New york

Monday

Robin Simcox

Will Gordon Brown's critics finally admit he was right about al-Qaeda's 'major terrorist plot'?

There are not many things to celebrate about Gordon Brown’s time in office. He was a vilified leader; often quite rightly so. His Home Secretary, Jacqui Smith, did not fare much better. However, a recent terror trial in New York showed that the criticism they received was not always deserved. On 8 April 2009, a large terrorist cell based in northwest England was arrested. The cell had been dispatched to the UK by al-Qaeda in 2006 in preparation for an attack, the majority entering the UK on bogus student visas. The plot is thought to have involved a car bomb attack against Manchester’s Arndale shopping centre, with a team of suicide

Thursday

Alexander Chancellor

I’ve been sacked more times than I can exactly remember. It teaches you nothing

The Oldie magazine — of which, until otherwise advised, I appear to be the editor — runs an occasional article about someone’s experience of being sacked. When I was young, this used to carry something of a stigma: other people found it hard to believe that you could be sacked without having somehow deserved it. But since then so many admirable people have lost their jobs for no good reason that nobody thinks any the worse of them for it. And now we are told by Anna Wintour, the editor of American Vogue and queen of the fashion world for 27 years, that to be sacked is actually a good

Thursday

Susie Boyt

‘Another terrible thing...’: a novel of pain and grief with courage and style

Nobody Is Ever Missing takes its title from John Berryman’s ‘Dream Song 29’, a poem which I’d always thought related to Berryman’s strange sense of guilt over his father’s suicide. At the heart of Catherine Lacey’s novel there is another suicide that brings with it enormous pain and grief, that of the heroine Elyria’s adopted sister Ruby, six years earlier. This is a novel of extremes — to put it mildly — charting Elyria’s slide into a derelict state. It is a witty, knowing and lyrical work that takes as its subject the thoughts and feelings of a woman who has suffered more misery than most humans can take. The

Thursday

Deborah Ross

Love Is Strange review: subtle and nuanced in ways which, I’m assuming, Fifty Shades is not

You will be wondering why I haven’t seen Fifty Shades of Grey as this is very much Fifty Shades of Grey week and although I’m as curious and excited as anybody — how has Sam Taylor-Johnson filmed a book which, let’s face it, is quite a bit shit? — there were no UK media screenings prior to going to press. This means I will now have to pay and see it at the cinema, which is something, I know, you little people do all the time, but still, who does one go with? As it happens, my mother (86) expressed an interest, but I had to tell her: no way.

James Delingpole James Delingpole

The Master of the Universe who taught me that life is about much more than money

God it’s nauseating when an exact university contemporary of yours turns out to have become a hugely successful investor with a fund worth many millions. The bit during our meeting where I most wanted to throw up my ravioli was when this fellow — Guy Spier his name is; read PPE at Brasenose with my old mucker Dave Cameron at the same time I was at Christ Church — told me how he’d once paid nearly £250,000 in a charity auction just for the privilege of having lunch with Warren Buffett. A quarter of a million quid. Imagine all the things you could do with that. I could make a thousand and

Thursday

The Spectator

Portrait of the week | 29 January 2015

Home Party leaders mercilessly launched 100 days of campaigning before the general election on 7 May. David Cameron, the Conservative leader, said he would reduce the annual maximum household receipt of welfare to £23,000 from the current limit of £26,000. Ed Miliband announced a ten-year plan for the National Health Service, but Alan Milburn, a former Labour health secretary, said: ‘You’ve got a pale imitation actually of the 1992 general election campaign and maybe it will have the same outcome.’ Amjad Bashir, a Ukip MEP, switched to the Conservative party, upon which Ukip said he was being investigated over ‘unanswered financial and employment questions’, allegations he denied. Peers dropped an

Thursday

Deborah Ross

A Most Violent Year, review: mesmerising performances - and coats

A Most Violent Year is a riveting drama even though I can’t tell you what it’s about, or even what it actually is. (What’s new?) Set in New York City in 1981, against the improbable background that is the heating oil business (it’s sexier than you’d think), this isn’t quite a gangster film and it isn’t quite a thriller and it isn’t quite a morality play and it isn’t quite an exploration of the American Dream and it isn’t one of those parables about the evils of capitalism either. This is discombobulating, initially. We are used to the familiarity of well-defined genres. ‘Where is this going?’ you will keep asking

Thursday

Ian Thomson

What unites Churchill, Dali and T.S. Eliot? They all worshipped the Marx Brothers

‘I had no idea you were so handsome,’ Groucho Marx wrote to T.S. Eliot in 1961 on receiving from him a signed studio portrait. The Missouri-born Eliot was the Marx Brothers’ devoted fan; three years later, in June 1964, Groucho called on the 75-year-old poet at his home in London. Eliot was interested in the Marx Brothers’ first undisputed film masterpiece, Animal Crackers (1930), while Groucho wanted only to quote from ‘The Waste Land’; however, the men agreed that they shared a love of cats and fine cigars. Winston Churchill was another who admired the Marxes and their deliciously mad repartee. During an air attack on London in May 1941

Thursday

Ismene Brown

An American in Paris: a zingy new Wheeldon dance-musical that you won’t want to miss

A new year must start with hope and resolution, and if you’re very rich, with influence in the highest places, I’d urge you to resolve to dust off the private jet and get to Paris quick this weekend hoping to find a ticket somehow for the last Châtelet performances of An American in Paris, Christopher Wheeldon’s s’wonderful, s’marvellous new staging of the Gershwin/Minnelli musical film. Or book for New York in March when the show moves to its second home on Broadway. But surely there must be a UK run soon. It’s the first big dance-musical of the Royal Ballet’s favourite son, which is why we should pay attention. The

Thursday

Taki

Another New York institution bites the dust

Except for sickness in one’s family or the loss of a life, is there anything sadder than to see a bookstore shut its doors? I used to live on a street that had three bookstores within 50 yards of each other. All three are now boutiques selling expensive bric-à-brac, or whatever the junk that tarts wear is called. Browsing in a bookstore has to be every bibliophile’s wet dream, a perfect way to stand upright, in a correct posture, and lose weight while reading blurbs. Excelsior! It is every frustrated or unsuccessful writer’s dream to own and operate a bookstore, but nowadays it’s like selling sunlamps to Australians: there are

Simon Berry

At last, trendy gins are tasting like gin again

I blame my mother. Although gin wasn’t her ruin, I have to admit, she did enjoy a gin and tonic. And as any student of the spirits industry will tell you, you never drink what your parents drink. The problem, I now realise, was that gin in the 1970s wasn’t very good. Tonic water was even worse: the primary aim of even the best known (Ssssssh — you know who you are) being to disguise the roughness of the gin. And vice versa, I suppose. Gin was dying on its feet, being replaced by the infinitely cooler vodka, which clever advertising in the 1970s had transformed from the equivalent of

Thursday

Taki

Once upon a time, when a poor farmer came to the big city he put on his only suit

The leaves are falling non-stop, like names dropped in Hollywood, and it has suddenly turned colder than the look I got from a very pretty girl at a downtown restaurant. I was dining with the writer Gay Talese and had gone outside for a cigarette. Two men and a lady came out looking for a cab. The scene was straight out of an F. Scott Fitzgerald story: ‘I love you, I’ll take you home,’ said one of the young men. ‘I love you more, let me take you home,’ said the other. Both were well dressed and spoke proper English. There was nothing else to do but to butt in,

Monday

Anne Jolis

Boris's dilemma: relinquish his US passport or pay American tax

When in doubt, blame wealthy foreigners for any political problems. That goes for pols in the US and the UK alike, and even the dual-national Mayor of London is not immune. Boris Johnson opposes blanket non-dom and mansion taxes, but wants councils to ‘whack up’ local levies on empty homes and advocates closing stamp-duty loopholes exploited by ‘mainly but not exclusively non-doms’.  Through these, he explained in one Telegraph column, and with ‘the agency of some clever lawyers, they avoid a tax that is paid by virtually everyone else’. So it is with great interest – and some sympathy, on the part of yours truly – that we expatriates in London learn of Johnson’s dispute with the US Internal Revenue Service (IRS). Speaking

Thursday

Taki

Snobbery, sneering and secret sniggers: the sad truth about the so-called 'special relationship'

To the grand Herrera house on the upper east side of Manhattan for lunch in honour of Lord and Lady Linley. David Linley is over here to receive an award for his designs, which even a rube like myself where furniture is concerned finds wonderful. Princess Margaret’s son is talented, but he’s also a very nice man. His parents must have done something right, because he’s lived a scandal-free life (as has his sister) — something other British royals cannot claim. He also earns his own living, as rare among royals as a neoconservative marine. Our hostess Carolina Herrera is the best fashion designer in America, by far. She and

Lloyd Evans Lloyd Evans

Norman Mailer’s wife comes out of the shadows

‘It’s not as bad as I thought it would be,’ said Norman Mailer to his wife, Norris Church, after reading the first chapters of a novel she wrote in the 1970s. It took her decades to recover from this accolade and the book remained unpublished until 2000. Here’s a two-handed drama she drafted in the 1980s. The setting is a New York strip joint. A social anthropologist finds a girl in a booth and hires her to describe her daily life. He feeds her banknotes through a slot, like a zoo-keeper giving peanuts to a caged marmoset, and she prattles away at him earning a dollar every 60 seconds. She

Philip Hensher

Stefan Zweig: the tragedy of a great bad writer

Stefan Zweig wasn’t, to be honest, a very good writer. This delicious fact was hugged to themselves by most of the intellectuals of the German speaking world during the decades before 1940, in which Zweig gathered a colossal and adoring public both in German and in multiple translations. It was like a password among the sophisticated. Zweig might please the simple reader; but a true intellectual would recognise his own peers by a shared contempt for this middlebrow bestseller. The novelist Kurt Tucholsky has a devastating sketch of a German equivalent of E.F. Benson’s Lucia: Mrs Steiner was from Frankfurt, not terribly young, alone and with black hair. She wore

Thursday

Ismene Brown

Thomas Ades’s Polaris at Sadler’s Wells: the dance premiere of the year

This has been an extraordinarily exciting fortnight, on and off stage. Premieres in anything from ice-skating to classical ballet, charismatic soloists in flamenco and Indian kathak, the front-page news of Sylvie Guillem’s retirement, and, even more astonishingly, English National Ballet’s announcement of its new Giselle next year by Akram Khan. Consequently I have to short-change some of the highlights (note for next year’s diaries, folks — October is invariably the dance month of the year), including the liberation of ice-skating by the Canadians of Le Patin Libre, who made Alexandra Palace rink feel like a frozen field with their casual pyrotechnics (ice-o-technics?). And then there was the compellingly odd flamenco

Nicky Haslam

The genius of Cecil Beaton’s interiors

The odds were a hundred to one against him. Brought up in bourgeois Bayswater by genteel parents, Cecil Beaton was effete, pink-and-white pretty, theatrical and mother-adored, with a stodgy brother (but a couple of compliant sisters) —a cliché of post-Edwardian sniffiness, a leer through raised lorgnettes. A humdrum early education followed by Harrow might have formed him into a pliant carbon of his timber-merchant father, but Cecil escaped this. His personality, energy and burgeoning bravery led him far and wide, and often delightfully astray. It took just a few years for him to trample those early 20th-century taboos under his winged heel, and forge his curiosity-fuelled career. Armed with a

Thursday

Colin Maccabe

To call this offering a book is an abuse of language

I picked up this book with real enthusiasm. Who cannot be entranced by those 20 years after the second world war when New York supplanted Paris as the cultural capital of the world? One thinks of the Beats, of Dylan and Greenwich Village, of Sontag and Trilling. Well think again, for none of the above feature in this book at all. Indeed the first thing to be said is that to call this offering from Thames & Hudson a book is a real abuse of language. It has covers and inside those covers one finds text and image but the three essays that cover visual art, architecture and design and

Thursday

Fisun Güner

How Rothko become the mythic superman of mystical abstraction

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in any ‘formalist’ sense. If a critic called him a ‘colourist’, he would bristle; if they admired his sense of composition, he would complain that this was not what he was about at all. His was an art of deep content, his subject an invocation of the religious, the tragic, the mythic. ‘The people who weep before my pictures are having the same religious experience I had when I painted them,’ he once famously said. ‘And if you, as you say, are moved only by their colour relationships, then you miss