Martha graham

The pioneering women of modern dance

Arms outstretched, head thrown back, flounced skirt rippling over a raised leg. The 1942 photograph of Sophie Maslow dancing in her own creation Folksay makes her look as if she is performing in Seven Brides for Seven Brothers or some MGM musical spectacular. Yet Maslow was a radical artist, who asserted that modern dance was a transformational power for good, and devoted her 50-year career to the belief that it belonged to everyone. In Folksay, she danced to the Dust Bowl ballads of Woody Guthrie, conjuring an inclusive version of America by reshaping the view of its pioneer spirit. Loie Fuller’s groundbreaking serpentine dance transformed her into a flame, or

The genius of Martha Graham

If eight weeks in lockdown have brought out my baser impulses (biscuits by the sleeve, total renunciation of waistbands), it’s also deepened my appetite for culture at its plushest, liveliest heights. It’s not just beaches and brunches I’m craving as spring turns to summer and I round off my second month of working supine on the couch; it’s the sheen of studio lights on the Rothkos at Tate Modern, the whooshing sound when a dancer catapults herself across the Sadler’s Wells stage. Fortunately, watching the Bolshoi’s Swan Lake on Marquee TV last week — the world’s favourite ballet by the world’s foremost company — went some way in filling that