Leni riefenstahl

Eight decades after the second world war ended, for how much longer will we produce massive books about Hitler and the Nazis? Richard J. Evans, the former regius professor of history at the University of Cambridge, is one of the senior gardeners in this noxious orchard, having devoted a lifetime’s study to the subject. As a minor under-gardener in the same field, I believe that we now know all we need to about the Führer and the crimes of his vile regime, and, barring the unlikely discovery of something new, it is time that historians moved on. The damning facts can be briefly stated, and are cogently summed up by

Leni Riefenstahl was a film-maker of genius whose name is everlastingly associated with her film about the German chancellor, Triumph of the Will, which won the gold medal at the 1937 Paris World Exhibition. It is an unforgettable piece of cinema, with the lonely hero descending, like one of the immortals, from the clouds. As he enters the podium at Nuremberg, we only see the back of his head as he wows the tens of thousands. In Nigel Farndale’s riveting novel, Riefenstahl remarks to one of the athletes at the 1936 Olympics that the only thing which she really cares about is film. This seems indeed to have been the