Netflix

Russian Doll is a brilliant new Netflix drama in which a woman relives the same night over and over again. It is particularly enjoyable for me to watch because I feel like that is exactly what I am going through. The same problems present and re-present themselves, quite as though I never come to grips with them, when in reality I do nothing but try to come to grips with them. In Russian Doll, a New York software engineer called Nadia Vulvokov (‘It’s like Volvo only longer,’ she pleads) finds herself reliving her 36th birthday party in an ongoing time loop wherein she repeatedly dies horribly in a violent accident

Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp at any old crap. Worse, whenever I try to draw his attention to stuff I consider to be extra specially worth watching — Fauda, Babylon Berlin, etc. — he rejects it because it has been tainted by my recommendation. So the next brilliant thing he won’t get to see is Gomorrah (Sky). This relentlessly dour

Don’t watch The Sinner (originally on Netflix; now on BBC4) because, despite your better judgment, you’ll only get addicted after its irresistibly grabby opening. A pretty if slightly distraite mother called Cora Tannetti — Jessica Biel — is on a lakeside beach with her bearded beta cuck husband and their little boy, surrounded by other relaxed groups of weekend picnickers. Suddenly, she takes huge exception to a hunky male sitting nearby and derangedly stabs him to death with a fruit knife. Why? That’s why it’s being sold as a new genre — the ‘whydunit’ — because obviously we know whodunit already. With seven more episodes to go, it’s probably safe

Narcos is back on Netflix, set in Mexico this time, with a cool, world-weary, manly voiceover swearily lecturing us at the beginning that if we smoked sensemilla in the 1970s, then we were partly responsible for the bloody, endless drug wars that went on to kill more than half a million people. Oh really? Sensemilla (derived from the Spanish for ‘without seeds’) is the kind of product of human ingenuity and free markets we should be celebrating, not decrying. It’s more compact than bog-standard weed, making it easier for entrepreneurs to ship, thereby increasing their profit margins. It affords a sweeter-tasting hit and a more euphoric high, thereby giving greater

I wonder if Wisconsin has any idea what an international embarrassment it has become? By rights it ought to be an unexceptionable place, little more than the quirky answer to the occasional trivia question: ‘Where is the Badger State?’; ‘Whose state governor shares a name with the singer of “The Sun Ain’t Gonna Shine (Anymore)?”’; ‘Which US state makes more Swiss cheese than Switzerland?’ Sadly for this unassuming Great Lakes state — pop. six million — it has instead become an exemplar of the kind of official corruption, mendacity, hypocrisy, bovine incompetence and rampant injustice less often associated with the leader of the free world and the beacon of democracy

‘The rule in our household is: if a TV series hasn’t got subtitles, it’s not worth watching,’ a friend told me the other day. Once this approach would have been both extremely limiting and insufferably pompous. In the era of Netflix and Amazon Prime, though, it makes a lot of sense. There’s something about English-speaking TV — especially if it’s made in the US — that tends towards disappointment. Obviously there have been exceptions: The Sopranos; Band of Brothers; Breaking Bad; Game of Thrones. But too often, what’s missing is that shard of ice in the creative heart that drama needs if it’s to be truly exceptional. American drama is

I have decided to set up a cult, which you are all welcome to join, especially those of you who are young and very attractive or stupendously rich. The former will get exclusive membership of my JiggyJiggy Fun Club™, while the latter will be essential in financing all the cool shit I need on my 500-square-mile estate, viz: hunt stables and kennels, helipad, private games room with huge comfy chair, water slides, grouse moor, airstrip, barracks for my cuirassiers, volcano with battery of rockets inside, and so on. What gave me the idea was this new Netflix documentary series everyone is talking about called Wild Wild Country. It tells the

If cinema is propaganda, Elizabeth II can be grateful to it. Film is a conservative art form, and almost nothing has attempted to thwart or mock her. (The Daily Star once printed that Princess Margaret would appear in Crossroads, but Crossroads was not cinema, and it was not true. Instead the award for tabloid lie of the year was named the Princess Margaret Award.) I could not find an art film with the Queen weeping under a table in her nightgown, although she did appear in The Naked Gun: From the Files of Police Squad! (1988), and was mounted by Leslie Nielsen. She also appeared in the disaster film 2012

I know I keep saying that in Decline of the West terms we’re all currently living in Rome, circa 400 AD. But now, on TV, there is actual proof of this in the form of a truly appalling reality series called Bromans (ITV2, Thursdays). Bromans is like a cross between Love Island and Carry On Cleo, so shamelessly low, tacky and brain-dead that it makes Geordie Shore look like Kenneth Clark’s Civilisation. Basically, a bunch of ridiculously buff lads strip off and participate in crap gladiatorial contests in which no one dies (thus entirely defeating the object), while their hot blonde girlfriends smoulder pointlessly in scanty outfits, and say stupid

In Beckett’s Happy Days a prattling Irish granny is buried waist-deep, and later neck-deep, in a refuse tip whose detritus inspires a rambling 90-minute monologue. ‘An avalanche of tosh’ was the Daily Mail’s succinct summary. Wings is similar but worse. Mrs Stilson (Juliet Stevenson), an American pensioner sheathed in white, hovers over the stage on ropes and talks non-stop gibberish. ‘Three times happened maybe globbidged, rubbidged uff to nothing there try again window up!’ Thus begins her battle with intelligibility. ‘And vinkled I,’ she goes on, ‘commenshed to uh-oh where’s it gone to somewhere flubbished what?’ The cause of her aphasia is unclear but vague images of scudding clouds and

Most new Netflix series are greeted not merely with acclaim, but with a level of gratitude that the returning Christ might find a little excessive two minutes before Armageddon. In this respect, then, Atypical is proving rather atypical. The reason for the mixed reception is that its 18-year-old protagonist, Sam, has autism — and, as we know, in these righteous times fictional characters are judged not on whether they’re convincing individual creations but whether they’re virtuous enough as representatives of an entire group. Happily for the bloggers, by that all-important criterion, Atypical was bound to fall a little short. (One especially righteous soul has duly pointed out that Sam is

Since completing season two of the brilliant Narcos, I’ve been unsuccessfully looking for a replacement serial drama that is more appealing than a bath and early bed. But the problem with TV these days is that series like Breaking Bad have set the bar so high that one ends up like a jaded emperor, forever rejecting good-but-not-quite-good-enough stuff for the most trivial of reasons. Better Call Saul (Netflix original), for example. I’ve tried getting into it a couple of times now (and probably will again because so many people rave about it) because I love Bob Odenkirk’s dodgy lawyer character. But I found he worked better as light relief in