#metoo

High life | 21 February 2019

Gstaad   It’s party time here. From the richest billionaires down to those impoverished souls with only a few million to their name, the joint is jumpin’. Last week one tycoon converted his mega chalet into a nightclub and the music boomed away all night. Everyone who attended turned into Beethoven after one hour, which improved the situation in a way. People talk such rubbish nowadays that it was a relief to point at one’s ears and shake one’s head. I did not last long. I’ve been deaf ever since. My son came home at 5 a.m. Next week we’ve got an Italian countess’s blast from the past. I hope

Publishers must stand up to the mob

Suppose you’re a writer with a self-destructive proclivity for sticking your neck out. Would you sign a book contract that would be cancelled in the instance of ‘sustained, widespread public condemnation of the author’? Even cautious, congenial writers are working in an era when a bland, self-evident physiological assertion like ‘women don’t have penises’ attracts a school of frenzied piranhas. So journalists would be fools to sign a document voided if, in a magazine’s ‘sole judgment’, they were the subject of ‘public disrepute, contempt, complaints or scandals’. These are the ‘morality clauses’ arising in standard publishing contracts in the wake of #MeToo. Primarily a Hollywood weapon of the 1930s and

We need to talk about Kevin

The sixth and final season of House of Cards has begun without Kevin Spacey, who played the murderous Democratic American president Frank Underwood. Netflix fired Spacey when he was accused of multiple sexual assaults last year, although he is not yet charged with any crime. The longed-for dénouement of Frank Underwood — the moment when he realises his crimes have been in vain — never came. Instead his wife Claire, so lovely in looks, is now president. (It’s TV.) When the trailer for the final season appeared, Underwood was already in his grave, with Claire, played by Robin Wright, standing over it. Wright gave an interview saying that she had

Mary Wakefield

Why women fantasise about sheikhs

In celebration of its 110th birthday, I downloaded a Mills & Boon — The Greek Tycoon’s Blackmailed Mistress — and plan this coming weekend to settle down for an evening in the company of Dr Ella Smithson and Aristandros Xenakis, ‘an arrestingly handsome man… the epitome of lithe, masculine grace teamed with the high-voltage buzz of raw sexual energy’. I’m fond of Mills & Boon. In the mid-1980s, they provided me with the sex education my otherwise excellent mother must have thought school would sort out. I stole them from my older cousins’ bookshelves, hid them under my jumper and ran home to read them behind the sofa, agog at

How #MeToo could make things worse for victims

It’s over a year since the #MeToo scandal of sexual harassment broke. It has shaken up our culture and relationships in so many ways over the past 12 months. It isn’t going away, either, as the allegations about Sir Philip Green this week have shown. But it has now reached a point where it could either improve or severely damage the way in which serious allegations are dealt with justly. The whole movement has been extremely messy. This was inevitable, given the number of people, mostly women, who have had to put up with being ignored or belittled when they complain even about serious sexual assault, let alone more subtle

Was your Halloween costume woke?

Halloween used to be easy. It was a fancy-dress party: you could wear whatever you liked. The idea was to have fun. As teens, my friends and I would dress up as ghouls, spiders or witches, with cones of black paper on our heads. When we became more mature, Halloween turned into a tarty affair. We thought this seemed authentic, somehow all-American. Our costumes became flimsier and more flammable. One girlfriend made a habit of always going dressed as ‘sexy cat’. Inevitably, somebody would dress as a zombie Princess Diana or Amy Winehouse, or another celebrity who had died unpleasantly. The more risqué the better. I was once served a

Diary – 25 October 2018

Eight years ago, in the course of doing some research into literacy teaching in London, I visited many primary schools. One thing that struck me — and I didn’t of course mention it in the pamphlet I wrote on the subject — was how many primary school teachers were severely obese. One isn’t supposed even to notice it. But it’s been worrying me ever since. Obesity inevitably involves lower energy levels, less mobility, reduced staying power — all weaknesses which, however talented a teacher may be, are likely to impair his or her ability to cope with young children. What’s more, teachers are role models. I feel great sympathy for

Virtuous vice

It hasn’t always been easy being a progressive-minded man who prides himself on his sensitivity to issues of race, gender, feminism and sexual exploitation — and still gets to walk on the wild side. Political principles tend to get in the way of politically incorrect passions. You like to watch porn, but as a good feminist man you know that porn exploits women. You like to take cocaine, but it exploits poor Latin American farmers and enriches corrupt drug cartels. And maybe you have a secret passion for prostitutes, but you hate the idea that you’re paying for sex with some underage Albanian who’s been trafficked for your gratification. No

‘I should just shut up’

Lounging confidently on the sofa of a Soho hotel suite, Dominic West has been beaming at me, but now his handsome smile dissolves into a hurt look. I have just asked him to explain why he, in common with so many actors, feels the need to voice his political views. ‘I should just pipe down and carry on acting?’ he asks, leaning forward to pour tea. I don’t like to be rude, so I raise my eyebrows and shrug as the most polite way of saying, ‘Well, it’s an idea.’ West, who is giving interviews to promote his new film Colette, has also made a campaign video calling for a

Focusing on Bercow won’t change the ‘toxic culture’ of bullying in the Commons

Today’s Prime Minister’s Questions was a little shorter than usual. This was partly because, as James says, John Bercow spoke rather less. Normally, the Speaker likes to lecture MPs about how their behaviour will appear to the public, even sometimes using the word ‘bullying’. Such lectures will have considerably less force now, given Bercow is one of those criticised by the Dame Laura Cox report for failing to tackle the ‘toxic culture’ of bullying and sexual harassment in the House of Commons. There has, though, been undue focus on Bercow as a result of the way some on both sides have been approaching this matter. Labour’s frontbench line that Brexit

Why Christine Blasey Ford’s testimony didn’t make me cry

Following Christine Blasey Ford’s Senate testimony about being sexually assaulted by the US Supreme Court nominee when he was 17, numerous women on American news reported that listening to her terrible story made them cry. I didn’t cry. Indeed, my reaction to Ford’s statement was at such odds with the garment–rending anguish of my fellow Democrats that I had to wonder whether either I’d missed something or maybe there was something wrong with me. So I just read the entire transcript. I hadn’t missed anything. As for whether there’s something wrong with me, I’ll leave that for others to judge. But here’s how I’ve parsed a tale that roiled my

What’s wrong with hearing #MeToo men’s side of the story?

‘There are two sides to every story’ is an aphorism you don’t hear often lately. Ask anyone amidst a family row: most stories have more than two sides. But in the take-no-prisoners world of #MeToo, there’s only one side. All women are victims and all women are truthful. Any man who’s had a shadow of doubt cast on his sexual behaviour since his first wet dream at 12 is deserving of permanent social and professional banishment and is forever forbidden from saying a word in his own defence. As the editor-in-chief of the respected New York Review of Books found out. Ostensibly Ian Buruma resigned, but resignation over your own

‘I’ve got dementia in reverse’

‘I like your shirt today,’ Sir Ray Davies says to the waiter who brings his glass of water to the table outside a café in Highgate. ‘How’s your girlfriend?’ It turns out the girlfriend is no longer the girlfriend. ‘You broke up? You know, that happens. It’ll be OK. You’ll meet somebody else.’ He pauses and then says something that runs through my head for days after our interview. ‘She’ll meet somebody else.’ It’s true, of course; she will. And it’s a human thing to say: both parties to the relationship will move on. But it’s also delivered with a hint of claws. Who wants to be told, fresh from

Bringing sexy back

Sexual intercourse, Philip Larkin famously wrote, began in 1963. And listening to contemporary commentators, you’d think that it came to an end in 2017 with the birth of the #MeToo movement. For these voices of doom, the end of the erotic is nigh; Britain is on the brink of sexual apocalypse. The recent news that Netflix has banned flirtation from film sets — along with lingering hugs, requests for phone numbers and extensive touching — is for these commentators just the latest example of #MeToo sexual correctness gone mad. They fear we are witnessing the making of a bland new world where the rules and regulations governing social relations between

Cindy Yu

The Spectator Podcast: the Diversity Trap

In recent days, Lionel Shriver has been in trouble. Her criticism of the publishing industry’s diversity drive has led to her marked as a racist and even dropped from a literary judging panel. She argued that ethnic quotas harm rather than help diversity – is she wrong? As Robert Mueller’s investigation continues, several dodgy links to Britain have surfaced that could bring down Trump. And last, in the age of MeToo, is sex becoming sexier? Find out at this week’s Spectator Podcast. Do quotas help or hinder racial equality? That’s the big question we’ve been asking at the Spectator recently. Since we published Lionel Shriver’s critique of Penguin Random House’s

High life | 21 June 2018

New York I write this on my last day in the Bagel, and it sure is a scorcher, heat and humidity so high that the professional beggars on Fifth Avenue have moved closer to the lakes in Central Park. Heat usually calms the passions, but nowadays groupthink pundits are so busy presenting fake news as journalism you’d think this was election week in November. Here’s one jerk in the New York Times: ‘The court’s decision was narrow…’ The decision in question is the Supreme Court ruling that a baker could refuse a gay couple’s request for a cake on religious grounds. The writer who described the result as narrow, one

Corporate puritans want to kill off flirting

Quite a long time, five seconds, when you count it. And ever since Netflix reportedly warned its employees not to stare at a colleague for longer than that, the paradoxical effect is, inevitably, to make you stare and count. The company’s new guideline is, of course, all part of corporate America’s response to the #MeToo scandal and if the Netflix directive is anything to go by, it’s going to result in the human race dying out in the US, because no one will be able to make a pass at anyone else, ever. It’s not that the individual prohibitions are onerous or particularly unreasonable; it’s that the collective effect can

Morgan Freeman and the troubling direction of #MeToo

The film awards season is over and Cannes has been handed back to wealthy holiday-makers, yet the #MeToo movement shows no signs of slowing down. Morgan Freeman is the most recent addition to the ignominious list of film producers, directors and actors who have had accusations of sexual harassment made against them since #MeToo took off in October last year. Allegations against the 80 year-old Freeman, star of The Shawshank Redemption, emerged last week on the day before Harvey Weinstein handed himself into police in New York on charges of rape. The charges against Weinstein are serious; he should stand trial and, if found guilty, face a lengthy prison sentence. Yet the

Lars von Trier’s latest film rightly resists the idea that art must be morally correct and inoffensive

Danish director Lars von Trier is back at Cannes Film Festival, proclaiming that ‘it’s all good – we had a little misunderstanding for seven years’ and worrying that his new serial killer movie, The House that Jack Built, isn’t divisive enough. In fact, the reception of the film has indeed revealed an divide in the mentality of contemporary culture. More than a hundred members of the audience walked out in protest at the film’s première and a similar number did the same from the press screening this week. Nonetheless, Von Trier received a lengthy standing ovation on his arrival to the première, and those who stayed till the end acknowledged

Award for the most right-on awards ceremony goes to Cannes

There’s nothing that screams 2018 feminism more than a bunch of celebrities holding hands on a red carpet. This year’s Cannes festival is the latest opportunity in a long string of awards ceremonies for the rich and famous to gain some brownie points. If there were an awards ceremony for the most right-on awards ceremony (please no one take me up on that), Cannes might well win. This year’s tote bags contained a flier emblazoned with #NeRienLaisserPasser (or, roughly, don’t let anything happen). ‘Let’s not ruin the party’ it said in French, warning attendees to watch their behaviour. Along with this, there was a new Cannes sexual-harassment hotline, set up