Philosophy

Professor Guy Leschziner writes that he was raised in a secular household that was ‘entirely irreligious’ yet with ‘a strong sense of morality, of right and wrong’. As an eminent neurologist and a rational atheist, it’s striking that his study of the extremes of human behaviour should reach for such Biblical terms. Is there an element of ghoulishness here? Seven Deadly Sins has a structure of which David Fincher, director of the gruesome film Seven, might approve.  To zero in on the sins is undoubtedly a darkly entertaining approach, if not for the squeamish. Having been a consultant at Guy’s hospital for more than 25 years, Leschziner has seen ‘the

It sounds like a Tom Stoppard play. A big-shot philosopher meets a big-shot boffin by way of a big-shot writer to descant on the biggest of big-shot debates – what The Rigor of Angels’s subtitle calls ‘the Ultimate Nature of Reality’.True, William Egginton can’t match Stoppard for punchy one-liners, nor for puns and pratfalls and persiflage. But while his book is as demanding a read as anything published this year, it still leaves you smiling. Over and over again the author reminds you of the shimmering weirdness beneath the experiential surface of what we are pleased to call the real world. There is no shortage of books that pit one

Yuval Noah Harari has sold more than 45 million books in 65 languages. He is a professor with a PhD from the University of Oxford, has spoken at TED and the World Economic Forum in Davos, and his latest book, Nexus, is considered ‘erudite, provocative and entertaining’ by Rory Stewart and ‘thought-provoking and so very well reasoned’ by Stephen Fry. This is the story the book’s cover tells us about its contents, and Nexus itself argues that it is stories which are fundamental to shaping the world. It posits that the strength of humanity comes from building large networks in which we work together co-operatively, but that our weakness is

The French philosopher Simone Weil, who died of self-starvation and tuberculosis in a Kent sanitorium in 1943 at the age of 34, remains a conundrum. ‘Mais elle est folle!’ had been the spluttering response of Charles de Gaulle the previous year, during her short wartime period analysing reports for the Free French in London. Her simple brief was to précis the ideas coming in from the Resistance movement on how to reconstruct France after liberation. The result – which was posthumously published, as were most of her writings – turned out to be a major work of original philosophy, Enchainement (The Need for Roots), running to hundreds of pages, a

‘Everywhere I could see India, yet I could not recognise it.’ So said India’s great national poet Rabindranath Tagore of South-East Asia, after travelling there in 1927. Tagore was fascinated by how elements of ancient Indian culture had found their way eastwards: gods, temple architecture, the Sanskrit language and the great epics the Ramayana and the Mahabharata. A nationalist but also a universalist, Tagore welcomed the reshaping of these ideas by the people who received them, a process whose fruits he encountered in Malay literature and Balinese dance. He even hoped that one day a ‘regenerated Asia’, making creative use of its shared cultural heritage, might heal the world of

Laughs are in short supply in the academic world unless that world is serving as the victim of satire. So full marks to the Swedish philosopher Nick Bostrom for loading Deep Utopia – his reflections on life in a ‘solved world’, perfected by technology and science – with self-mockery and slapstick. Bostrom isn’t the first to fret about the travails of extreme leisure. John Maynard Keynes feared that economic abundance would produce more disgusting aristo-like behaviour. It’s nice to see how mighty minds can be so wrong. Bostrom cites John Stuart Mill being seriously depressed by the prospect, as humanity solved its problems, of there not being enough music to

For Mussolini’s 60th birthday, Hitler gave him a de luxe edition of Friedrich Nietzsche’s complete works, bound in blue pigskin. After the war, writers vied to revile the philosopher. Then, in the 1960s, he suddenly became philosophy’s darling. How come? Enter two erotically entangled Italians: Georgio Colli, a philosophy teacher at Lucca from 1942, and his pupil Mazzino Montinari, who in 1943-4 was beaten, interrogated and imprisoned for anti-fascist activism. Both found Nietzsche’s philosophy irreconcilable with fascism. Rumours had been swirling that the Nazifying of Nietzsche emerged from the Nachlass, a mysterious hoard of Nietzsche’s manuscripts suspected to contain forgeries that were the work of his sister Elisabeth and her

Two opposed camps can only have a fruitful debate if they agree on what it is they disagree about. A militant atheist such as Richard Dawkins is right to call out scientific ignorance in some religious settings. But at a deeper level his argument fails, because the deity he rejects is a blown-up thing, not the Creator conceived in classical tradition. Similar considerations apply to Slavoj Žižek’s Christian Atheism. When the claim that religion is no more than pious fantasy forms your starting point as well as your conclusion, then reason becomes the first casualty. This approach is as circular as beginning a book on socialism by asserting that all

Anne Carson, the celebrated Canadian-American poet, essayist and classical translator, is notoriously reticent about her work. She agreed to just these three sentences appearing on the cover of her first book in eight years: Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget’s Thesaurus, my dad, Saturday night. The pieces are not linked. That’s why I’ve called them wrong. Not only does this suggest the range of subjects explored but also Carson’s idiosyncratic, playful humour. Of course there are links between the pieces, and of course they are anything but wrong. Wrong-footed by the blurb, it’s thrillingly difficult to find one’s

How do you feel about writing? Does that sound like a bizarre question? OK, what about this? Do you worry that you don’t read enough? About the encroachment of screen time into book time? About the decline of letter-writing or penmanship? In universities, where ChatGPT has made a nightmare of written assessments, lecturers have had to fall back on viva voce interviews to determine whether students are the true authors of the essays they submit. My hunch is that writing – the idea of writing – is now more fretted over than celebrated; that what we feel towards this venerable invention is, on the whole, something like a complex of

Call it a prejudice if you like. Living in Japan in the 1970s, I had a slight aversion to a particular type of westerner. He – for it was mostly a he – usually lived in Kyoto, sometimes wore a kimono and liked to sit in ancient temples chasing after that presumably blissful moment of enlightenment, awakening, satori, or whatever one wishes to call it. These seekers were less interested in Japan as a society of human beings. They wanted to float in higher spheres. As Christopher Harding explains in The Light of Asia, the Zen adepts, the Buddhist chanters, the rock-garden worshippers, the kimonoed fools (in my no doubt

It has long been acknowledged that alchemy, however bizarre its premises, is the fore-runner of modern chemistry, compelling a figure as rational as Sir Isaac Newton. Other aspects of Renaissance thought are harder to assimilate. In his study of five crucial figures of the 15th and 16th centuries, Anthony Grafton aims to demonstrate that astrology, angelology and conjuration were, if not central to the era’s world view, at least hard to extricate from its more respectable concerns. His first subject, Faust, is little more than a sideshow, but significant in establishing the magus as a not entirely respectable figure, from which ignominy Grafton seeks to rescue him. The four who

Norman Shrapnel, the wise and kindly parliamentary correspondent of the Guardian back in the day when it was a readable newspaper, tried never to give a book a bad review. He liked to say that anyone who had taken the time and trouble to write about anything at length deserved to be given the benefit of the doubt, and so he generally dipped his reviewer’s pen in honey rather than vinegar. I must say that on picking up Maxim Samson’s Invisible Lines, I felt quite otherwise. I wanted at first (an important caveat) to paint my laptop’s entire screen with vitriol. Within two pages I’d begun to loathe the author’s

A book about hedgehogs is not the obvious next step for Sarah Sands, the former editor of Radio 4’s flagship news programme Today, and before that editor of the Evening Standard. But then Sands has had a rough time of it lately. In The Hedgehog Diaries, she recounts the death of her father, Noel, the news broken to her by her brother, Kit Hesketh-Harvey, who had to climb through a window of her Norfolk house to do so since she wasn’t answering her phone. Hesketh-Harvey, who was a writer and performer and a great favourite of the King, died not long afterwards of heart failure. Julian Sands, the actor made

Last August a bomb tore through a Toyota Land Cruiser outside Moscow killing its 29-year-old driver. Darya Dugina, a pro-war TV pundit, had been returning from a conservative literary festival where her father, an ultra-nationalist ideologue, had been giving a talk on tradition and history. Quite possibly he was the intended target. Alexander Dugin was called ‘Putin’s Brain’ by Foreign Affairs magazine and ‘Putin’s Rasputin’ by Breitbart. He had advocated conflict with the West and told Russians they should ‘kill, kill, kill’ Ukrainians. Ukraine denied responsibility for the attack. If you haven’t heard of Traditionalism, that’s not surprising, since it’s hardly devised to be generally understood One way of thinking

Adam Nicolson’s seductive new book –a voyage around early Greek thought – opens with a lovely passage. Moored with his wife off the island of Samos, Nicolson rises at first light, with ‘only the cats awake’, to find that other boats have come in during the night and laid their anchor lines over his. Our action-man author dives in and swims down ‘the 12 feet or so to the sandy sea floor, hand over hand and link by link down the chain, looking for the tangle that needed to be undone’. It’s a metaphor for the task he sets himself in How To Be, which aims to separate out the