Novel

Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Though educated and bright, she has no career. She is ‘famous’ for her ‘lack of sense of humour’ and is ‘the most feminine woman’ her husband has ever known. Simon Robson’s novel spans one rainy winter day in Catch’s life, in which she spends the morning drinking tea and worrying about her

Following these ruminations on Iraq, Shakespeare and the contemporary political novel, I came across this post by Nick Cohen in which he discusses the provenance of some scenes in Ian McEwan’s new novel Solar. I’ve not read the book – which is, at least in part, about global warming – but McEwan’s publishers promise “a serious and darkly satirical novel, showing human frailty struggling with the most pressing and complex problem of our time. A story of one man’s greed and self-deception, it is a profound and stylish new work from one of the world’s great writers.” Of course they would say that, wouldn’t they? Anyway, Cohen relates that at

With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. It’s been eight years since the second volume, The Cold Six Thousand, written in a staccato shorthand prose that seemed always about to veer out of control, marked the apotheosis of Ellroy’s feverish and frenetic style. Something had to give, and at first it was Ellroy himself, who suffered a breakdown and eventually quit Middle America to return to his spiritual home of Los Angeles. Reviewing The Cold Six Thousand back in 2001 I called Ellroy either our greatest obsessive writer or our most obsessive great

For a crime writer, success comes with its dark side. As Conan Doyle learned to his cost, your readers often become obsessively attached to your series hero, while you yourself find him or her increasingly tiresome — and limiting. Ian Rankin’s well-deserved success with the genre has largely derived from his Inspector Rebus novels set in Edinburgh. When he brought the series to an apparent end with Exit Music in 2007, his readers were curious to know what lay ahead. Last year’s Doors Open, a relatively lightweight caper novel set in Edinburgh, was no more than an expanded version of a previously published short story and clearly a way of