Prostitution

This book — the title is from Pasternak —is billed as ‘literary fiction’. The narrator, a Russian gambler and drinker who has settled in the West, leaves his rich American wife of two decades when he falls hard for a Russian prostitute he meets in London (‘the first and last love of my life’). Andrei Navrozov has worked as an editor and journalist (he has written for this magazine) and published several books, including a poetry collection with the same title as his new volume. As the subtitle indicates, he and his narrator are keen on self-deprecation — a sure sign that one thinks oneself frightfully clever. The £300-an-hour hooker,

Suitably for a year so full of cataclysms and disturbing portents, 2016 is the quincentenary of the death of Hieronymus Bosch. He was of course the supreme painter of hell, with choking darkness, livid flames and the most grippingly monstrous menagerie of devils in the history of art — duck-billed figures on skates, demons with bat’s wings, lizard’s claws and cat’s whiskers. His panoramic vista of naked humanity inflamed by desire in ‘The Garden of Earthly Delights’ features giant birds and fruit, weird mineral formations, and — in one case — a couple making love in a cosy mussel shell. An Italian traveller who saw this masterpiece in 1517, noted

It was the brightest of futures; it was the End of Days. Three hundred and fifty years before Brexit, England experienced a series of epochal events which forced subjects to rethink their relationships with each other, their political leaders and their European neighbours. In the space of a tumultuous 12 months England endured the devastation of plague, the most humiliating of naval defeats at the hands of the Dutch, and the catastrophe of a Great Fire which transformed its capital city forever. Where there was a commonly held view, espoused by humble parish clerks and vociferous dissenters like George Fox alike, that the cataclysms revealed God’s wrathful judgment upon a

The premise of Kat Banyard’s Pimp State is a familiar one: sex work — a phrase the author rejects as pure euphemism — is formalised sexual exploitation, synonymous with sexual abuse and therefore both ‘a cause and a consequence of inequality between men and women’. It follows, then, that if you’re in favour of gender equality, or simply a decent human being who disapproves of sexual violence, you must oppose the sale of any and all variations of sex. If you’re not part of the solution — well, you know the rest. You don’t have to be especially interested in feminism to have heard this before. For centuries, institutions, social

Here’s the Mandarin for ooh-la-la! As Taras Grescoe, a respected Canadian writer of nonfiction, shows in this marvellous, microscopically descriptive history of what is now one of the most populous and smoggiest megalopolises on earth, Shanghai in the 1930s was internationally notorious as ‘the wicked old Paris of the Orient’, with ‘as vivid a cast of chancers, schemers, exhibitionists, double-dealers and self-made villains as had ever been assembled in one place’. Grescoe lavishly keeps the promise of his book’s subtitle. In its heyday, the city was both glamorous and squalid, extremely rich and poor, unscrupulous and tough: to shanghai in the lower case means to force people to do what

Valerio Varesi, the Turin-born crime writer, displays a typically Italian interest (I would say) in conspiracy theory. The Italian term dietrologia, which translates, not very happily, as ‘behindology’, presumes that shadowy consortia are everywhere manipulating political scandals. A Woman Much Missed, the fourth of the excellent Commissario Soneri thrillers to be translated into English, unfolds in present-day Parma amid rumours of Mafioso-style machinations. As always, Varesi’s lugubrious, cigar-puffing detective Soneri retains a degree of disabused integrity and is a trencherman, moreover, as he seeks out only the best buffalo-milk mozzarella and bottles of Bonarda red. Under it all, though, lies a deepening corruption, where justice may not prevail. In vivid

Mei Fong tells the routine story of a girl who managed to conceal an illegal pregnancy until the baby was almost due, when family planning officials surrounded her hiding place at night. ‘She ran and ran and ran until she came to a pond. Then she ran in, until the water was at her neck. She stood there and began to cry.’ Through her tears she explained that she needed the baby to stop her husband and his parents abusing her for not producing a son. This was the mid 1990s, but the same thing could have happened in rural China at any point in the past 1,000 years, except