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Why are sports biographies treated differently to other works?

Agatha Christie’s The Mousetrap has been running in London theatres for 62 years straight – a period that spans more than 25,000 performances. As is traditional in the genre, it ends with the suspects gathered together for a shocking denouement, during which the detective unmasks the murderer, to general horror. Despite the number of times this has happened, the identity of the killer is apparently ‘the best-kept secret in show business’; at no point has any reviewer felt the need to reveal that the butler did it. On the other hand, the publication last week of two autobiographies – one by Kevin Pietersen and one by Roy Keane – were treated quite

Our suicidal newspapers are throwing press freedom away

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_9_Oct_2014_v4.mp3″ title=”Fraser Nelson and Lord Falconer discuss the police’s use of Ripa” startat=57] Listen [/audioplayer]With the possible, although far from certain, exception of the men and women who hire me, it is fair to say that Britain’s editors have a death wish. They suppress their own freedom. They hold out their wrists and beg the state to handcuff them. They are so lost in ideological frenzy that they cannot see that free journalism is the first casualty of their culture wars. The Daily Mail acclaimed David Cameron’s threat to repeal the Human Rights Act and pull out of the European Convention on Human Rights as ‘triumphant’. Within days, we

Parris vs Monty rumbles on

As Mr S predicted yesterday, the row between Times colleagues Matthew Parris and Tim Montgomerie has simmered on. And turning up the temperature in the Times’ Red Box email this morning, Parris seemed to be getting rather catty: ‘I was pleased to be singled out by my friend and colleague, Tim Montgomerie, in yesterday’s throwaway “I’m looking at you, Matthew Parris”. In the course of these remarks, Tim also wrote this: “Political leadership … becomes impossible if a leader is not willing to give large majorities of his or her party’s natural supporters what they want. From a less well-intentioned speaker than Tim I would regard that as a disgraceful

Radek Sikorski’s notebook: Goose-steppers in Oxford, and a drone in my garden

As the BA flight from Warsaw landed at Heathrow, I felt a little tremor of anxiety, though it wasn’t anything to do with fear of flying. I was here for the Pembroke College gaudy. I had never attended a reunion before, and I had doubts about it. What if the people I really liked didn’t show up? What if I didn’t remember somebody’s name, while they remembered me? Above all, did I really want to see a bunch of old people claiming to be my contemporaries? It turned out to be a delight. It was lovely to be woken again by the sound of the bell from Tom Tower, which

Is Boris Johnson standing for Parliament — or running for it?

‘Boris Johnson broke cover yesterday to declare that he will run for parliament,’ the Times reported last week. The Mirror had him running too. The Independent and the Guardian had him standing for Parliament. The Express said rather oddly that he would ‘stand as an MP’, as did the Evening Standard, though the latter made amends by speculating that Zac Goldsmith was being urged ‘to stand as the Tory candidate for Mayor of London’. There is no doubt that running for election was originally an American phrase, though it hardly blew in yesterday. Andrew Hamilton, a founding father of the United States, wrote in a letter that ‘either Governor Clinton, or

No, I haven’t seen that beheading video. And it’s not right to share it

I am sure we’re all in agreement that watching videos of adults abusing children is wrong. At least outside the halls of BBC light entertainment (historically speaking) such a consensus must exist. So how has it become not just right, but seemingly virtuous, to watch and then promote pictures of big bearded men chopping off children’s heads? The proliferation of torture and beheading porn is one of the social media horrors of our day. Every minute millions of people around the world send links to videos and photographs. And as world news gets darker, even if you don’t seek them out, such images find their way to you. Of course

Simon Barnes’s diary: A sportswriter is never without a big subject (unless it’s golf)

Sport is like love: it can only really hurt you if you care. Or for that matter, bring joy. You can’t explain sport, any more than you can explain the Goldberg Variations: you either get it or you don’t. So it can be hard to justify a life spent among bats and balls and leaping horses. I spent 32 years writing about sport for the Times, the last 12 as chief sportswriter, all of which comes to an close at the end of this month when I become News International’s latest economy, doomed to wander Fleet Street (is it still there?) wearing a luggage label that reads ‘Please look after

The War on Rupert Murdoch is the Real Story of the Hacking Saga.

The hacking scandal was about many things but the way in which it has played-out and, crucially, been reported reminds us that it has chiefly been about power. Not just the power of the press when weighed against the power of parliament but the relative positions of power and authority within the press. In that respect it has been a confusing, complex kind of conflict. You might view the newspapers as over-mighty magnates whose powers should have been curbed long ago. In this picture, the press barons have been so revolting – in every sense – that their activities began to threaten the security – and decency – of the

The secret life of the leader writer

The latest series of Andrew Rawnsley’s ‘Leader Conference’ on Radio 4 starts tonight…keenly awaited obviously. But having been on the programme a couple of times – though not, funnily, since I did a piece for this magazine about the difficulty a woman has in getting her oar in across the masculine timbre of Danny Finkelstein et al – perhaps I should disabuse you that this admirable series actually replicates what happens in a leader conference. It’s very good, as everything my old friend Andrew does, but just not quite the same as the thing itself. This, I may say, is something of a specialist subject of mine, on account of

We have to tell the truth about Tony Benn now. Who will hear it later?

I could start by remarking that we should not speak ill of the dead, quoting the pertinent Latin phrase: de mortuis nil nisi bonum (‘of the dead, only good’). But this would be to miss a key qualification because the whole quote (from Diogenes Laertius, circa ad 300) adds ‘dicendum est’: ‘is to be said’. And that puts a different complexion on things. Commentators have preferred to describe the advice as an established social convention rather than necessarily their own opinion. Indeed it is often used as a sly way of indicating (without stating) the speaker’s disapproval of the deceased. But if the phrase has been thrown once at my

When I pick the right share, I shout about it. And here’s what I do when I get it wrong…

I have a confession to make. I earn my living advising my readers whether particular companies’ shares are going to go up or down. I have no idea whether an individual share will go up or down. Fortunately, nor does anyone else. That goes for the analysts, investment bankers, fund managers, accountants and other professionals who work in the City and earn a great deal more than I do. As the scriptwriter William Goldman said, no one knows anything. My abject failure to predict the future has two consequences. One: I am sitting here typing this, rather than being on a beach somewhere, counting my yachts. Two: the best I

Jeffrey Archer’s diary: My personal trainer only smiles when I’m in pain

The week leading up to publication is a strange time for any author. You subject yourself to doing everything from BBC Radio Hebrides to reviewing the Sunday papers on TV, as long as they’ll give your latest book a plug. Mind you, most of them want to talk about anything except the new book. The Alan Titchmarsh Show wants to know whether I trained to be an auctioneer; the Daily Mail are more interested in how Mary (my wife) conquered cancer; The Telegraph are determined to learn more about a murderer I knew, who’s just got his MA, while the Times are keen to find out how often I attend

So is Moro a Tory restaurant now?

Moro (‘moorish’ or ‘sexist’) is a Spanish restaurant on Exmouth Market, near the bones of the old Guardian and Observer building on Farringdon Road. I don’t mind telling Spectator readers (‘you people’) that I once kissed the bricks of this building, quite seriously, like Jews kiss the tarmac at Ben Gurion Airport. (At least that is the story; but I have never seen anyone do it. Kiss some dirty tarmac. What for?) Moro is distinguished as the restaurant in which Guardian journalists first realised Julian Assange is mad. He stood up near an olive and announced he didn’t care if the leaks led informants to be murdered, which is a

Tim Rice’s diary: From Eternity to here

Last October, in these very pages, I wrote with what is now annoying prescience, ‘Like almost everyone else in the insane world of musical theatre, I don’t know how to create a hit.’ I am now facing up to the grim fact that my latest effort, From Here to Eternity, is folding after a six-month run at the Shaftesbury Theatre. The publicity has vastly exceeded the interest in the show when it opened last September. Never have the words of Bob Dylan seemed so relevant to me: ‘There’s no success like failure, and failure’s no success at all.’ The enthusiasm of the media to report gleefully on Eternity biting the

Why are journalists so scared of giving people what they want?

Since I landed my new job as executive editor at Breitbart London, my old Fleet Street friends and colleagues have reacted with a mix of envy and horror. The envy part comes from the fancy title and their ludicrously exaggerated idea of how much I’m being paid; the horror from the fact that I’ve gone and joined what’s known disparagingly in the trade as a ‘vertical’. A vertical — the opposite of a horizontal, obviously — is an online enterprise that caters to a niche audience: dog owners, say; or foot fetishists; or, in the case of Breitbart.com, readers of a mainly American persuasion who like their news curated and

Why I’ve started my own Mail Online

There are good reasons for serious people to despair of the news. A minor country singer dies, and the BBC gives him the front page. An actor dies and every channel mourns him as if a president had expired. There’s one final fact that particularly sticks in the throat of serious news people: the most followed news website in the English language, by an enormous factor, is the Mail Online, purveyor of a stream of appalling ‘human interest’ stories of the lowest kind. The clear temptation is to withdraw into the bunker and lament the decadence of a ruined age. This would be a big mistake. We can face the

Forgive me, Father

For non-Catholics, the most luridly fascinating aspect of Catholicism is confession. Telling your inmost sins — and we know what they are — to a male cleric, eh? In a darkened booth. How medieval is that? Well, the fantasies that people who never go to confession nurse about it are about to be shored up by a new book on the subject by the Catholic author John Cornwell. It’s called The Dark Box: A Secret History of Confession. On the cover is a scary-looking picture of a confessional — not somewhere you’d take the children, frankly, but right at home in a Hitchcock movie. John Cornwell is a friend, and

How the MPs’ expenses scandal proved the wisdom of Alain de Botton

Whenever I’m tempted to pretend to be nicer so that fewer people hate me, I remember my old friend Alain de Botton. Alain is a genuinely delightful fellow — charming, considerate, wise, modest — but this has made no difference to the degree with which, in some quarters, he remains intensely loathed. This saddens me. There are certainly occasions when I find his utopianism naive, twee, mockable. And, yes, I suppose it’s easy to be jealous of a handsome man with a beautiful wife and a comfortable life which seems to involve nothing harder than pondering philosophically, writing bestsellers and being on TV a lot. But for all his faults,

Will #TeamSaatchi rescue the Indy?

Roy Greenslade has set the hare running with his claim that Alexander Lebedev and his mini-mogul son Evgeny are looking to offload the Independent titles. The ‘viewspaper’ is understood to be haemorrhaging cash. ‘This is not new news,’ one insider tells me; although, as Greenslade reports, ‘the official line’ is that Independent Print (which makes the Indy, the Sindy and the i)  ‘is merely seeking new investors.’ But even that won’t be easy: newsstand sales of the Indy are down to 43,224  (which in part reflects the success of the ‘i’) and any investor/bidder will have to consider the Indy’s integration with the (profitable) Evening Standard, which is so extensive that

Ten reasons why conservatives should take Edward Snowden seriously

Towards the end of last year Tom Stoppard gave a rather brilliant PEN/Pinter lecture on freedom of expression which was, in part, a kind of love letter to the place which has been his home since 1946: ‘There is no country in the world I would rather be living in, no country where I would feel safer.’ Later in the same lecture he listed his own ‘obsequies over the England we have mislaid’. The list began: ‘Surveillance, mis-selling pensions and insurance. Phone hacking. Celebrity culture. Premiership football. Dodgy dossier. Health and Safety. MPs’ expenses…’ And so on, before underlining his own personal mantra on human rights: ‘A free press makes