Joan didion

In italics at the very end of the preface to Slouching Towards Bethlehem (1968), Joan Didion spills the beans: ‘Writers are always selling somebody out.’ It’s hard to improve on that, but we can at least specify that she had journalists in mind, not poets or novelists, though probably she looked on all scribblers with a cold eye. Six years later, Didion’s husband John Gregory Dunne published Vegas: A Memoir of a Dark Season, which isn’t really a memoir, more a queasily auto-biographical novel. Or, as he puts it, ‘a fiction which recalls a time both real and imagined’. A time and also a place – Las Vegas, Nevada, in

Fresh out of Hollywood High, Eve Babitz introduced herself to Joseph Heller: ‘Dear Joseph Heller, I am a stacked 18-year-old blonde on Sunset Boulevard. I am also a writer.’ It was 1960, and while her writing was the sheerest bliss, ‘Eve Bah-Bitz with the Great Big Tits’, as she was known, was herself a work of art. Beauty, she learned at school, was power and ‘the usual bastions of power are powerless when confronted by beauty’. So it was her stack (36 DD) that opened doors for her until, in 1972, her friend Joan Didion told Rolling Stone magazine to publish Eve’s first story, ‘The Sheik’. That same year, Didion

This book is an example of a regrettable new trend – the solipsistic biography. I mean lives of famous people written by unfamous people (usually women) who want to tell you a LOT about themselves. This one is about the writer Joan Didion by an academic called Evelyn McDonnell who never met Didion but believes that they had much in common. Here is her evidence. ‘She was born within one year of my mother; I was born within two years of her daughter. We are both native daughters of California. We lived in New York at the same time, though she was an Upper East Side celebrity and I was