Netflix

Why haven’t podcasts cracked the recipe for audio drama?

In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and Kim Kardashian — is held up as proof of the complacency of the radio establishment. Freed from the constraints of box-ticking commissioners, wily podcasters have been able to steal a march on Broadcasting House by giving audiences what they actually want. Or so runs the theory. But I can’t help thinking there’s one large slice of legacy radio territory the podcasters haven’t taken yet. And that’s the good old-fashioned audio drama. Not the most fashionable genre right now admittedly, but an important one nonetheless. Few 20th-century broadcasts, after all, are

The best Independence Day films to watch on 4th July

Jaws, Amazon (To rent or buy) Nothing says ‘Murica’ quite like insisting the beaches stay open – killer shark or no – because it’s the 4th July weekend. It’s why – during his brief libertarian phase – Boris Johnson once declared that Larry Vaughn, the Mayor of Amity, was the movie’s true hero. Apart from the now rather obvious clunkiness of ‘Bruce’ the mechanical great white, the film still stands the test of time – the jump scare when they investigate the sunken fishing boat; the memorable scene where Quint describes his experiences after the USS Indianopolis was torpedoed; the literally explosive climax. duunnn dunnn… duuuunnnn duun… Independence Day, iTunes

Messy but absolutely necessary: Da 5 Bloods reviewed

Spike Lee’s Da 5 Bloods is about four African-American vets who return to Vietnam to locate the body of their fallen squadron leader, retrieve the gold they buried (hopefully), reflect on fighting for a country that didn’t care about them — ‘we fought an immoral war for rights we didn’t have’ — and avoid descending into madness and despair (also, hopefully). Lee and his co-writers have said they were inspired by the classic films The Treasure of the Sierra Madre, Apocalypse Now and Bridge on the River Kwai and this does feel like several films in one. Oh, we’re in that film now, you may think to yourself. But even

James Delingpole

Jeffrey Epstein really was a streak of slime

Did Jeffrey Epstein kill himself or was he murdered — and frankly who cares? Actually, having watched the four-part Netflix series — Jeffrey Epstein: Filthy Rich — about his secretive, sordid life, I care very much. Sure, his squalid death in jail, apparently from suicide while awaiting trial for numerous sex crimes, was thoroughly deserved. But justice would have been far better served if this noisome creep had spent the rest of his days rotting in prison, deprived for ever of all sexual activity save the involuntary variety provided in the showers whenever he dropped the soap. I hadn’t expected to respond quite this viscerally to the Epstein tale. Indeed,

Netflix’s Caliphate is all too frighteningly plausible

Sweden is now properly celebrated as the Land that Called Coronavirus Correctly. But in the distant past, those with long memories may recall, it had a less flattering reputation as the Land Absolutely Ruddy Swarming With Jihadists. Caliphate — an eight part Swedish-made drama on Netflix — takes you back there in vivid and compelling detail. Partly, it’s an edge-of-seat thriller about a major terrorist attack on Swedish soil —from its conception in Isis-held Raqqa to its execution (or its foiling by the security services: I haven’t got there yet so I don’t know) by a mix of radicalised locals and hardened Isis killers flown in from Syria. Partly, it’s

Joyous and very, very funny: Beastie Boys Story reviewed

The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on to record everything that amused them. And early on, in their teens-get-drunk debut album, Licensed To Ill, that resulted in obnoxiousness. But mostly they were kinetic and colourful, which is why the new Apple TV+ film about them works so well. The format suits the story. Beastie Boys Story simply documents a stage show where winningly they talk the audience through their personal history. It’s much like Netflix’s Springsteen on Broadway. But since the third Beastie, Adam Yauch, died in 2012, the band no longer perform, so where Springsteen punctuated

Frieda Vizel: ‘Unorthodox’ is nothing like the Hasidic community I know

A few blocks away are hipster-dense streets with street art and coffee shops. But around Lee Avenue in Williamsburg, it’s as if time has stood still. Men in white knee socks, high hats and coats from another century rush by. Women wearing wigs or shawls on their heads. Here are kosher grocery stores, synagogues and a mikvah – a ritual Jewish bath. It is an enclave few outsiders get real insight into. In the middle of the New York City, the Hasidic community – fundamentalist ultra-Orthodox Jews – practice strict gender segregation, distancing themselves from Western modern society without television, cinema and pop music. This is the environment in which

Superbly convincing: Unorthodox reviewed

When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local Hasidic Jews, and the wigs worn by their wives, and the almost tubercular pallor of their children. I often wondered how such a remote, aloof and archaic sect could possibly relate to 21st-century London. The answer, of course, was that they didn’t: they were like ghosts from another age, walking the same streets but not of this world. I wished I could get a glimpse of their private lives — and now, thanks to Unorthodox (Netflix), we all can. Loosely based on a memoir by Deborah Feldman, it tells the

8 mini-series to watch over the weekend

The perfect mini series is an elusive beast. In the pre-Sky and Netflix era, you’d get the DVD and it would last you a few weeks (back then, reading books was still a thing), lend it to friends, and fawn over it at dinner parties for the next few months. Yet back then we were watching less, didn’t have much choice, and consequently, weren’t so picky. The rise of on-demand TV was like moving from small town to the big city: our standards jumped, except this time, the dumped girlfriend was ITV, and the new belle was Sky Atlantic. When there’s so much new TV to choose from, it’s rather

The best comedies to watch on Netflix

At the moment, what everyone needs is a good laugh. This doesn’t necessarily mean that the funniest comedies have to exist in their own bubble; many of the best examples of the genre have held a mirror up to society, in all its complexity and absurdity. But then many also manage to divert and entertain on their own terms, too. Whether you’re into jet-black political satire, deceptively clever romantic comedies or broad farce, there’s something here for everyone. Even if humour remains the most personal of inclinations, these half-dozen masterpieces are endlessly, hilariously rewatchable. The Death of Stalin Armando Iannucci’s second film is a note-perfect combination of humour and horror,

A Formula 1 doc for people who hate Formula 1

Some years ago I was invited to the British Grand Prix at Silverstone courtesy of a watch manufacturer. As freebies go it was one of the best: endless champagne, overnight in a posh hotel near the track (wife invited too), then a trip by helicopter so as to avoid all the frightful traffic jams. All was going swimmingly until the actual race… God, it was boring. Noisy too. You’re stuck in an elegant marquee with endless booze and as many gold-plated, jewel-encrusted lobsters as you can force down your gullet, but it’s impossible to relax or chat or enjoy yourself because screaming endlessly in your lughole is the ‘neeaaawwww’ noise

Taylor Swift is fascinating – but you really wouldn’t want to be her

There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the ownership of her old songs by her previous record label would scupper it. But no, Ms Swift is not to be resisted, and lo, Miss Americana is available right now on Netflix, one of its two big music documentaries for the spring. Many older men seem to have a visceral distaste for Ms Swift. If you share that distaste, then I’m sorry, it’s your loss, because she’s a fascinating figure (who has also made three truly terrific albums in Fearless, Red and 1989), and Miss Americana is well worth watching.

The best sci fi films on Netflix

From serious sci-fi to spoofs in space, here are films and TV to watch on Netflix if you’re after some futuristic entertainment… Annihilation One of Netflix’s in-house productions, Annihilation sees Natalie Portman play a biologist leading a rescue mission into a mysterious zone on the US coastland known as The Shimmer. It’s an area hit by a meteorite that is expanding and doing bizarre stuff to any living things that come into its orbit. What unfolds is a tense and imaginative sci-fi adventure that chucks plenty of other genres and film references into the mix. There are elements of Apocalypse Now in there as Portman’s crew head into this futuristic

The best Gangster shows to binge-watch this weekend

Gomorrah (Sky) Life in the Naples Mafia (the Camorra) is nasty, brutish, short – and nothing like Goodfellas. Even when you’ve made your millions from the drugs trade, there’s nothing to spend it on save your fleet of armoured 4 x 4s and your gilded cage in some bleak, rundown suburb which it’s never safe to leave because you’ll only end up arrested or shot. Spoiler alert: almost everyone dies over the four seasons of this mesmerisingly bleak, moodily soundtracked, fabulously compulsive drama. But though it’s immensely depressing and quite shockingly violent – it has been described as the series ‘where characters die before they become characters’ – it’s also

How I fell out of love with the BBC

One of the many technological things I don’t understand is, how come I’m paying to watch television? I know why I used to pay. I used to switch on a box in the corner of the room and marvel at the choice of three quite interesting programmes and something slightly racy on Channel 4. It was all reassuringly underwhelming, with everyone doing as well as could be expected given the circumstances. The cardboard sets on a lot of the shows wobbled and we were happier for it, one could argue. There was an obvious balance of earnestly attempted light entertainment and archly presented informative content and I for one didn’t

James Delingpole

Too edgy and clever to be wasted on kids: Netflix’s Locke & Key reviewed

One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to be total rubbish, meaning I’ll for ever have thousands of viewers’ wasted lives and disappointment on my conscience. But my even greater fear is that I’ll peremptorily condemn something after one or two episodes which subsequently reveals itself to be a near-masterpiece. This almost happened with Locke & Key (Netflix). ‘You realise I’m watching this on sufferance. The second you’ve seen enough to review, we’re moving on to something else,’ declared the Fawn. And I could sort of see her point. Not only does it take a while to get

Rory Sutherland

Why the BBC licence fee makes sense

A consensus seems to be forming that the BBC licence fee is for the chop. In a digital age, the reasoning goes, we should not be forced to subscribe to huge bundles of content, with no choice over what we pay for and what we don’t. This argument, intriguingly, is both true and false at the same time. It is worth remarking that Netflix and Spotify succeeded by adopting a very similar model to, er, the BBC What’s true is that technology has removed two constraints which made the licence fee necessary in the first place. At the BBC’s outset, the airwaves were limited, creating a monopoly. Moreover it was

The best underrated shows on Netflix

With over 160 million subscribers – which ranks somewhere between the population of Bangladesh and Nigeria – Netflix’s biggest shows command staggering audiences worldwide. But the streaming platform has also snapped up the rights to hundreds of lesser known series, some of which are just as good. Here’s our pick of the undiscovered gems: Rectify When it comes to sheer critical acclaim, few shows can match Rectify. From the moment this slow-burn crime drama debuted in the US in 2013, it was praised to the hills by television aficionados. Yet even after four successful seasons, and an excellent finale, the show remains relatively unknown compared to the likes of Breaking

The best Oscar-winning films to watch on Netflix

As this year’s Oscar-winning films continue their box office reign, it’s salutary to remember that some excellent films have been honoured over the years. Even as many have faded from memory (Crash, anyone?), some of the award-winners that can be found on Netflix represent the very best in contemporary cinema. Here are some of our favourites. The Silence Of The Lambs (1991) Jonathan Demme’s psychological thriller was the last (to date) film to win the ‘big five’ at the Oscars – Best Film, Best Director, Best Actor, Best Actress and Best Adapted Screenplay. Although many aspects of it, especially Anthony Hopkins’s performance as the intellectual cannibal Hannibal Lecter, have been

The best foreign language films to watch on Netflix

With South Korean film Parasite taking home the Best Picture gong at this year’s Oscars, it’s clear that foreign language films and series are having a bit of a moment. Keen to polish your language skills whilst devouring a good box-set at the same time – or just looking to sound more cultured at your next dinner party? Either way, you won’t regret getting stuck into these subtitled Netflix dramas: Fauda Following hot on the heels of Homeland (which also began life in Israel), Israeli terorrism thriller Fauda – which means ‘chaos’ in Arabic – has been a bit of a global smash for Netflix. While the show has tension