Non-fiction

Saturday

Fay Maschler

A History of English Food by Clarissa Dickson Wright

It is where cookery is involved that tele-vision gives perhaps the greatest succour to the book trade. After Jennifer Paterson’s death in 1999, the remaining ‘Fat Lady’ barrelled into view with Clarissa and the Countryman, Clarissa and the King’s Cookbook, as a gamekeeper in an episode of Absolutely Fabulous and as presenter for a documentary on her soul-mate Hannah Glasse. Such exposure, combined with an unapologetic mien and candour that have attracted the somewhat patronising description ‘national treasure’, could only have helped her autobiography Spilling the Beans scale the heights of the bestseller lists and allowed the next manuscript, a year-long diary and rant called Rifling through My Drawers, to

Anthony Daniels

The Brain is Wider Than the Sky by Bryan Appleyard

With all the advances of science, we may be no nearer to understanding ourselves than before, says Anthony Daniels — but we shouldn’t dismiss the possibility outright Some years ago I had a patient who believed that his neighbours, unskilled workers like himself, had developed an electronic thought-scanner whose antennae they could, and did, direct at him in order to know his thoughts as and when he had them. He heard them laughing and jeering at the banalities with which, inevitably, his mind was filled most of the time. Needless to say, he found this intrusive and oppressive, and it made him murderously angry. As life follows art, science follows

Saturday

The Spectator

Books of the Year | 5 November 2011

Our regular reviewers were asked to name the books they’d most enjoyed reading this year. More choices next week •  A.N. Wilson Rachel Campbell-Johnson’s Mysterious Wisdom: The Life and Work of Samuel Palmer (Bloomsbury, £25) is one of those rare biographies which is a work of literature: beautifully written, overwhelmingly moving. A great art critic, with an understanding of the human heart has produced this masterpiece. It is one of the best biographies I have ever read of anyone: it captures the tragedy of Palmer’s life, and brings out the shimmering glory, the iridescent secrets of his Shoreham phase. Matthew Sturgis’s When in Rome: 2,000 Years of Roman Sightseeing (Frances

Alexander Chancellor

After America: Get Ready For Armageddon by Mark Steyn

There are people sent to depress us, and prominent among them is Mark Steyn, whose speciality is apocalyptic predictions. Following his bestseller America Alone: The End of the World as We Know It, which was about the collapse of all of the Western world with the exception of the United States, he is now predicting the collapse of the US as well, leaving the entire ‘free world’, as it used to be called, at the mercy of those great enemies of freedom, China and Islam. He writes: There will be no ‘new world order’, only a world without order, in which pipsqueak failed states go nuclear while the planet’s wealthiest

Melanie McDonagh Melanie McDonagh

The Empire of Death: A Cultural History of Ossuaries and Charnel Houses by Paul Koudounaris

In one Capuchin monastery in Sicily, the so-called Palermo Catacombs, locals used to buy a niche where their mummified corpse would one day stand erect, clothed and on display to visitors, the way we might now buy a burial plot. Would-be purchasers would pay a visit to select their niche and stand in it to make sure it fitted. Indeed, by way of voluntary penance, some would remain there for hours, contemplating their end. At the same time, in the early 17th century, a related order of nuns in Rome, the Sepolta Vive or Buried Alive sisters, would sleep in coffins and hail each other with the observation: ‘Remember sister,

Richard Davenporthines

AfterWord edited by Dale Salwak

‘Conjuring the Literary Dead’ is the sub-title of this outlandish, sometimes beguiling book. Its editor, Dale Salwak, coaxed 19 writers — of the status of Margaret Drabble, Francis King, Jay Parini and Alan Sillitoe — to write essays in which they imagine speaking to dead authors who intrigue them. The resulting chapters are often inquisitive, macabre and teasing, but occasionally flat or laborious. ‘Perhaps all writing is motivated, deep down,’ Margaret Attwood suggests in an introductory survey, ‘by a fear of and fascination with mortality — by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead.’ Francis King more

Ian Thomson

Cocktail Hour Under the Tree of Forgetfulness by Alexandra Fuller

There is always a special risk, says Alexandra Fuller, when putting real-life people into books. Not all those who recognised themselves in her terrific memoir of 1960s and 1970s white-ruled Africa, Don’t Let’s Go to the Dogs Tonight, had appreciated their transformation. The author’s own mother, Nicola Fuller, was disquieted to find herself as a character in that ‘awful book’ (as she refers to it today). Was she really that flaky and drunk? Or was that how others perceived her? Most writers make life more interesting than it is; I suspect that Alexandra Fuller is among them. In Cocktail Hour Under the Tree of Forgetfulness she returns to the Africa

Jane Brown

William Nicholson: Catalogue Raisonné of the Oil Paintings by Patricia Reed

A pleasingly tactile canvas-like cover adorns this heavy book and proclaims its purpose; the boldly brushed illustration is a detail from ‘Mauve Primulas on a Table’ painted in January 1928 when the artist was in his mid-fifties. He wrote of a ‘painting orgy’ and how he suffered ‘tennis-elbow from holding my brush for 8 hours solid’. Patricia Reed’s catalogue note adds, ‘the work is a synthesis of the motifs that interested him at this moment: a tilted picture plane, textured cloth, penumbrated shadows, a cropped bowl and a pair of open scissors’. It is pertinent to follow with a quote from Merlin James’s introductory essay on Nicholson’s ‘Painting and Experience’,

Andrew Rosenheim

Steve Jobs: The Exclusive Biography by Walter Isaacson

America has always idolised its entrepreneurs, even when it has proved a thankless task — if you can glamorise Bill Gates, you can glamorise anyone. Especially Steve Jobs, whose death from pancreatic cancer has been greeted as the loss of Mammon’s Messiah. Is any of this justified? Well, yes and no. Jobs did as much as anyone, with the possible exception of Gates, to bring digital change into the mainstream, and this makes his biography as much a history of a digital revolution as a personal story. It’s this fittingly binary quality that makes Walter Isaacson’s biography so worthwhile, since Jobs himself emerges from it as an unattractive, even repellent

Eric Christiansen

My Dear Hugh: Letters from Richard Cobb to Hugh Trevor-Roper and Others edited by Tim Heald

Richard Cobb had many good friends, among them Hugh Trevor-Roper, who kept letters, and so made this selection possible. There must be many more letters, since the author was an inveterate correspondent at least from the 1930s. The wartime ones would be of greater historical interest than these, which are nearly all post-1967, many of them concerned with the essentially piddling subjects of university politics, pupils and personalities. Of course, these are foie gras and the sound of trumpets to persons connected with such things at Oxford and Cambridge, but the admirable publisher must be aiming at a larger audience than that, ignoring Cobb’s own repeated assertion that ‘nothing ever

Sam Leith Sam Leith

Martin Amis: The Biography by Richard Bradford

Where’s Invasion of the Space Invaders? That’s what I want to know. Only by consulting Richard Bradford’s bibliography would you know that in 1982 Martin Amis published a book — subtitled ‘An Addict’s Guide’ — on how to win at Space Invaders, and that he (presumably) hasn’t let it come back into print. An entire book! That seems to me worthy at least of a paragraph in the body of a 400-odd-page writer’s biography. It tells you something, doesn’t it? I mean, apart from the fact that Martin Amis once liked Space Invaders, which is amusing if not crucial. Anything a writer disowns is of interest: particularly if it’s a

Monday

Nigel Jones

The building of our history

Athens, for all its current woes, still has the Parthenon. Rome has the Colosseum, Paris the Louvre, Berlin the Reichstag, Beijing the forbidden city, Moscow the Kremlin and Washington the White House. But where in London is there a structure that sums up and encapsulates the sweep of  English History from 1066 and all that, to the Second World War and beyond? The answer is certainly obvious to the 2-3 million mainly overseas visitors who flock to the Tower of London every year, making it easily Britain’s top tourist attraction. What makes the Tower such a magnet is surely the sheer multiplicity of functions it has fulfilled over the centuries,

Saturday

Michela Wrong

Who Killed Hammarskjöld? by Susan Williams

When I was a Reuters trainee, long hours were spent in Fleet Street pubs absorbing the folklore of journalism from seasoned veterans. One popular story concerned the hapless correspondent sent to verify that Dag Hammarskjöld, head of the United Nations, had safely landed at Ndola airport in Northern Rhodesia on his way to talks with separatist Congolese leader Moise Tshombe. A plane landed, the police confirmed it was the UN secretary general, the hack duly filed his story. Trouble was, the disembarking white man was someone else. Hammarskjöld was dead, killed as his DC-6 crashed on night-time approach to Ndola. Rival reporters, drinking at a nearby hotel, heard the news

Ferdinand Mount

The Letters of Samuel Beckett: Volume II, 1941-56, edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck

The die was miscast from the start, more’s the pity. As we reach the halfway point in this massy four-volume edition of the letters of Samuel Beckett, I cannot stifle a small sigh or whimper, of the type exhaled by one of those Beckett characters buried up to their necks. And there is no one to blame but the author of the letters. For it was Beckett himself who in his letter of 18 March, 1985, gave his blessing to Martha Fehsenfeld ‘to edit my correspondence in the sense agreed on, i.e. its reduction to those passages only having bearing on my work’. So the tussle began and continued long

Nicholas Lezard

Low Life: One Middle-Aged Man in Search of the Point by Jeremy Clarke

Some may question whether a review of a columnist’s work in the magazine in which that columnist’s work appears can ever be impartial. It can, and not just because this particular magazine is, as far as I recall, honest about this kind of thing. It’s because it’s in my interests to be hard on Jeremy Clarke. I write what you may describe as the equivalent column for your anti-matter counterpart, the New Statesman; moreover, I am engaged in the business of bunching my selected columns into a book, rather as he has done here. One does not want to encourage the competition. Furthermore, I knew Clarke’s predecessor, the late Jeffrey

Juliet Townsend

Georgette Heyer: Biography of a Bestseller by Jennifer Kloester

Those of us who have spent an embarrassing number of hours immersed in the Regency novels of Georgette Heyer have learned to live dangerously. We have been overturned in high perch phaetons, held up innumerable times by highwaymen, been kidnapped and spirited across the Channel, lost several fortunes at Faro or Bassett and have even witnessed and survived every moment of the Battle of Waterloo. The same cannot be said of the author, whose life was somewhat less eventful. Heyer was a creature of habit and for many years followed a regular annual routine: two novels published, one detective story and one Regency romance, a summer holiday in the same

Carey Schofield

Pakistan: A Personal History by Imran Khan

Imran Khan’s Pakistan: A Personal History describes his journey from playboy cricketer through believer and charity worker to politician. His story is interwoven with highlights from Pakistan’s history. At times he seems to conflate his own destiny with that of Pakistan, and at others to be writing a beguilingly honest personal account. Khan describes how youthful hedonism eventually gave way to faith. His cricketing life led him to realise that talent and dedication were no guarantee of success. In the end, he says, it comes down to luck. ‘Over the years I began to ask myself the question — could what we call luck actually be the will of God?’

Grey Gowrie

A Bigger Message: Conversations with David Hockney by Martin Gayford

Like his contemporary and fellow Yorkshireman, Alan Bennett, whom he slightly resembles physically, David Hockney has been loved and admired throughout his lifetime. He painted one of his greatest works, ‘A Grand Procession of Dignitaries in the Semi-Egyptian Style’ in 1961 while still at the Royal College of Art. He has dazzled, surprised and often upset the world of art ever since. Picasso aside, he is the wittiest modern painter, in the sense not just of being funny, but intelligent; a whole history of Western art is both contained and extended by his originality. For example, it was both funny, and in the 1960s brave, to apply Boucher’s soft pornography

Peter Jay

The Price of Civilization by Jeffrey Sachs

Half a century ago J.K. Galbraith’s The Affluent Society changed the political consciousness of a generation in the English- speaking world and beyond. It vividly re-established in the minds of civilised men and women the paradox of private affluence in a sea of public neediness — for which, as Matthew Arnold reminds us, Cato reported by Sallust had a name in his description of ancient Rome: ‘publice egestas, privatim opulentia’ (public poverty, private opulence). From this premise he made the case for the mixed economy, one in which the genius and power of market forces is balanced and harnessed by effective government in promoting public goods and correcting market failures

David Crane

An intemperate zone

Two years before the outbreak of the first world war, a Royal Navy officer, addressing an Admiralty enquiry into the disturbing question of lower-deck commissions, ventured the cautionary opinion that it took three generations to make a gentleman. It is hard to know exactly what he meant by that endlessly morphing concept, but if it bore any resemblance to the historical compound of avarice, bad faith, dynastic ambition and family selfishness that dominates the pages of Adam Nicolson’s dazzling narrative, then the one consoling mercy is that it has always taken a good deal less than three to unmake one. There are gleams of humanity, courage and honour to be