Music

Thursday

Hugo Shirley

Handelian pleasures vs modern head-scratchers

Opera seems almost always to have been acutely concerned with its own future. These days this is most often manifested in occasionally desperate, sometimes patronising attempts to entice new audiences to the art form. A new three-way initiative between Aldeburgh Music, the Royal Opera and Opera North takes a different tack by enabling a new generation of composers and librettists to try its hand in this most exacting art form. The initiative’s first fruit was a double bill premièred in Aldeburgh before being shown at Covent Garden’s Linbury Studio Theatre and Leeds’s Howard Assembly Room. That these two short pieces, about 45 minutes long each, should feel like studies for

Mark Mason

Whistling is a bloody nuisance

Paul McCartney says he can remember the exact moment he knew the Beatles had made it. Early one morning, getting home from a night on the tiles, he heard the milkman whistling ‘From Me to You’. This incident isn’t recounted in A Brief History of Whistling. The record in question was a huge pop hit, and these authors prefer to concentrate on working-class culture, folk songs, music hall and the like. They also cover whistling at work (two blasts to your sheepdog for ‘go left’, one for ‘go right’), whistling in science fiction (it’s the one human skill that stumps an android in Star Trek) and whistling as language (the

Thursday

Kate Chisholm

The sound of growing rhubarb

When the BBC proposed to do away with 6 Music a few years ago, the media-savvy fans of the station created such a fuss on Twitter and Facebook that the Corporation caved in. Threat of closure was exactly what the station needed to grow its listener-base, now almost as big as Radio 3, and growing (up to 1.96 million per week in the latest Rajar figures, as opposed to Radio 3’s 1.99 million). The Asian Network, too, has flourished after suggestions that it would also have to be shut down if the BBC was to survive financially in the new digital age. But what’s good for them has now spelt

Thursday

Tim Rice

Tim Rice’s diary: From Eternity to here

Last October, in these very pages, I wrote with what is now annoying prescience, ‘Like almost everyone else in the insane world of musical theatre, I don’t know how to create a hit.’ I am now facing up to the grim fact that my latest effort, From Here to Eternity, is folding after a six-month run at the Shaftesbury Theatre. The publicity has vastly exceeded the interest in the show when it opened last September. Never have the words of Bob Dylan seemed so relevant to me: ‘There’s no success like failure, and failure’s no success at all.’ The enthusiasm of the media to report gleefully on Eternity biting the

Monday

Digby Warde-Aldam

Review: John Harle/Marc Almond, Barbican Hall. Ignore the prog-rock pretension. Almond is a joy.

Funny how quickly you forget the makeup of the average highbrow pop concert. It’s 96 per cent male, obviously, and very partial to a receding hairline-ponytail combo; last night’s performance by saxophonist and composer John Harle and former Soft Cell singer Marc Almond brought these types out to the Barbican in force. They were here to see The Tyburn Tree, a psychogeographical song cycle (!) based around  London folklore and mysticism. Thus, whatever the evening promised, a degree of mass chin-stroking was inevitable. The audience sat down to complain about the quality of the craft beer on offer to their imaginary girlfriends, and the band began to tune up. This

Thursday

Steerpike

Sir Paul McCartney’s media manipulation

Having been whole-heartedly hacked off during the phone hacking scandal, one assumes that Sir Paul McCartney has always been an advocate of high standards in journalism. Not so. While collecting a gong for songwriting at the NME Awards last night, the former Beatle admitted trying to slip fake stories past the music magazine: ‘One of the things we used to like to try and do was to plant a false story in the NME,’ he said. ‘We actually got in with ‘George was Billy Fury’s cousin’, which he wasn’t. Living on the edge, man, you know what I’m saying?’ Someone send for Leveson.

Tuesday

Digby Warde-Aldam

Is Pussy Riot’s music actually any good?

Victims of state persecution, ambassadors for day-glo knitwear and wank fodder for beardy liberals the world over, the members of Pussy Riot have been filling both prison cells and column inches since 2012. In the process, they’ve also become one of the most famous bands on the planet. But let me ask you this – have you ever actually heard any of their music? And crucially, is it any good? Was it purely their politics that led the Cossacks to attack them with horsewhips last week, or is that just the way they do pop criticism in the Caucasus? We took to the internet to get some balanced and entirely

Thursday

Andrew Watts

The church of self-worship: Sunday morning with the atheists

I had always assumed that the one thing atheism had going for it was that you could have a lie-in on Sundays. For the past year, however, an atheist church has been meeting in London on Sunday mornings. Founded by two comedians, Sanderson Jones and Pippa Evans, the Sunday Assembly is a symptom of what Theo Hobson identified in this magazine as ‘the new new atheism’, the recognition that the new atheism of Professor Dawkins et al had, in rejecting God, gone too far in rejecting all His works. Churches, the founders felt, had much to recommend themselves — a space for inspiration, reflection, and a sense of community in

Friday

Steerpike

Lyrical Dave – PM’s union speech packed with song lyrics

David Cameron’s speech on the union this morning prompted many questions. Why was he in London? Why were there so many empty seats in the Olympic velodrome? Etc, etc, etc. But Mr Steerpike wants to know why the speech was peppered with song lyrics. ‘We don’t walk on by,’ said Dave – unlike Dionne Warwick. The ‘North Sea’ is, apparently, ‘a light that never goes out’ – now we know what The Smiths were warbling about. Gordon Brown once professed his love for the Arctic Monkeys. It seems that his successor has got hold of the band’s fourth album, which contains the song ‘Brick by Brick’: ‘And we built it

Thursday

Peter Phillips

How Claudio Abbado bridged old and new

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music written from the beginnings of symphonic composition to the present day, and audiences took it for granted that, if they knew what they were doing with Mozart and Beethoven, they could be trusted with Handel and Stravinsky. Their orchestras adopted the same approach and, within a narrow definition that bespeaks a more innocent age, everyone was content. There was little concern that Handel would not have recognised the sound that the instruments of the modern orchestra was making; and no one was disturbed that the big hero figure out front

Simon Baker

A creepy father, a lustful music teacher, four virgins — and one genuine love affair

London, 1794. It’s a different world from that portrayed by the Mrs Radcliffes and Anons of the time: rich young women are not all naïve and swoony in Katharine Grant’s first novel for adults. In Sedition, five girls (two of them sisters, the others unrelated) are more or less put up for sale by their calculating parents, who want to attract titled sons to help them complete a leap from trade into the aristocracy. From the start, the parents’ scheme of buying a pianoforte and hiring a music teacher to help the girls appear eligible seems destined to backfire momentously. One of the daughters, Alathea, is not at all innocent

Thursday

Stephen Walsh

Shostakovich, Leningrad, and the greatest story ever played

The horrors of the Leningrad siege — the 900 Days of Harrison Salisbury’s classic — have been pretty well picked over by historians; and meanwhile the story of Shostakovich’s Seventh Symphony, the improbable circumstances of its composition and first Leningrad performance in August 1942, is well known from the extensive, and still growing, literature on the composer. But Brian Moynahan’s book is the first to my knowledge — in English at least — to interweave these narratives to any significantly detailed extent. Moynahan is not a musician, and this is not really a book about music. It’s about an event which symbolises and personalises a history that, en gros, is

Lucinda Lambton

A girl, a train and a miniature pistol: how I met the Everly Brothers

I was drifting in and out of sleep last week, listening to the news, when suddenly eight words — at first sounding no different from the general run — slammed into my senses. ‘Phil Everly of the Everly Brothers is dead.’ For the first time I knew how it felt when ‘the earth stood still’. One of the two brightest flames of my youth had been extinguished. I was friends with both Phil and Don Everly for some 45 years and it was, to be sure, a dazzling friendship. Beat this for its beginnings: it was 1960 and we met at midnight, boarding the Flying Scotsman at King’s Cross, surrounded

Friday

Jane Ridley

The food of love | 3 January 2014

The Albek Duo are two astonishingly beautiful and talented Venetian musicians, Fiona and Ambra, who are identical twins. Hearing the sisters perform inspired Christopher Ondaatje to create this book. He tells a story — ‘Love Duet’ — in which he imagines what would happen if the twins both fell in love with the same man. They agree that one should marry, and they should carry on as before. For the sisters, abandoning their music or each other is unthinkable. This is an anthology of stories on the theme of music and how it can govern our lives and express our emotions. You don’t need to be a concert-goer to enjoy

Wednesday

Steerpike

We’ve got to hold on…

Hats off to the Duke of Cambridge for joining Jon Bon Jovi and Taylor Swift on stage at Kensington Palace last night for a sing-along of ‘Livin’ On A Prayer’. The Winter Whites Gala was raising money for Centrepoint homeless charity. It’s the taking part that counts.

Thursday

Christopher Booker

Old England died in 1963

There is no better measure of the pivotal importance of 1963 than to recall what Britain was like in the early 1950s, as we slowly emerged from the shadows of the second world war. The great Labour experiment of 1945 had petered out in a grim slog through years of austerity and rationing. With Winston Churchill back in No. 10, life had begun to crawl back to ‘normality’. Conservative values ruled: respect for tradition, discipline and authority. The old class structure still stood. No extramarital sex or homosexuality. In the cinema we were entertained by cosy Ealing comedies and films portraying the ‘stiff upper lip’ spirit which had won the

Wednesday

Steerpike

The PM’s musical tin-ear

The news that Hull has been crowned the UK’s City of Culture for 2017 was discussed at PMQs. The PM extolled the virtues of the city, and made special mention of native eighties alt rockers The Housemartins. However, with a crashing sense of inevitability, the band’s founder, Paul Heaton, was unhappy with the endorsement: ‘Well, apparently David Cameron likes ‘London 0 Hull 4’. Which part of the attack on his policies and rich friends did he like best???’  The poor wee lamb ranted for a while about Thatcherism, and then concluded: ‘Cameron has ruined my day.’ My heart bleeds. Still, you would have thought that Cameron might have learned his

Friday

Emma Hartley

One Great Thing gets embarrassing for the Yes campaign in Scotland

Big Country’s song ‘One Great Thing’ is an anthem for the Scottish Yes campaign: it was soaring in the background during an item recorded at a ‘Yes’ rally on the Today programme the other day. And since Big Country’s bagpipe-sounding guitars were one of the joys of my adolescence and I’ve been partial to a check shirt ever since, my heart soared along with it. ‘Yes,’ said Jim Lafferty from the Yes campaign’s communications office, appropriately enough, when I rang to ask how it had come about. ‘It was suggested by Jim Downie and Will Atkinson of the creative team.’ I understood that they had not, however, spoken to the

Thursday

Stephen Walsh

Did Leonard Bernstein do too much to be a great artist?

Nigel Simeone’s title for his edition of Leonard Bernstein’s correspondence rings compellingly, novellistically, through the force of the definite article, as in The Aspern Papers, or The Scarlet Letter. The reality, though, is more diffuse. Bernstein was a man of enormous endowments. One correspondent, after listing his talents as a composer, orchestrator, pianist, conductor, lecturer and general all-round musical functionary, ends by enquiring ironically, ‘Can you cook?’ The list might have been extended. It could have included a wild diversity of sexual activity, a seemingly limitless gift for affection and friendship, an inexhaustible capacity for work, and a genius for self-promotion. What it could hardly have included was focus. ‘Is

Friday

Steerpike

Political philosophy, Harry-style

Boy-band super-hero Harry Styles proclaimed on Twitter earlier today: ‘All social change comes from the passion of individuals.’ His shrieking fans were enthused by this insight. Some even asked if they could quote him in their exams. How sweet. Mr S is pleased to see little Harry channelling American anthropologist Margaret Mead. She is alleged to have said (although I can’t discover where and when she said it), ‘Never ever depend on governments or institutions to solve any major problems. All social change comes from the passion of individuals.’ Clever lady, that. But what could all this philosophising from Styles, a self-confessed Labour supporter, mean? Mr S has a theory. One Direction have been writing songs recently with Gary Barlow. Perhaps some