Murder

This is a novel that spans the Truss administration, from its heady dawn to its decline and fall 49 days later. The Proof of My Innocence starts as a satire, not so much of Truss and her world but the ideologists who thought that the prime minister’s brief, shining moment was their long-cherished future. They meet in a collapsing Cotswolds castle to hear from delegates such as Josephine Winshaw, who intones that everything now is woke: ‘Paying your TV licence was woke. Getting vaccinated was woke… buying avocados was woke, and reading novels was woke.’ Another speaker praises a reactionary novelist to a much smaller audience. Into this milieu steps

The Duke of Buckingham, wrote Alexandre Dumas, lived ‘one of those fabulous existences which survive… to astonish posterity’. In the summer of 1614, a young man from a modest gentry family was invited to a hunting party in Northamptonshire to meet a very special guest. George Villiers was affable, not terribly bright and superlatively beautiful. His mother Mary, a practical and ambitious woman, knew what his looks could do for the family, and she aimed high. The mark was King James I, a monarch who openly loved men. The king had lavished his then favourite, Robert Carr, with titles, wealth and great offices, but the finest pair of legs in

‘You never seem to get a good murder nowadays.’ With this ‘fretful complaint’ George Orwell imagined newspaper readers bemoaning the decline of the classic English murder. Gone were the ‘old domestic poisoning dramas’ – a solicitor or dentist killing his wife in a quiet suburban home – which made the perfect News of the World spread to curl up with after Sunday lunch. In their place was an altogether more brutish type of murder committed by ruthless serial killers. Everyone seemed to want to peep behind the curtains of 10 Rillington Place Orwell was writing in 1946. Seven years later, one of the most notorious serial killers in British criminal

Even before the 872-day long siege ended, both survivors and onlookers had already begun to refer to Leningrad – formerly and currently known as St Petersburg – as a city of heroes. Tales of bravery and self-sacrifice were enshrined in memorials, histories and memoirs, which between 1945 and 1991 were published in the Soviet Union at an average rate of one per day. But heroism is, of course, only a partial description of life within the starving city where theft, murder, betrayal and a million smaller acts of self-interest were just as prevalent as acts of valour. The idea that Leningrad was a city of heroes was in part a

The year is 1993 and 16-year-old Tommo has been moved from a day state school of 2,000 pupils in brown blazers that ‘when it rained… smelled of shit’ to Eskmount, an elite Scottish boarding school, where boys wear kilts and put their ‘cocks on your shoulder’ when you’re working in the library (easier in a kilt) and routinely hang ‘smaller kids in duvets… out the window’. The horseshoe effect in schooling terms: the more expensive, the more savage. Hugo Rifkind’s Rabbits opens with a bang: ‘When the shotgun went off under Johnnie Burchill’s brother’s chin, word had it, the top of his head came off like the top of a

‘If a horse is born in a stable, does it bark like a dog?’ By the time the Duke of Wellington’s famous question (‘If a man is born in a stable, does that make him a horse?’) made its way down to the young Michael Volpe, growing up in a fractured Italian family on the ‘streets and railway tracks… estates and football terraces’ of 1970s west London, it was mangled almost beyond recognition, bent and twisted into a surreal new shape. But the spirit of Wellington’s question remained, burrowing into a boy with one foot in the stable and one beyond, his very name a contradiction of identity: the blandly

Jaroslav Rudis’s latest novel follows the 99-year-old Wenzel Winterberg, a Sudetenland German, and his middle-aged Czech carer, Jan Kraus, on what is a quirky European take on the buddy road-trip story. Marx claimed that ‘men make their own history’, but do so under the burden of the past, with the weight of dead generations upon them. The tragedy soon to become a farce begins, according to Winterberg, at the site of the Battle of Königgrätz, with the old man proclaiming: ‘The Battle of Königgrätz runs through my heart.’ He then rambles on about its ‘half a million ghosts’, their roles and where they lie now, before blaming the battle for

It takes a Scandinavian mother to write like this: ‘Why murder a nine-year-old girl? She wasn’t raped. Rape is the only motive I know of for the murder of little girls, unless the killer is a close relative.’ Linda Segtnan’s The Eighth House benefits from this bluntness. Its author, a historical researcher based in Stockholm, was browsing through a newspaper archive in 2018 when a photograph of nine-year-old Birgitta Sivander caught her attention. The girl lived in a village called Perstorp in southern Sweden until one evening in May 1948 she went out to the football field and did not return. A search was organised, the human chain making its

The St Brice’s Day Massacre? I must admit I hadn’t heard of this ‘most just extermination’ of Danes in Oxford at the instigation of King Aethelred the Unready in 1002, perhaps because the teaching of history in this country tends to kick off in 1066. You certainly don’t think of Oxford as a place that pioneered techniques of ethnic cleansing. Crypt is a collection of seven essays that unearth details about how certain people lived and died in the past. If you didn’t already know Alice Roberts’s background as an anatomist and biological anthropologist, you’d have a good chance of deducing it from this book. The old jibe that archaeology

On 1 September 1939 Germany invaded Poland. It’s hardly an event which needs its significance re-stating, but there was one outcome which has received rather less attention than the impending crisis in Europe. After the first instalments – serialised in newspapers in the summer of that year – a bizarre, flamboyant, mock-gothic novel by an unknown writer, ‘Z. Niewieski’, was forced to cease publication on 3 September. Witold Gombrowicz, the author of The Possessed and master of Polish modernism, had penned the work under a pseudonym, and, he claimed, only for money. If that distance from the book weren’t enough, he then put an ocean between himself and the manuscript.

Remember the teenage girl who was murdered in Crow-on-Sea in 2016? A horrific story. Google it. Or the journalist Alec Z. Carelli, the guy who went to school with Louis Theroux, Adam Buxton and Giles Coren and wrote a book about it? Remember how it was pulled because of the controversy over the way he obtained some of his material? Well, the publisher has decided to release that book after all. There will be no upset loved ones –except perhaps those who were affected by the true crimes mentioned None of this is true. Instead, Eliza Clark, the author of Boy Parts and recently named by Granta one of the

Mark O’Connell was three years old when Malcolm Macarthur – a silken-tongued toff in a bow tie – went on his killing rampage in 1982, and 33 when he was released from prison in 2012. Eight years later, when he began this book, O’Connell describes stalking Macarthur around Dublin in the hope of securing the kind of interview that would cause Ireland’s most famous murderer to ‘tremble in terror and awe at the moral magnitude of his iniquity. I wanted to witness the breaking down of his ego defences, the revelation of some terrible emotional truth within’. His ambition recalls that of the Romantic essayist Thomas De Quincey, in relation

On 5 March 1940, as the USSR stamped its authority on a Poland it had partitioned with Hitler, Stalin signed a decree to murder 14,700 Polish officers in the woods by Katyn. These ‘hardened, irremediable enemies of Soviet power’ were not informed of their sentence and simply shot in the back of the head, a form of execution favoured by the secret police, the NKVD, for whom this method was just part of bureaucratic procedure. NKVD forgers changed the dates on the documents found in the dead officers’ pockets at Katyn When the Nazis turned on the Soviets in 1941 and marched east, they found the mass grave. Goebbels was

The journalist Stig Abell has such a versatile CV – moving from the Sun to editorship of the TLS and then to his present morning slot on Times Radio – that it’s no surprise he has dipped a toe into the crime-writing waters where so many semi-celebrities increasingly swim. What may be surprising, given the rigours of the genre, is how well he’s done it. Death Under a Little Sky sits on the cusp of cosy crime. Jake Jackson is a police detective in London whose life changes when an oddball uncle dies, leaving him a large house deep in a nameless part of England, complete with acreage and a

‘Most of my heroes are monsters, unfortunately,’ Joni Mitchell once said, ‘and they are men.’ The singer-songwriter was able to detach the maker from the made. Should we do the same? Is it ethical? Even possible? These are the questions Claire Dederer deftly considers in Monsters, which puzzles through the problem of what we ought to do about great art by bad men. Ideally, nothing. Early on in her quest, Dederer longs for someone to invent an online calculator: The user would enter the name of an artist, whereupon the calculator would assess the heinousness of the crime versus the greatness of the art and spit out a verdict: you