Provence

Low life | 13 October 2016

Six months ago Sally was living in a third floor flat in Glasgow. Then she was thrown into the back of a car, drugged, and driven down to Provence. Since then I had watched with interest how she has adapted herself from life in a Scottish city to the heat, light and alien smells of deepest Provence. Sally is a small to medium sized chocolate brown mongrel with the grey hairs of old age showing on her muzzle. Her brown eyes are calm and intelligent. What she is comprised of is hard to say. Her head, jaw and teeth are from some sort of terrier; her deep chest suggests that

A toast to Provence

Friends have a house in Provence, near the foot of Mont Ventoux. Even in a region so full of charm and grace, it is an exceptional spot. Although nothing visible dates from earlier than the 18th century, the house is in the midst of olive groves and there has been a farm dwelling for centuries. I suspect that one would find medieval masonry in the foundations. Beginning life as a simple farmhouse, it has been bashed about, added to and poshed up. On the western side, the exterior has pretensions to grandeur. The other elevation is more feminine; you expect to find Fragonard painting a girl on a swing. At

Low life | 28 July 2016

We returned to the house early the next morning, on the way pleading special permission to pass through the police roadblocks. A strip of blackened hillside about one kilometre away showed the extent of the blaze before it was extinguished. The online local newspaper said that 500 firemen had tackled a blaze that had destroyed 400 hectares of forest — roughly speaking the two round Provençal hills between the house and the nearest village. It seemed a small result for so much smoke. And I wondered why the French state should have gone to so much trouble and expense to protect perhaps a dozen properties, including our breezeblock shack. (A

Low life | 16 June 2016

Michel is one of those Frenchmen one encounters now and again whose shining saintliness is beyond rational understanding. This great bear of a man, with heavy silver rings on his fingers and thumbs, is always cheerful, always kind, always puts others before himself. Whenever he speaks with me, it is always under the pathetic delusion that he might learn something from me that he did not already know. The only thing that makes him in any way contemptuous is my pointing out his goodness to him. Michel was a teacher. For many years, he taught English at a private school in Somerset. Now retired to his native Provence, he has

Low life | 4 February 2016

Denis was my guide to and from the new out-of-town Lidl superstore at Salernes in Provence. I drove. The road was a smooth ribbon of asphalt newly laid through an ancient forest of dwarf oaks. The in-car conversation with Denis was, as usual, easy and undogmatic and wide-ranging, which is the only sort of conversation I am capable of, for I can never remember what my opinions are, let alone which set of beliefs gave rise to them. In this uncommitted way we drifted aimlessly on a gentle swell until we bumped up against the subject of ghosts. I had never seen or heard or felt a ghost, I said.

Why would a dissolute rebel like Paul Gauguin paint a nativity?

A young Polynesian woman lies outstretched on sheets of a soft lemon yellow. She is wrapped in deep blue cloth, decorated with a golden star. Beside her bed sits a hooded figure, apparently an older woman, holding a baby. In the background is a huddle of resting cows, suggesting that the setting is a barn or stable. There is something familiar about the set-up — baby, young mother, farm animals — but it may take a while to notice certain details. The head of the woman on the bed is encircled by an area of darker yellow, which forms a sort of halo, and the baby’s head is similarly ringed

Happiness is a chainsaw and a maul in the rain and the mud

It rained all day long last Friday in Provence, and it rained all night, and on Saturday morning it was still raining. The rain fell out of a lowering, field-grey blanket of a sky. After breakfast and a wash, we assembled in the living room wondering what to do with ourselves on a day such as this. There were four of us: a couple en route for England who arrived in a Land Rover packed to the roof with possessions; our hostess; and me. The ugly breeze-block house with a large tiled terrace was perched on the side of a hill. Fountains sprayed in unlikely directions from leaking joints in

Jeremy Clarke: The day I walked into a postcard

This time last year the postman delivered a picture postcard depicting a village square in Provence. The photograph on the front of that postcard was contemporary, but the colours were digitally manipulated to invest the image with a nostalgic, hand-tinted, vintage air. The square was eerily deserted. No customers were seated at the tables under the gay sunshades set out under the trees. Time stood still. I’d never been there. I hadn’t even heard of the place. And yet the square and its forsaken tables seemed oddly familiar. The photograph transmitted a nostalgic sweetness which was almost sinister. An invitation was implied. ‘Come!’ the picture seemed to be saying. ‘Life!