Medieval

This is the introduction to the 25th anniversary edition of William Dalrymple’s first book, In Xanadu: A Quest At the end of the windy, rainy April of 1986, towards the end of my second year at university, I was on my way back to my room one evening, when I happened to trudge past my college notice board. There my eyes fell on a bright yellow sheet of A4, headlined in capital letters THE GAILLARD LAPSLEY TRAVEL SCHOLARSHIP. It hadn’t been a good week. I was 21: broke, tired of revision for exams and already longing for the holidays. But stopping to look closer, I found that the notice was an announcement concerning

‘Take away, utterly extinct and destroy all shrines … pictures, paintings and all other monuments of feigned miracles, pilgrimages, idolatry and superstition so that there remain no memory of the same in walls, glass windows…’. These were the instructions handed down to churches in the reign of Edward VI, the death-knell for medieval church wall paintings following the wholesale destruction of the monasteries in his father’s time. That any church art survived this state-sponsored barbarism some five centuries ago seems extraordinary, and its rarity makes it all the more precious. This is no more than a pocket guide to the shadowy and often elusive fragments of secular and scared art

The half-millennium or so that followed the division of the Carolingian empire in 843 AD was a time of profound social and political change in Europe. Kingdoms were established, new forms of law and theories of power were developed and military technology and tactics were revolutionised. Relations between church and state were transformed. The emerging European states developed new cultural identities, while western Christendom as a whole also began to define and assert itself against the Islamic states in the Middle East and north Africa, and the ailing remnants of the Byzantine empire to the east. By the middle of the 15th century, the various kingdoms of Europe were strong,

Ever since Edward II’s deposition and grisly murder in the dungeons of Berkeley Castle in 1327, his reign has always been regarded as a particularly embarrassing interlude in English history. Ever since Edward II’s deposition and grisly murder in the dungeons of Berkeley Castle in 1327, his reign has always been regarded as a particularly embarrassing interlude in English history. In 1908, when there was still some pretence that such subjects had a place in the classroom, teachers were advised that the period should be ‘passed over in discreet silence’. Not only was it one of fruitless civil war; Edward was also thought to have been a homosexual, who doted