courage to make his own rules and engage dance with real-world issues (he had served a traumatising period in the Israeli army) rather than blindly following the fashionable goddess Pina Bausch down the rabbit hole of postmodern irony. He wasn’t interested in playing games. But success has taken his edge off and what has followed has largely been disappointing. Trapped by a limited choreographic vocabulary, Shechter has repeated himself, relying too hard on the brute effect of

Coleman Hughes on neo-racism, US election, and The View

47 min listen

Freddy Gray speaks to writer, podcaster and musician Coleman Hughes. His latest book The End of Race Politics, The: Arguments for a Colorblind America promotes Martin Luther King’s teachings for a colourblind society. On the podcast they discuss Coleman’s recent appearance on The View; whether Coleman thinks Trump is racist and how the Israel-Gaza war exposed the failings of US universities. 

Progressives vs. bigots: How I Won a Nobel Prize, by Julius Taranto, reviewed

This is the kind of comic novel I greatly admire, because it makes me feel so anxious and wrong-footed. I laughed wholeheartedly until an inner voice chided, in a contradictory fashion, ‘that’s not supposed to be funny’ and ‘can’t you see it’s a joke?’ Given that the book is about that very modern set of dilemmas, my admiration for Julius Taranto’s work is even greater. The novel’s protagonist is Helen, a graduate student, who explains her field in the opening sentence: ‘The Rubin Institute had nothing to do with high-temperature superconductors, so I cannot say I had spent much time thinking about it.’ Her supervisor has been offered a position

Prejudice in Pennsylvania: The Heaven & Earth Grocery Store, by James McBride, reviewed

If chicken soup is balm for the soul, then James McBride’s eighth book, set in 1930s Chicken Hill, a neighbourhood in a small town in Pennsylvania that is home to Jewish, black and other immigrant people, is its literary equivalent. There is something nourishing about The Heaven & Earth Grocery Store, a warm story about the power of community in the face of prejudice that both salutes the American dream while exposing it as a sham. Like much of McBride’s previous work, which includes four other novels, a biography of James Brown and his 1996 memoir, A Black Man’s Tribute to His White Mother, about his Jewish mother, Ruth, The

Melissa Kite, Nigel Biggar and Matt Ridley

24 min listen

This week Melissa Kite mourns the Warwickshire countryside of her childhood, ripped up and torn apart for HS2, and describes how people like her parents have been treated by the doomed project (01:15), Nigel Biggar attempts to explain the thinking behind those who insist on calling Britain a racist country, even though the evidence says otherwise (06:38) and Matt Ridley enters a fool’s paradise where he warns against being so open-minded, that you risk your brain falling out (13:01). Produced and presented by Linden Kemkaran.

Why were 80,000 Asians suddenly expelled from Uganda in 1972?

The mantelpieces of many an Asian family in Leicester and London, it is said, sport two framed photographs. One is of Idi Amin, the African dictator who expelled them from Uganda; the other is of Edward Heath, the prime minister who allowed them in. ‘This double gratitude,’ writes Lucy Fulford, ‘says thanks for throwing us out and thanks for taking us in.’ Asians filled teddy bears with jewellery and baked diamonds into snacks taken aboard their last flights out If the expulsion from ‘the Pearl of Africa’ of 80,000 Asians was the most traumatic experience of their lives, many also retro-actively recognise it as the best thing that ever happened.

Black Britons betrayed

In this frustrating book, Tomiwa Owolade sets out to establish that American attempts to identify and deal with issues of race are irrelevant to those of Britain. His basic case is that even if it might exist in America, structural racism based on colour is not found in Britain, and he criticises a significant number of people of colour, on both sides of the Atlantic, who’ve argued that it is. He believes that looking at the lived experience of people should be the starting point; and that the lived experience of black Britons is determined by nationality (and class) more than it is by race. That’s fair. The sons and

Kwame Kwei-Armah’s embarrassing update of Love Thy Neighbour: Beneatha’s Place, at the Young Vic, reviewed

Beneatha’s Place, set in the 1950s, follows a black couple who encounter racial prejudice when they move to a predominately white suburb. The location is Nigeria but it might as well be the USA because most of the characters, both black and white, are American. (The Young Vic has strong links with America, and a transfer to Broadway may be under discussion.) The script by Kwame Kwei-Armah is inspired by the British sitcom Love Thy Neighbour, which aired five decades ago. This misunderstood show was pretty progressive for the 1970s, and it examined the conflict between two thick white bigots living next door to an intelligent and sophisticated couple from

Daniel Penny and the problem with have-a-go heroes

I have always liked the phrase ‘have-a-go hero’. It sums up a certain type of person who can emerge from nowhere and coat their name with honour. One thinks, for instance, of John Smeaton, the baggage handler who was having a fag outside Glasgow airport in 2007 when two jihadis tried to blow the place up. After a couple of explosions, Smeaton, Alex McIlveen and others ran to find out what was up and, finding one of the terrorists on fire, proceeded to kick the guy in the nuts. Indeed, so hard did McIlveen kick the guy that he himself tore a tendon. But Smeaton, McIlveen and others rightly became

Watch white women being shamed while they dine: CBC’s Deconstructing Karen reviewed

Nothing heightens the sense of the unpalatable better than a dinner scene. Think of the violence meted out at the dining table in Pasolini’s Salò (1975). Think of André Gregory lecturing Wallace Shawn on his solipsism – much to our discomfort – in Louis Malle’s My Dinner with Andre (1981). CBC’s documentary Deconstructing Karen accidentally borrows from the form. Eight white women are chided ceaselessly at dinner by two activists – failed Congressional candidate Saira Rao (who is Indian-American) and hitherto unknown Regina Jackson (who is African-American) – until the white women admit that they are racist. Rao and Jackson are co-founders of Race2Dinner, an events company specialising in coming