London

Burn the formal white tablecloths and fling open the kitchen doors. The latest craze in restaurant culture is open-fire cooking – where chefs sweat it out over roaring flames in full view of their customers. And the simple, raw nature of this method of food preparation seems to have set diners’ imaginations alight.  ‘Cooking outside over flames is primal and in our DNA as human beings,’ says Andrew Clarke, co-founder of Acme Fire Cult – one such restaurant in Dalston, north London. ‘The smell of woodsmoke and animal fats hitting the hot coals stirs up something deep inside.’ For Tomos Parry, chef and co-owner of Brat – another open-fire restaurant

Considering its status as the canon’s most iconic cocktail, it’s remarkable that the martini doesn’t have a single agreed upon recipe. Like many great drinks it comes with more of a template than exact specifications, which basically dares us to riff on the formula. Historically, this has meant altering the garnish – swapping the olive for a cocktail onion, perhaps – or adding a dash of bitters. Today, though, a whole generation of bartenders is using the martini to channel their creativity, introducing bespoke ingredients and flavour combinations to this old favourite. But just how many times can you remix the martini and still retain its essential martini-ness? Gamely, I

It has been ten years since work began in earnest on the regeneration of one of the few surviving sections of old-school central London. While the rest of Zone 1 seemingly saw wall-to-wall gentrification, Elephant and Castle remained an outpost of stubborn, scruffy ordinariness, an oasis of discount stores, greasy spoons and traditional boozers. Over the past decade, billions of pounds have been lavished on sprucing up the Elephant. But while the old place certainly looks quite different – a cluster of new towers, thousands of new homes, a gaping hole where the 1960s shopping centre once stood – this is a regeneration that has had its fair share of troubles.

Once I thought nothing could make residential Britain look uglier than pebble-dashing, PVC windows and satellite dishes. I was wrong. As if the country had not been brutally homogenised enough by the fact that every high street has the same shops, now every residential road is reduced to being an identical backdrop for a very persistent invader: the wheelie bin. Lined up like Daleks, they are breeding in my North London neighbourhood, blocking front gardens and pavements. Outside houses split into flats, where each has its own set, there are actual crowds of these 4.5ft graceless plastic buckets, which come in multiple colours for different sorts of rubbish. When wheelie bins first

‘Remember to flirt outrageously.’ This essential piece of advice is imparted courtesy of Country and Town House magazine for its readers curious about Scottish reeling. The reel, a social folk dance, dates back to 16th-century Scotland and has remained popular for all this time, notwithstanding a brief hiatus in the 17th century when the Scots Covenanters assumed the stance (rightfully, some might say) that such amusement leads to mischief leads to sin. Less curious about the dancing than the flirtation, I joined some friends for the final, sweaty session of the season at London Reels. The group meets in St Columba’s church in Knightsbridge on the second Tuesday of each

There was much to celebrate last year on the architecture front – the end of the pandemic brought the opening of long-delayed projects ranging from the Academy Museum of Motion Pictures in Hollywood to the Taipei Performing Arts Centre in Taiwan. But there was one construction project that stood head and shoulders above the rest in size and ambition, and that was the transport link formerly known as Crossrail.  The Taipei Centre may have been seven years late and the Academy Museum (now home to Judy Garland’s red slippers and R2D2, among other artefacts) more than a couple of decades in gestation, but that is nothing compared with London’s Elizabeth Line, which was

When George William Wilton opened his shellfish-mongers close to Haymarket in 1742, he could never have imagined that his business would still be thriving 280 years later. The place has outlived ten monarchs and is as old as Handel’s Messiah. Before visiting, I imagined a typically Hogarthian scene with portly gentlemen in dandruff-flecked suits feasting on potted shrimp and vintage port. Perhaps they had dropped by for a ‘spot of luncheon’ before toddling off to their various clubs at nearby St James’s.  Up until relatively recently you might well have witnessed just such a quintessentially English scene; sadly, the agreeable old buffers who would once have frequented places such as Wiltons no longer exist in

There’s something rather wonderful about the idea of settling down for the night in the spot where one of your favourite writers once slept, played or dreamed up a plot. There are a range of hotels across London with a vast array of bookish associations: some have played host to writers both famous and infamous, while others have been commemorated in novels, poems and short stories. Their present-day owners are all too happy to show off their literary heritage, should you ask nicely. Here are six with the most interesting tales to tell. Hazlitt’s There are few London hotels with so existential a literary connection as Hazlitt’s on Frith Street

Our journey around London’s postcode areas has reached its final destination: WC. One of Evelyn Waugh’s female friends always insisted on referring to it in full as ‘West Central’, because she said ‘WC’ had ‘indelicate associations’. We’ll learn what happened at Spike Milligan’s memorial service, why Agatha Christie married an archaeologist and where you can find the official definition of an inch…

How Walford in EastEnders got its name, why Isaac Newton visited bars in disguise and what happened when the IRA parked on a double yellow line. Our tour of London’s postcode areas has reached its penultimate stop – who fancies an E?

Joseph Mallord William Turner continues to occupy a singular place in British cultural consciousness. The English Romantic artist, watercolourist and printmaker – often referred to as ‘the painter of light’ – elevated landscape painting to high art and, when he died in 1851, left a legacy of 550 oil paintings, 2,000 watercolours and 30,000 works on paper. When one of these surfaces at auction, it sells for tens of millions of pounds. However, most of his works – with the power of nature, the sea and the industrial revolution as central themes – were bequeathed to the nation. A collection of 300 oil paintings in the Clore Gallery, at Tate

Is it a stage of life thing? Recently I’ve got a hankering to join a gentlemen’s club. It might be the creeping realisation that having put it off for so long – drifting in and out of London’s clubs over the years as a guest thinking ‘This is rather nice…’ – as I near 50, it’s a case of now or never. So here’s a question – have you been to a club recently? Have you settled into the tightly stuffed, wing-backed armchair at the Athenaeum, White’s, Buck’s, Boodle’s or the Carlton? Have you dined at the Garrick surrounded by the some of the finest things to drip off the paintbrushes