Poetry

Andrew Marvell, from ‘To His Coy Mistress’ But at my back I always hear Times winged chariot hurrying near: And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found: Nor, in thy marble vault, shall sound My echoing song. Then worms shall try That long preserved virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave’s a fine and private place, But none I think do there embrace. This is the middle stanza of Marvell’s poem ‘To His Coy Mistress’, which I imagine many will know well. The first stanza begins ‘Had we but world enough and

Holy Sonnet 7, John Donne At the round earth’s imagined corners, blow Your trumpets, angels, and arise, arise From death, you numberless infinities Of souls, and to your scattered bodies go – All whom the flood did, and fire shall, overthrow, All whom war, dearth, age, agues, tyrannies, Despair, law, chance, hath slain, and you whose eyes Shall behold God, and never taste death’s woe.     But let them sleep, Lord, and me mourn a space For, if above all these my sins abound, ‘Tis late to ask abundance of thy grace When we are there. Here, on this lowly ground, Teach me how to repent; for that’s as good

Constantine Cavafy was a poet who fascinated English novelists, and remained a presence in English fiction long after his death in 1933. When E.M. Forster lived in Alexandria during the first world war, he got to know Cavafy — and essays, a celebrated exchange of letters and a guidebook by Forster resulted. Cavafy haunts Lawrence Durrell’s Alexandria Quartet, which shares with the poet an aesthetic of the transfixed gaze, of remote history running under everything. Robert Liddell wrote a restrained, elegant life of the poet — oddly dismissed by this translator, Daniel Mendelsohn, as ‘workmanlike.’ More hauntingly, Liddell wrote a novel, not apparently known to Mendelsohn at all, in which

This is the second article in an occasional series by Christopher Fletcher, Keeper of Special Collections at the Bodleian Library. You can read the first instalment here. By 1814, two years after he awoke to find himself famous, everyone wanted a piece of Byron. Some got jewellery, several got hair and a fair few got a reputation. Among the most prized of trophies, however, was a sample of verse – not printed, mind, but written out with the warm intimacy of the poet’s hand. In a letter of 23 December 1814, the novelist and society gossip Miss Emily Eden described to Lady Buckinghamshire the febrile hunts she had witnessed at

This is a very short book recording two visits to the hills around Chideock in Dorset.In the first Robert Macfarlane and the late Roger Deakin, author of Waterlog, go searching for the ‘holloway’ in which Geoffrey Household’s hero holes up in Rogue Male. A holloway (not to be found in the OED) is, in Macfarlane’s words, ‘a sunken path, a deep & shady lane’ and, according to Household, ‘a lane not marked on the map’. The second trip, made with Macfarlane’s co-authors after Deakin’s death, revisits the holloway, and the hill-fort at the top of Pilsdon Pen. After Macfarlane’s Edward Thomas-infused account follows Dan Richards’s more subjective prose poetry describing

‘It was a lover and his lass’ from As You Like It It was a lover and his lass With a hey and a ho and a hey nonino, That o’er the green cornfield did pass In springtime, the only pretty ring-time, When birds do sing, hey ding a ding, ding Sweet lovers love the spring. Between the acres of the rye, With a hey and a ho and a hey nonino, These pretty country folks would lie In springtime…etc. This carol they began that hour With a hey and a ho and a hey nonino, How that life was but a flower In springtime…etc. And therefore take the present

How like a winter hath my absence been From thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen, What old December’s bareness everywhere! And yet this time removed was summer’s time, The teeming autumn big with rich increase Bearing the wanton burden of the prime, Like widowed wombs after their lord’s decease. Yet this abundant issue seemed to me But hope of orphans and unfathered fruit, For summer and his pleasures wait on thee And thou away, the very birds are mute: Or if they sing, ‘tis with so dull a cheer That leaves look pale, dreading the winter’s near. Spring is a

‘To Oliver Cromwell’ Cromwell, our chief of men, who through a cloud Not of war only, but detractions rude, Guided by faith and matchless fortitude To peace and truth thy glorious way hast ploughed, And on the neck of crowned fortune proud Hast reared God’s trophies and his work pursued While Darwen streams with blood of Scots imbrued, And Dunbar field resounds thy praises loud, And Worcester’s laureate wreath; yet much remains To conquer still; peace hath her victories No less than those of war; new foes arise Threatening to bind our souls in secular chains: Help us to save free conscience from the paw Of hireling wolves whose gospel

This post is the second half of a list of 21 books that a man might give to his godson on the occasion of his twenty-first birthday.That is novels done. The bespoke bookcase is more than half loaded; 12 slots are full, nine remain. I conceive the selection of other titles as a complement to the novels we have already chosen – an acknowledgement too, if you like, that the novel is the highest of all art, let alone book, forms and other texts should therefore pay homage to it. Having ended prose fiction with a novel that pretended to be a long poem we will now begin the best

Death Comes For The Poets is an unliterary book with a highly literary subject. It’s usually done the other way around: exquisite quodrilogies about American car salesmen; towering works about bored wives in French villages. Here we have a thriller, but one written by two eminent contemporary poets in which poets are murdered in correspondent ways to their work. A man who wrote a collection called Stray gets torn apart by dogs. A womaniser who writes about oceans gets lured to his watery death by a beautiful woman. Is the murderer jealous of these poets’ reputations? or is somebody trying to create much needed publicity for the art? Luckily, there

To my Excellent Lucasia , on our Friendship. I did not live until this time Crowned my felicity – When I could say without a crime I am not thine, but thee. This carcass breathed, and walked, and slept, So that the world believed There was a soul the motions kept; But they were all deceived. For as a watch by art is wound To motion, such was mine: But never had Orinda found A soul till she found thine Which now inspires, cures and supplies, And guides my darkened breast: For thou art all that I can prize, My joy, my life, my rest. No bridegroom’s nor crown-conqueror’s mirth

from Delia When winter snows upon thy golden hairs, And frost of age hath nipped thy flowers near; When dark shall seem thy day that never clears, And all lies withered that was held so dear;    Then take this picture which I here present thee, Limned with a pencil not all unworthy; Here see the gifts that God and Nature lent thee; Here read thyself, and what I suffered for thee.    This may remain thy lasting monument, Which happily posterity may cherish; These colours with thy fading are not spent; These may remain, when thou and I shall perish.    If they remain, then thou shalt live thereby;

Schmaltz just doesn’t sit well with traditional English sensibilities. We spend hundreds of millions of pounds on Valentine’s Day each year whilst acknowledging that it’s a load of commercial tosh. There’s little point in wrapping love in a lace doily when at heart it’s a frill-free experience. Lovely as Elizabeth Barrett Browning’s How do I love thee? is, we’re more honest with ourselves if we savour particularly those great love poems which possess an anti-romantic streak. Direct, matter-of-fact verses will often chime better with our general disposition. That’s true today perhaps more than ever. We’re no longer genteel enough to take affront to the threat of worms trying a Coy

Here are the answers to the quiz posted last week. The winner will receive a signed first edition of Lynn Shepherd’s new novel, A Treacherous Likeness, which was inspired by the Shelleys. You can read Andrew Taylor’s Spectator review of A Treacherous Likeness here, or subscribe to do so here. 1 Who as a child a) Sent a cat up in a kite in the midst of a storm – Shelley b) Lost his father at the age of eight when he died falling from his horse – Keats c) Was bullied by his eight older brothers – Coleridge d) Played in the very first Eton versus Harrow cricket match at Lord’s – Byron 2 Who a) Left

Byron may have been mad, bad and dangerous to know, but how’s your knowledge of the rest of the Young Romantics? Are you a connoisseur of Keats, or a specialist on Shelley? Take this light-hearted quiz to find out how much you really know about this dazzling generation of English poets. There are four possible answers to the questions below, and one of them relates to Byron, Keats or Shelley. There’s a point for every correct answer, and some bonus points to be won as well, if you can spot a few Romantic red herrings I’ve hidden in here too… Answers should be emailed to dblackburn @ spectator.co.uk. The winner will receive a

From Dryden’s translation of Virgil’s Aeneid Arms and the man I sing who forced by fate And haughty Juno’s unrelenting hate Expelled and exiled left the Trojan shore. Long labours both by sea and land he bore And in the doubtful war; before he won The Latian realm and built the destined town, His banished Gods restored to rites divine, And settled sure succession in his line: From whence the race of Alban Fathers come, And the long glories of majestic Rome.     O Muse! the causes and the crimes relate, What goddess was provoked, and whence her hate, For what offence the Queen of Heaven began To persecute so

John Ashbery is recognized as one of the most eminent American poets of the twentieth-century. He also been called America’s greatest living poet today. Ashbery published his first book of poems Some Trees in 1956; it earned him the Yale Younger Poets Prize: a competition that was judged by W.H. Auden at the time. He has picked up many literary prizes, including the Pulitzer Prize for Poetry, the National Book Critics Circle Award and the National Book Award. At 85, he shows no signs of putting down his pen. He has recently published a collection of poems entitled Quick Question. Although the majority of critics have recognized his talent, many