Netflix

Gratuitously twisty, turny nonsense: Sky Max’s Poker Face reviewed

Imagine if you had the power always to tell whether or not someone was lying. You’d have it made, wouldn’t you? The intelligence services would be queuing up to employ you for interrogations; top law firms would pay you top dollar to act as their adviser; you’d win gazillions in all the poker championships; you’d never buy a dodgy second-hand car, not that you’d need to with all that money you’d have. Admittedly, though, your life and adventures would make for a very boring TV series because everything would be so easy. Hence the tortured premise of Rian Johnson’s Poker Face, in which we are invited to believe that our

The perverse and addictive appeal of Netflix’s You

In our risk-averse, deeply fearful age, the idea of one of the most popular shows on any streaming service being a black comedy about a serial killer who has an unfortunate penchant for murdering the women he falls in love with might be something of a tough sell. But the bloody exploits of Joe Goldberg, a bookstore worker-turned-university-professor, who has so far terrorised the denizens of New York, California and London, have run to four immensely popular seasons on Netflix, with a likely fifth and final instalment in the next year or two. Not bad for a series that – intentionally or otherwise – treads a fine line between hilarity

What to watch on Netflix (while we can still share passwords)

If you share a Netflix account with a friend, relative, colleague, in-law, neighbour or ex whose password you happened to crack, your viewing days may be numbered. The streaming service is planning to fight back against password-sharing – by charging an extra fee to subscribers who let friends and family from other households use their account. In a post this month, Netflix emphasised that ‘a Netflix account is intended for one household’, adding: ‘We’ve always made it easy for people who live together to share their Netflix account with features like profiles and multiple streams. While these have been hugely popular, they’ve also created confusion about when and how you can

In defence of Netflix’s Ancient Apocalypse

British writer Graham Hancock has riled the archaeology community with his Netflix documentary, Ancient Apocalypse. The series follows Hancock to ancient sites around the world in pursuit of proof that an advanced human civilisation existed thousands of years before the first cities of Mesopotamia. Hancock, a former Economist correspondent, argues that most archaeologists are too stubborn to admit even the possibility of such a civilisation. Several archaeologists have rebuked Ancient Apocalypse since its release in November. They claim that it propagates false theories, avoids inconvenient facts and regurgitates old beliefs about ancient myths. One Guardian columnist called it ‘the most dangerous show on Netflix’. Flint Dibble, a research fellow at

The Recruit might be the worst show on Netflix

The Top Gun series received generous support from the US Navy because it was such an effective recruitment tool. I wonder if something similar went on between the CIA and Netflix’s new series The Recruit, this time as an exercise in reputation management. ‘There’s nothing sinister or threatening about the Company,’ this bizarre, horribly ill-judged and tasteless comedy/thriller series squeals at every turn. ‘We’re just a bunch of lovable, kooky misfits doing our bit to defend your freedoms.’ If you think I’m exaggerating, consider that one of the biggest baddies in the series – right up there with the evil Russians – is the Senate oversight committee responsible for holding

Most-read 2022: Everyone involved should be in prison: Netflix’s Persuasion reviewed

We’re finishing the year by republishing our ten most popular articles from 2022. Here’s number nine: Deborah Ross’s piece from July on the pitfalls of adapting Austen. You may already have read early reviews of Netflix’s adaptation of Jane Austen’s Persuasion saying it’s ‘the worst adaptation ever’ as well as ‘mortifying’ and ‘a travesty’, but I know you won’t believe it unless you hear it from me, so here you are: it is truly horrible. I would also add that everyone involved should probably be sent to prison. Not for life, but until we could be confident they’d learned the error of their ways and there was minimal risk of

The Crown doesn’t need a disclaimer

The fifth series of Netflix’s The Crown will soon be upon us. Scripted, as ever, by Peter Morgan, the show will cover the travails of the royal family throughout the 1990s, spanning everything from the then Prince Charles and Princess Diana’s marital difficulties and eventual divorce to the rumours of Prince Philip conducting an affair with a much younger woman (his partner in carriage driving, we are told). Jonny Lee Miller, erstwhile Sick Boy from Trainspotting and Sherlock Holmes from Elementary, dons thick glasses and a grey wig to play former prime minister John Major, a decent man who never stood a chance. Later in the series, we are promised the first

The makers of Fauda have another hit on their hands: Sky Atlantic’s Munich Games reviewed

You’d have to pay me an awful lot more than I get for this column to review Monster: The Jeffrey Dahmer Story. As I write, it’s the number one trending show on Netflix, but the most I’m prepared to stomach is that snatch of footage you get forced to watch (because of Netflix’s impertinent and intrusive automatic play function) if you linger over the title image for too long. It shows two cops at an interview desk gradually revealing to Dahmer’s increasingly aghast dad (Richard Jenkins) that his son Jeffrey might not be quite the straight upstanding citizen he imagined. Dahmer murdered – and often dismembered and sometimes ate –

Where do we go when we dream?

Should we pay more attention to our dreams? Are they signs from our subconscious, guiding and pointing us in certain directions? Perhaps that would explain why we often feel the need to describe them to others: to help make sense of them. Since being pregnant my dreams have got wilder. They are vivid and often haunting. I was told that you can’t dream about a face you’ve never seen, but strangers regularly pitch up in mine. Some people say it’s boring when others talk about their dreams. I disagree. I think it’s fascinating to hear where minds go at night; our parallel lives. Whether they cover frightening or familiar territory, dreams

The problem with Netflix’s Indian Matchmaking

On a recent trip from London to New Delhi, I found out that an acquaintance I see once or twice a year had pulled out of her wedding just 24 hours before the ceremony. An almighty row? Infidelity? Good old-fashioned cold feet? No – her family had simply decided they weren’t happy with the groom and decided to pull the plug. Welcome to the world of arranged marriages. As a woman who was born and grew up in India, arranged marriages – those planned and agreed by the families of the couple, rather than due to the romantic inclinations of the couple themselves – have never made sense to me.

Is Netflix losing the battle of the streaming giants?

From time to time, Netflix’s marketing brains like to get a bit cute with the company’s past. ‘Don’t give up on your dreams – we started with DVDs,’ read one recent viral post. But while the streaming giant happily references its most famous transition, it’s much more coy (and probably wisely) when it comes to its latest one. It isn’t hard to see that 2022 Netflix is a very different beast to the one most of us signed up for. If you joined Netflix during its peak – e.g. somewhere in the long window between House of Cards and Tiger King – you would have likely bought into the idea

Everyone involved should be in prison: Netflix’s Persuasion reviewed

You may already have read early reviews of Netflix’s adaptation of Jane Austen’s Persuasion saying it’s ‘the worst adaptation ever’ as well as ‘mortifying’ and ‘a travesty’, but I know you won’t believe it unless you hear it from me, so here you are: it is truly horrible. I would also add that everyone involved should probably be sent to prison. Not for life, but until we could be confident they’d learned the error of their ways and there was minimal risk of reoffending. A probation officer would possibly be required to keep a close eye, just to make sure. Better safe than sorry. There are ways to adapt Austen

Toby Young

Has identity politics had its day?

Have we reached peak woke? In Hollywood, that seems to be the emerging consensus. Thanks to the box office success of Top Gun: Maverick and the disappointing performance of Pixar’s Lightyear, in which Buzz Lightyear’s commanding officer is a black lesbian, the studios think audiences may be tiring of being lectured to. The same is true of the streaming platforms, with the biggest hits of the year being shows that take the mickey out of corporate virtue-signalling (The Boys) or just celebrate old-fashioned American heroism (The Terminal List). In this context, the reaction of Netflix when some of its employees staged a walkout over Dave Chappelle’s un-PC jokes in his

Kim Kardashian is a better role model than Marilyn Monroe

When Kim Kardashian wore Marilyn Monroe’s dress to the Met Gala recently – the shimmering, crystal-studded, second-skin gown in which MM sang her infamous rendition of ‘Happy Birthday, Mr President’ to JFK in 1962 – many people had a collective fit of the vapours. You’d have thought someone had wiped their nose – or worse – on the Stars and Stripes in front of the White House, that some act of sacrilege had been committed. Kardashian (with the good manners characteristic of her – there’s a scene in an early season of Keeping Up with the Kardashians where her monstrous sister Khloe mocks her for being courteous to a nobody

Ricky Gervais is an achingly conventional Millennial posing as a naughty maverick

Just how edgy and dangerous is Ricky Gervais? There is no one more edgy and dangerous, we learn from no less an authority than one R. Gervais. He keeps reminding you of this at intervals in his latest stand-up special, for which he was reputedly paid $20 million (to go with the other $20 million Netflix paid him for its predecessor). Every few sketches, he’ll announce to his live audience that this one was so offensive there’s just no way Netflix is going to broadcast it. But Netflix has done just that – and yet, quite incredibly, neither it nor Gervais has been cancelled. Funny that. What this suggests to

The return of the implausibly moreish Borgen

A decade ago the unthinkable happened: a subtitled TV drama about people agreeing with one another went global. On paper it bore the hallmark of a barrel-scraping pitch from Alan Partridge. Somewhere between youth hostelling with Chris Eubank and monkey tennis, he might easily have proposed a new ne plus ultra in implausible entertainment concepts: Danish coalition politics. Yet Borgen caught a thermal and soared. The show took its name (which, correctly pronounced, sounds like a Cockney saying ‘Bolton’) from the so-called fortress in the heart of Copenhagen where state business is conducted. It featured Birgitte Nyborg, a moderate heroine who snuck into Denmark’s highest office through a small centrist

Will anyone watch a Harry and Meghan Netflix docuseries?

Picture the convivial scene. You have been invited into the Duke and Duchess of Sussex’s palatial £11 million mansion in Montecito, California as an honoured guest. Once you have removed your shoes, been frisked for weapons or recording devices and been offered a kombucha smoothie, you are ushered into the inner sanctum of the world’s most talked-about satellite branch of the royal family. What would you expect to find? A dartboard with Prince Charles’s face on it? Endless piles of obscure genealogical books that explain why Prince Harry is, in fact, the rightful heir to the throne? Or endless expensive, studiedly tasteful rooms that lack any heart and soul whatsoever?

If you’re tired of Netflix’s agendas, turn to BritBox’s new Agatha Christie

Netflix’s share price has collapsed and a major factor, people are saying, is its relentless pushing of agendas. I think I have the solution. Perhaps it should follow the BritBox model and instead of making dramas it feels that audiences ought to like – e.g. the very creepy-sounding He’s Expecting, a Japanese series about a man who gets pregnant – it should instead capitalise on our growing yearning for a lost age of chocolate-box innocence and relative normality. Why Didn’t They Ask Evans? is a good example. Written and directed by Hugh Laurie, it’s the kind of Agatha Christie adaptation they don’t make any more: fairly light on discordant, anachronistic

Martin Vander Weyer

The one thing Netflix could do to keep me subscribing

Anecdotes and statistics should never be confused, but let’s do just that to build a composite picture of today’s UK economy. As the ‘cost of living crisis’ – barely out of its starting blocks – began to eat spending power and erode confidence, high street sales fell 1.4 per cent in March while non-store retail (largely online) dropped 7.9 per cent. Office occupancy, blighted by working from home, is stuck below 30 per cent of capacity. The City of London is a ghost town on Mondays and Fridays, while West End footfall remains a fifth below 2019 levels. But in case you’re planning a resumed commute or an in-town shopping

How a phone call from Boris inspired me to write Anatomy of a Scandal

News of the Anatomy of a Scandal billboards on Sunset Boulevard sits in my DMs while I shepherd my teens through the preschool chaos. It’s the morning I drive my youngest to school. ‘Have you seen my goggles?’ he calls, while I covertly flick to the Insta app on my phone and see that one of the executive producers of the Netflix show based on my thriller has sent me four messages. My heart trips. I may have written an international bestselling novel developed by the Big Little Lies dream team, but imposter syndrome rages; my default response that I’m about to be found out. Only, there they are: photos