Netflix

Gomorrah (Sky) Life in the Naples Mafia (the Camorra) is nasty, brutish, short – and nothing like Goodfellas. Even when you’ve made your millions from the drugs trade, there’s nothing to spend it on save your fleet of armoured 4 x 4s and your gilded cage in some bleak, rundown suburb which it’s never safe to leave because you’ll only end up arrested or shot. Spoiler alert: almost everyone dies over the four seasons of this mesmerisingly bleak, moodily soundtracked, fabulously compulsive drama. But though it’s immensely depressing and quite shockingly violent – it has been described as the series ‘where characters die before they become characters’ – it’s also

With over 160 million subscribers – which ranks somewhere between the population of Bangladesh and Nigeria – Netflix’s biggest shows command staggering audiences worldwide. But the streaming platform has also snapped up the rights to hundreds of lesser known series, some of which are just as good. Here’s our pick of the undiscovered gems: Rectify When it comes to sheer critical acclaim, few shows can match Rectify. From the moment this slow-burn crime drama debuted in the US in 2013, it was praised to the hills by television aficionados. Yet even after four successful seasons, and an excellent finale, the show remains relatively unknown compared to the likes of Breaking

As this year’s Oscar-winning films continue their box office reign, it’s salutary to remember that some excellent films have been honoured over the years. Even as many have faded from memory (Crash, anyone?), some of the award-winners that can be found on Netflix represent the very best in contemporary cinema. Here are some of our favourites. The Silence Of The Lambs (1991) Jonathan Demme’s psychological thriller was the last (to date) film to win the ‘big five’ at the Oscars – Best Film, Best Director, Best Actor, Best Actress and Best Adapted Screenplay. Although many aspects of it, especially Anthony Hopkins’s performance as the intellectual cannibal Hannibal Lecter, have been

With South Korean film Parasite taking home the Best Picture gong at this year’s Oscars, it’s clear that foreign language films and series are having a bit of a moment. Keen to polish your language skills whilst devouring a good box-set at the same time – or just looking to sound more cultured at your next dinner party? Either way, you won’t regret getting stuck into these subtitled Netflix dramas: Fauda Following hot on the heels of Homeland (which also began life in Israel), Israeli terorrism thriller Fauda – which means ‘chaos’ in Arabic – has been a bit of a global smash for Netflix. While the show has tension

1917, the World War One epic that has picked up 10 Oscar nominations (including for Best Picture and Best Director for Sam Mendes), is currently going great guns in cinema. If it has put you in the mood for more war on screen, then fire up Netflix, where there are plenty of military flicks to pick from. Jarhead 1917 is not Sam Mendes’s first foray onto the battlefield. Jarhead, released in 2005, was an adaptation of a memoir written by US marine Anthony Swofford about his experience of serving in the first Iraq war – the resulting film is a different kind of war movie in which the longueurs of

These days we political anoraks can usually get more than our fill of drama – and laughs – from the real world. Just look at what’s happening in Westminster – not to mention the White House. But what if you’re still craving more? Here’s our list of the best Netflix choices, including documentaries, dramas and comedies, for political obsessives. Mitt Through intimate access to Romney and his family on the campaign trail, Mitt seeks to present a more rounded picture of the man who failed to defeat Barack Obama in 2012. And the picture that emerges is a quietly moving one: a man of charm and kindness who never quite

It’s no secret that people are fascinated by crime. Nor is this a new phenomenon: writing in 1946, Orwell noted that murder gave a ‘great amount of pleasure to the public’, and proceeded to identify the common features of the gruesome and grisly crimes that gave the British most satisfaction. Psychologists, meanwhile, say that murder in particular is not only ‘a most fundamental taboo’ but ‘also, perhaps, a most fundamental human impulse’. This seems plausible. We all know those people who, stuck in a queue or sat in an interminable meeting, seem moments away from indulging that impulse. At any rate, lovers of the lurid and the macabre are spoiled