Nazism

Ernst Jünger, who died in 1998, aged 102, is now better known for his persona than his work. A deeply confusing and controversial figure who loathed democracy and glorified German militarism, yet despised the Nazis, he not only bore witness to the industrial flesh-mangles of two world wars, but almost the entirety of the 20th century. His writings and insights have long earned him sage status in Germany. This, the first publication in English of his diaries from 1941–45, heightens his complexity but also makes him a more rounded figure. This will come as a surprise to those who know him as the ruthless young warrior of the infamous Great

There was a time when you read French literary novels in order to cultivate a certain kind of sophisticated suspicion. Post-modern writers like Robbe-Grillet, Ricardou and Perec were hyper-aware of the political and philosophical problems underlying traditional realist narratives. They produced novels that were as much critiques of novel writing as they were actual stories with actual characters. Nowadays, however, one might go to the French section of a bookshop looking for something more Balzacian. One might read Houellebecq for his excoriating critiques of our political culture, or Édouard Louis for an exposé of the prejudices fostered by French working-class life. These are very different writers, but they have in

In 1945, with the second world war won bar the shouting, Bertrand Russell polished off his brief examination of Friedrich Nietzsche’s contribution to Western thought with the splendid phrase: ‘His followers have had their innings.’ Russell knew that Nietzsche’s followers didn’t just mean the Nazis. Ten years before Hitler’s acolytes started editing special volumes of Nietzsche’s aphorisms about the Will to Power, the Blond Beast and suchlike, Leon Trotsky declared that ‘the Nietzscheans’ were his natural allies in the creation of the socialist ‘superman’. In fact, from around 1900, Nietzsche was the go-to philosopher for all millennial fanatics, whether they claimed to be left-wing, right-wing or both (National Socialism says

Seventy years after the Nazi Holocaust, against the background of a rich and varied literature, Laurence Rees has achieved the unexpected: a magisterial book that consolidates what has come before and manages to offer fresh perspectives. With Brexit, Donald Trump and Marine Le Pen now centre stage, it also offers a timely reminder of the dangers that are unleashed when the path of demonisation and discrimination is embraced in the name of national well-being. As Primo Levi wrote in 1947, from his own experience, when the ‘unspoken dogma’ of group targeting becomes ‘the major premise in a syllogism, then, at the end of the chain, there is the Lager’. Like

There’s a glorious scene in Astrid Lindgren’s first Pippi Longstocking book in which her fearless, freckled heroine strides to the centre of a circus ring and briskly lays out the World’s Strongest Man. Like most of the adults who expect to control her, he quickly learns that his inflated size, age and title are no match for the child’s bold pin-wielding attitude. As a little fan myself in the early 1980s I probably giggled as the strongman toppled. But reading it to my own children this summer I also felt a deep lurch of sadness. The strongman’s name was Adolf, and the book (published in 1945) was written as an

One day in April 1969 Theodor Adorno began teaching a new course entitled ‘An Introduction to Dialectical Thinking’. Feel free, the sociologist-cum-philosopher told the packed hall at Frankfurt University, to ask questions as I go. Two of his charges did so immediately. When was Adorno going to apologise for having set the cops on those campus protesters three months earlier? Before Adorno could reply, another student scrawled ‘If Adorno is left in peace, capitalism will never cease’ on the blackboard. At which point the whole class shrieked ‘Down with the informer!’ Then a group of women surrounded Adorno, bared their breasts, and showered him with rose petals. Grabbing his hat

Had you been down at Naumburg barracks early in March 1867, you might have seen a figure take a running jump at a horse and thud down front first on the pommel with a yelp. This was Friedrich Nietzsche, midway through his 23rd year and, thanks to a sickly childhood, no stranger to hospitals. Nietzsche lost part of his sternum, leaving him not so much pigeon-chested as angle-grinded. Once recovered, he celebrated by having his picture taken in full uniform, sabre at the ready, glaring at the ‘miserable photographer’ like a warrior set for battle. Daniel Blue regards the photo as ‘unflattering’ — though it’s nowhere near as unflattering as the picture

For a show with a self-proclaimed ‘five-year mission’, Star Trek hasn’t done badly. Gene Roddenberry’s ‘Wagon train to the stars’ is celebrating its 50th anniversary, although, as Marcus Berkmann’s entertaining and irreverent history points out, things could have been very different. Roddenberry’s initial idea was for a troupe of disparate 19th-century adventurers to explore the undiscovered corners of the New World in a grand airborne dirigible. While the prospect of Leonard Nimoy arching an eyebrow in a flimsy, flying gondola is irresistible, it’s hard to imagine such a concept proving as enduring as Roddenberry’s eventual brainchild. Would Balloon Trek: The Next Inflation have carried its fanbase into the 21st century

The purpose of Lara Feigel’s book is to describe the ‘political mission of reconciliation and restoration’ in the devastated cities of Germany after 1945 (though no politicians were directly involved). The chief needs of the shattered population at the time were, of course, practical: food, water, sanitation and the reconstruction of buildings. But a vital supplementary effort was made to address what was left of German culture and history after the crimes and falsifications of the Nazis. The idea was that the arts should revive an alternative, peaceful and civilised way of life in the ruins of the country. It is surprising that no mention is made of the reform

David Cesarani, Research Professor of History at Royal Holloway University of London, died at the age of 58 on 25 October 2015. The book now appears without its author, a kind of huge mausoleum for an astonishing enterprise. Cesarani wants to change our view of the Holocaust and to close the yawning gap between popular understanding of this history and current scholarship on the subject… to challenge the traditional concepts and periodisations … the term itself. He substitutes the ‘Final Solution’ for the Holocaust, but that Nazi term has become an alternative name for the Holocaust, which remains after 900 pages entirely unchallenged. The first 235 pages take the persecution

Sir Ian Kershaw won his knight’s spurs as a historian with his much acclaimed two-volume biography of Hitler, Hubris and Nemesis. He is now attempting to repeat the feat with a two-volume history of modern Europe, of which this is the opening shot.Inevitably, the figure of the Führer once again marches across Kershaw’s pages as they chronicle the years dominated by Germany’s malign master. First the Great War that gave Hitler his chance to escape obscurity, and then the greater one he launched himself. Opening with the continent’s catastrophic slide into generalised conflict in 1914, Kershaw apportions blame or the disaster more or less equally to all the combatant nations.

It is ironic that this weighty biography of Hitler’s evil genius of a propaganda minister is published on the day of a general election filled with Joseph Goebbels’s hallmarks: mendacity, media manipulation and the big lie. Seventy years after the spectacular suicide of Goebbels and his wife Magda, and their murder of their six children, in the Berlin bunker, the ‘little doctor’ is still a byword for the black arts of political spin and politicians regularly accuse each other of telling fibs ‘worthy of Goebbels’. The Nazi specialist Peter Longerich, Professor of History at Royal Holloway, University of London, offers a compelling chronicle not because he writes with sparkle —