Oxford

Melancholy pervades this novel: a sense of glasses considerably more than half empty, with the levels sinking fast. This is largely due to its central character, John Dyer, a former journalist in his late fifties, who has returned from years in South America to live in Oxford and write a book about Portugal’s accidental discovery of Brazil. With him comes his 11-year-old son, who attends the Phoenix, a posh prep school based on Oxford’s real-life Dragon School. Gradually, through a series of leisurely flashbacks, we learn that the love of Dyer’s life has died, his wife has left him, journalism has lost its soul and Brazil is going to pot.

As the wordy title of this book and the name of its author suggest, this is a faux-archaic, fogeyish journey around England’s oddest vicars. The Reverend Fergus Butler-Gallie is, though, the real thing: a young curate in the Church of England. Yes, he’s given to sometimes tiresome jocularity: he describes himself as ‘a Bon Viveur first and foremost, with a soupçon of Roguishness and Prodigality’. But, still, his essential thesis is right: the Church of England has produced some real oddballs in its time, and this is an entertaining gallop through several centuries’ worth of them. For 400 years after the Reformation, the Church of England was the ideal Petri

If you think you know what to expect from an Alan Hollinghurst novel, then when it comes to The Sparsholt Affair, you’ll almost certainly be right. Once again, Hollinghurst explores British gay history by plunging us into haute bohemia over several decades of the 20th century. (A few years ago he told an interviewer that the main characters in his next book ‘will all be more or less heterosexual’: a plan that sounded pretty unlikely at the time and, seeing as this is his next book, was evidently abandoned.) Once again, he combines his broad sweep with plenty of equally impressive close-up analysis — and all in prose that manages

Literary reputation can be a fickle old business. Those garlanded during their lifetimes are often quickly forgotten once dead. Yet there is a daily procession of visitors to Keats’s grave in the English cemetery in Rome, where the headstone reads, ‘Here Lies One Whose Name Was Writ in Water’, so sure was the poet that the neglect he had suffered up to his death would continue ever after. By any standards, C. Day-Lewis — he disliked Cecil, the name given to him by his Church of Ireland vicar father — was among the most glittering figures on the 20th-century British literary scene, celebrated, well-connected, a bestseller and Poet Laureate for

My old friend Richard Ingrams was said always to write The Spectator’s television reviews sitting in the next-door room to the TV set. I’m more assiduous: I have actually read this book under review. And Chris Patten’s latest memoir is a very enjoyable read — the account of a life of considerable privilege. Born into a middle-class family in suburban London, Patten won an exhibition to Balliol before — after a brief dalliance with US politics — he became a Conservative apparatchik and, in due course, an MP. Once he’d reached the cabinet, he was a made man — and from his middle years onward garnered a succession of agreeable