Natural history

In the Pacific Northwest, Native Americans paint images of salmon on to stones. They say that if you rub those stones you will acquire the fish’s two great qualities: determination and energy. Not so long ago these communities’ diets consisted of more than 80 per cent salmon, and they believed it to be a wondrous thing that the migratory fish returned on the same week every year. They also believed they ‘owed the salmon respect and gratitude’ — and if they failed in this they might stop coming back. In the 19th and 20th centuries their fears were realised. But it wasn’t Native Americans who were disrespectful to the once

The biologist Merlin Sheldrake is an intriguing character. In a video promoting the publication of his book Entangled Life, which explores the mysterious world of fungi, he cooks and eats mushrooms that have sprouted from the pages of a copy of the book. In another video, the double bassist Misha Mullov-Abbado ‘duets’ with a recording made by Michael Prime of that fungus eating the book. Readers of Robert Macfarlane’s Underland will recognise Sheldrake from his appearance in that book, where he serves as Macfarlane’s guide to the hidden world of fungi as the two hike around Epping Forest. Sheldrake doesn’t just bring his scientific knowledge to this encounter, but also

The montane forests of far-eastern Russia have given rise to one of the finest nature books of recent years, The Great Soul of Siberia. In it the Korean cameraman Sooyong Park describes his quest to document the life of the region’s Amur tigers, evoking both his totem beast and its remarkable landscape in loving detail. Jonathan Slaght is an American author, cut from the same cloth in terms of the sheer grit required to cope with the sub-zero temperatures and gloomy, snow-entombed winter woods of Siberia. Nearly 20 years ago he embarked on a similarly arduous mission, not to study the world’s biggest cat, but its largest owl, a ten-pound

Wendy Williams is an enthusiast, and enthusiasm is infectious. Lepidoptery is for her a new fascination, and it shows. On the plus side, her excitement shimmers as freshly as a newly-hatched Adonis Blue. She marvels, and makes us marvel, at the miracles she discovers. She wonders at the strangeness of a butterfly’s proboscis, which is not, as it appears, a drinking straw (even butterflies cannot suck through a straw longer than their own bodies), but works by capillary action, blotting up fluids and sending saliva down to dissolve sticky or solid secretions. Moths show more variety in their diet, as adults as well as caterpillars — but then there are

We live in an urban world. It’s a statistical fact. The great outdoors for most of us is a thing of the past — a place, like elderly relatives, to be visited infrequently and preferably with gloves. Metro world, by contrast, is safe, insulated, inviting. No getting wet in the rain, no patchy wifi, no mud on our new Nikes. Little wonder that our education system has gone the same way: safe, sedentary, sterile. Patrick Barkham thinks there might be a better way. Give kids more space, he pleads. Free them up from rules and tests. Climbing trees, prodding roadkill, collecting grubs: hell yes, if they want to, why not?

Dara McAnulty is a teenage naturalist from Northern Ireland. He has autism; so do his brother, sister and mother — his father, a conservation scientist, is the odd one out. This book records a year in the life of a gifted boy in an unusual family. Minutely detailed observations of birds, insects, trees and weather are woven into an ecstatic description of the unrolling of the seasons. It is also an impassioned and original plea for protection for ‘our delicate and changing biosphere’. The diary is valuable in several ways. The writing of it is necessary to Dara himself, his means of processing his experiences. When he’s outside, absorbed in

The crisis inflicted by Covid-19 has been a source of anguish for everyone; yet we frequently hear how people are rediscovering solace in nature, especially in their gardens or in the surging renewal of life in the spring. According to Tim Burt and Des Thompson, the editors of a collection of essays about the importance of field research, this fulfilment reveals something much more profound than a distraction from lockdown.They argue that a response to the natural world is hardwired in the human psyche. Out of that fundamental reflex has evolved not just our prowess as hunters, then agriculturalists, but the entire edifice of science, whose assembled vision of the

Where to turn in anxious and febrile times? One answer is to nature, or the ‘non-human living world’, which, despite the ravages inflicted on it by humans, continues to offer solace and hope to many. Such, at least, is a possibility linking these fine but quite different books. Lucy Jones’s starting point in Losing Eden is her own struggle with depression and addiction a few years back. She writes that three of the things that helped her recover — psychiatry, psychotherapy and the support of others — were straight-forward, but the fourth was more mysterious: a greater connection with the natural world. Surprised and interested, she embarked on investigating the

The art of falconry is more than 3,000 years old and possibly as popular now as at any time. Its devotees argue that in a pure form it is a deeply honourable tradition, requiring superhuman patience to coax a magnificent predator to hunt at the owner’s behest. It is a relationship, they would also claim, of mutual understanding and partnership between hawk and human. That’s the positive version. At its most degraded, falconry seems to be a psychopathological obsession, rooted in a fetish for control over beautiful raptors, which sometimes drives practitioners to morally dubious, even illegal, behaviour. The American journalist Joshua Hammer has written a revealing portrait of the