Mystery

On the first page of Colum McCann’s compelling novel Twist we meet the two leads: John A. Conway, who has disappeared, and Anthony Fennell, who’s trying to tell his story. They first met when Fennell, an Irish journalist, struggling novelist and occasional playwright, was commissioned by an online magazine to write about the fragile fibre-optic cables that carry information around the world on the ocean floor. Conway, also Irish, an engineer and intrepid freediver, was in joint command of the Georges Lecointe, a ship that spends months at sea repairing the cables when they break. In January 2019 this happened in three places. Fennell hitched a lift with Conway when

Stephen May used to write contemporary novels about men who ‘live outside big cities, lack self-confidence and rarely feature in contemporary fiction’, as he once put it, adding: ‘Even Nick Hornby’s characters are more sorted than mine.’ But a chance discovery of a Wikipedia page about the three weeks that a young Stalin spent in Edwardian London sent May’s imagination hurtling back through the decades. The result was Sell Us the Rope (2022), his sixth novel, which imagined what Koba, the Georgian then better known as Joseph Dzhugashvili, got up to in 1907 while attending the Fifth Congress of the Russian Social Democratic Labour party. May mixed the real with

There are, broadly speaking, two types of artist: the explorer and the miner. The explorer keeps moving on, staking out new aesthetic or thematic terrain, while the miner keeps returning, digging deeper into the same earth each time. Patrick Modiano, the French Nobel prizewinner for literature in 2014, is an artist firmly of the second camp. Ballerina may be Modiano’s 32nd novel, but it feels more like the latest haunting chapter of the one long book that makes up his career. Blending noir, elegy, Paris and an obsession with memory, Modiano writes like Proust conducting a police line-up. And so we step again into a world of half-remembered faces, veiled

Is occult knowledge even possible in the age of the internet? If a recondite author obsessed you back in the day, it took hours of fossicking in far-flung dusty bookshops to feed your hunger. Oh, the joys of hunting down a shabby collection of Arthur Machen weirdiana! Now a few keystrokes will do the job. The magic has been lost. Magic is Alan Moore’s business, and he’s also a Machen devotee. The graphic novelist is well known for issuing his illustrators with exceptionally detailed written instructions for series such as The League of Extraordinary Gentlemen and From Hell, which perhaps accounts for the throbbing prose style of this fantasy novel.

The gifted writer Graeme Macrae Burnet makes a mockery of the genres publishers impose on credulous readers. The author of two ostensibly literary novels (both longlisted for the Booker prize), Burnet has also written a trilogy of self-declared thrillers. Yet the concluding volume, A Case of Matricide, demonstrates literary talent of the highest order. It features the same protagonist as in the two earlier volumes – Inspector Georges Gorski, chef de police in Saint-Louis, a provincial French town near the Swiss border. Divorced from his wealthy wife, whose father is the corrupt and powerful mayor of Saint-Louis, Gorski lives rather sadly with his mother, who suffers from increasing dementia. He

Nothing is ever quite as it seems in the world of Olga Tokarczuk. Her latest novel starts with an epigraph taken from Fernando Pessoa: ‘The visible world goes on as usual in the broad daylight. Otherness watches us from the shadows.’ Wild deer were murder suspects in her surreal and beautiful 2018 novel Drive Your Plow Over the Bones of the Dead. This time nature itself plays a significant role. A daily glass or three of schwarmerei restores good cheer, sometimes generating hallucinogenic euphoria Though the novel describes itself as ‘a horror story’, it’s more a salutation to the power of the natural world and a celebration of difference. Tokarczuk

Mike McCormack is much garlanded. He won the Rooney Prize for Irish Literature with his first collection of stories; the Goldsmith’s Prize followed in 2016, along with the Irish Book of the Year Award and the International Dublin Literary Award, for his novel Solar Bones. A book-length, single- sentence analysis of a man’s life, that story sprang off the page with the force of a blow.  This Plague of Souls, his fifth novel, is more distanced. Not a story with a beginning, middle and end, it circles in widening gyres, swooping now and then on to a tightly focused moment as its ambiguous hero tries to make sense of an

At a village train station in deepest Kent two men and their pet mongoose are setting off on their honeymoon. The men are Otto and Xavier Shin and the mongoose is Árpád Montague XXX; the train is the Lucky Day — a former tea-smuggler’s transportation, now home to a mysterious woman named Ava Kapoor. They do not know who she is or where they are heading. Nonetheless they embark, happy in the knowledge that anything could happen. Readers familiar with Helen Oyeyemi will already feel at home. Playful, otherworldly and sinister, her novels tend to inhabit a fairy-tale world of wicked stepmothers, haunted houses and run-away children. Mr Fox cannibalised