Japan

The stigma still surrounding leprosy

One of the earliest leper hospitals in Britain was built in London near the beginning of the 12th century by Queen Matilda, the wife of Henry I. It was a benign combination of housing, hospital and chapel, with patients free to come and go as they wished. Matilda started a fashion among the wealthy, so that by 1350 there were more than 300 such hospitals across the kingdom. Far from lepers being shunned and feared as outcasts, therefore, their treatment for much of the medieval period was enlightened. ‘The mythology of the “medieval leper” seems no more real than that of the vampire or ghoul,’ writes Oliver Basciano. The author

Remembering Hiroshima 80 years on

In October 1945, towns and cities across the United States celebrated ‘A Tribute to Victory Day’ in celebration of the United States’s military victory over Nazi Germany and imperial Japan. The biggest event was held in Los Angeles and broadcast live across the country. In scenes ‘reminiscent of the pre-war Nazi rallies at Nuremberg’, Iain MacGregor writes, more than 100,000 people crammed into the Memorial Coliseum to watch the ‘cinematic legend’ Edward G. Robinson lead a massive cast on giant stage sets recreating key moments of the defeat of the Axis powers. For the evening finale, in the glare of searchlights, three Boeing B-29 Superfortresses flew low over the stadium

Lara Prendergast

With Jun Tanaka

25 min listen

Jun Tanaka is a Japanese-British chef with over 30 years’ experience in some of London’s most famous restaurants, including La Gavroche, Restaurant Marco Pierre White and The Square. In 2016 he opened the Ninth, which was awarded a Michelin star two years later. On the podcast, Jun tells Lara why the smell of baking brings back early food memories, how Japanese packed lunch is superior to English packed lunch, and why, in his view, you still can’t get a good ramen in London.

Poise and gentleness: Hiroshige, at the British Museum, reviewed

Why is Hiroshige’s work so delightful? While his close predecessor Hokusai has more drama in his draughtsmanship, Hiroshige’s pastoral visions conjure a sense of timeless continuity that appealed to his contemporaries as much as to present-day teens who love the merch. His is a world in which everything has happened before, and will happen again. People race for shelter from a sudden shower of rain; a finely dressed lady adjusts her slipping belt. Human life seems small and predictable against his vast mountains and limpid lakes. The tranquillity is achieved in part through colour gradation, similar to millennials’ beloved ombré, and known in Edo-period Japan as bokashi, a technique carried

‘It is sad that we are sometimes seen as just killers’: an interview with Japan’s last ninja

Getting an interview with Jinichi Kawakami, the man known in Japan as ‘the Last Ninja’, was no easy task – but nor should it have been. Ninjas, Japan’s legendary covert operatives and assassins, were renowned for their elusiveness, so it would have been disappointing if tracking one down had proved a cinch. It took a good deal of research and persistence before I was granted an interview by landline telephone – which also seems appropriate since ninjas were reputedly able to make themselves invisible. Kawakami is head of the Banke Shinobinoden school of ninjutsu (ninja culture), director of the Iga-ryu Ninja Museum and Ninja Council, and a professor of Ninja

Poor little rich girl: the extraordinary life of Yoko Ono

David Sheff first met Yoko Ono in 1980 when Playboy commissioned him, then aged 24, to interview her and John Lennon. She asked him to send her his astrological and numerological charts before summoning him to the Dakota, where she and John occupied six apartments. (Elton John, a friend of theirs, wrote an excellent spoof: ‘Imagine six apartments/ It isn’t hard to do./ One is full of fur coats/ Another’s full of shoes.’) Yoko told him that his charts were good – ‘these are strong numbers’ – and that he would get on well with John. So they fixed a time to meet the next day. The interview lasted three

The best way to approach sake 

We were discussing civilisation, as one does, and its relationship with cuisine. Pasta in Italy, paella in Spain, the roast beef of Old England; wurst in Germany, burgers in the States –though with those latter examples we are moving away from the concept. What about Japan, a complex society which is full of paradoxes? For three-quarters of a century, the Meiji Restoration was the most successful revolution since the Glorious Revolution itself. It was part of a process which opened Japan to western influences and vice versa. Rather as in the UK, ancient forms were preserved, which helped to ensure social stability during a period of rapid change. Japan often

Why Japan is best at whisky, tailoring, cheese, pastries… I could go on

Many people visit Japan because of its food but few, surely, have pastries in mind. In fact, Japan has no discernible tradition in this culinary realm at all. But that didn’t stop a trio of Japanese bakers from winning the biannual pastry world cup, pushing the fancied host nation France into a chastening second place. Japan won last time too and thus became the first country ever to retain the title, which you might suppose would make this big news here in Tokyo. But the media has hardly mentioned it, probably because this kind of national stereotype-busting triumph is becoming quite normal. For example, Japan, believe it or not, is

The strange, beautiful Christmas I spent alone

My parents gave up on Christmas altogether once I left home for university. They had never been people for celebrations and we were a household like Belfast in the religious sense – my father, the Catholic, went to midnight mass; my mother, Anglican, to the parish church at 8 a.m. I alternated, year by year, for the sake of fairness. It was a strained time. As an adult, living in my own place the moment I could afford rent, I never returned home for Christmas Day, but went to various generous friends – the sort of normal friends who had proper festivities, puddings lit with brandy and paper crowns, the

With Julian Metcalfe, founder of Itsu

28 min listen

Julian Metcalfe is a British entrepreneur and one of the most influential individuals on the London high street. He revolutionised the grab-and-go lunchtime food industry in 1986 by co-founding Pret and did the same again in 1997 when he commercialised Japanese cuisine with the first Itsu. On the podcast, he tells Liv and Lara about the influence of his Ukrainian mother; why he decided to start Itsu, in many ways a competitor to Pret; what he thinks is the future of the grab-and-go industry; and why uni is the ultimate comfort food.

Why Britain needs Shinto

Ise, Japan They say of Japan that if you come here for a week, you want to write a novel about Japan. After a year, maybe a few essays. After a decade, a page. It is one of those countries which seems to get simultaneously more fascinating and opaque. Possessing an ancient monarchy is like having a Gothic cathedral in your back garden So it is for me, on this, my first trip to Japan in 30 years (I lived in Kyoto in the mid-1990s). This time around I have been doing prep by reading the early history of Shinto, the ‘state religion’ of Japan, an animist creed which sees

My glimpse into a childless world

If you are looking for a pointer for the future of the world, the free-diving fisherwomen on the matriarchal, shamanistic South Korean island of Jeju are not an obvious example of where we’re heading. Because the haenyeo are famously unique. And famously hardy. But what is happening to them should concern us all. In simple wetsuits they spend hours in the cold, clear waters, seeking out sea slugs, oysters, conches and abalone. They are fiercely independent – they spearheaded resistance to the Japanese in the 1930s and 1940s. But here’s the thing, as Nari (age 70) tells me in the haenyeo’s coastal mud-room: ‘We are probably the last. We have

Japan could soon lose one of its best assets

What now? This is the question on everyone’s lips here in Tokyo after a dramatic general election which looks to have inflicted a potentially grievous wound on Japan’s eternal party of government. The Liberal Democratic Party (known as Jiminto) led by the barely broken-in new Prime Minister Shigeru Ishiba lost its overall majority, even if its partners, the Buddhism-associated Komeito, are factored into the equation.  The result was a mess In one of the worse nights in its history, the LDP, who have held power for 65 out of the last 69 years, lost 68 seats. They remain the largest party overall but will now have to scramble to put

At Japan House humanity has arrived at the perfect future: food for ogling, not eating

There is a popular Japanese television show that features a segment called ‘Candy Or Not Candy?’. Contestants are presented with objects and must guess if they’re edible or not. Is that a dish sponge – or a steamed sponge cake? I might not consider afternoon tea to be art, but the confectionery artifice required to dupe contestants into mistaking the replica for reality is impressive – or at least entertaining. The lacquered steaks, fruits, vegetables and sliced bread feel wrong. They surely ought to be matte The inverse – using inedible materials to create replicas of food – is also a Japanese art form, and the subject of Looks Delicious!

A day of violence in Tokyo

It has been an alarming day in Tokyo as political terror returned to the streets of the capital. A man was arrested for throwing Molotov cocktails at the headquarters of the ruling party Jiminto (LDP) in the centre of the city. The bombs hit a police vehicle and the resultant fire was soon extinguished. Today’s attack marks the third time homemade weapons were employed The man who threw the Molotovs, identified as 49-year-old Atsunobu Usuda from Saitama, near Tokyo, then tried to drive his car into the grounds of the prime minister’s office, but he couldn’t get through the metal barrier. After that he tried to throw a smoke bomb at police. Then he was arrested. The man’s wrecked van was found to contain 10

How claims of cultural appropriation scuppered an acclaimed new ballet

On 14 March 2020 I was at Leeds Grand Theatre for the première of Northern Ballet’s Geisha. The curtains swung open on fishermen flinging out their nets, geisha, samurai, 19th-century Japanese village folk, followed by the sudden appearance of American sailors. It was in essence a Japanese Giselle: the tale of a geisha, spurned by her American lover, who dies of grief, and whose restless spirit returns from the grave. Far from being offended, the Japanese Embassy offered their official imprimatur It was a unique production. Many of the dancers at Northern Ballet are Japanese, Chinese or Korean and this was an east Asian story. The ballet was created by

Must-watch TV: Apple TV+’s Pachinko reviewed

Pachinko is like an extended version of the Monty Python ‘Four Yorkshiremen’ sketch (‘I used to have to get out of shoebox at midnight, lick road clean, eat a couple of bits of coal gravel’) relocated to mostly 20th-century Japan and Korea. There’s so much misery it makes Angela’s Ashes look like Pollyanna. And there’s so little by way of laughter or a redemptive pay off you might be tempted to end it all like one of the numerous doomed characters do – off camera, fortunately – in the almost relentlessly catastrophe-laden season one. Pachinko comes pretty close, I’d say, to being must-watch television Now we’re back for season two

India radiates kindly light across the East

‘Everywhere I could see India, yet I could not recognise it.’ So said India’s great national poet Rabindranath Tagore of South-East Asia, after travelling there in 1927. Tagore was fascinated by how elements of ancient Indian culture had found their way eastwards: gods, temple architecture, the Sanskrit language and the great epics the Ramayana and the Mahabharata. A nationalist but also a universalist, Tagore welcomed the reshaping of these ideas by the people who received them, a process whose fruits he encountered in Malay literature and Balinese dance. He even hoped that one day a ‘regenerated Asia’, making creative use of its shared cultural heritage, might heal the world of

The allure and terror of Mount Fuji

Six men have died on Japan’s iconic Mount Fuji since the start of the climbing season in July. This figure, two more than last year, is especially worrying given that steps had only recently been taken to mitigate the dangers of climbing the mountain. Various restrictions were introduced earlier this year to deal with overcrowding, which has become a feature of the mountain. A cap of 4,000 climbers a day was imposed along with a fee of 2,000 yen (£10). A website giving advice about weather conditions and congestion on the mountain was set up. Prayers were offered in an official ceremony before the climbing season opened. The lesson from

The art of Japanese woodblock printing

Van Gogh owned a copy of Utagawa Kunisada’s woodblock print of the ‘Yoshiwara Poet Omatsu’ (1861), which is currently on display at the Watts Gallery. It depicts the poetess who rose from humble origins in an elegant kimono at her dressing table and was part of Kunisada’s series of paintings titled Biographies of Famous Women, Ancient and Modern, but Van Gogh may not have known that. By the time he started amassing Japanese prints – he splurged on 600 of them in the winter of 1886 – they had become collectibles sought after by avant-garde artists for their clear lines, bright colours and the immediacy of their cropped figure compositions