James bond

‘Gefilte fish,’ emailed Hillary Clinton to a pair of aides in March 2010, ‘where are we on this?’ That was it. Two words in the subject line, five more in the body. Nobody really knows what she was on about. Maybe it was code, maybe it was a reference to a new Israeli import duty slapped upon carp fillets from Illinois. Either way, in a 4,368-strong trove of emails sent and received by the former US Secretary of State, and just released by the State Department, this is the interesting bit. This was as good as it gets. OK, so I exaggerate. Or rather, under-exaggerate. There’s also some stuff from

As staff at the BBC face cuts and budget tightening following the Government’s plans to reform the Corporation, their director-general Tony Hall has offered his own defence of the licence fee. Writing the diary in this week’s Spectator, he mentions that Tracey Ullman was recently transformed into Dame Judi Dench as ‘M’ in the James Bond films. Hall goes on to suggest that the BBC has some parallels to Bond with both in possession of a ‘very special licence’: ‘When Tracey spent the day as Dame Judi Dench on location last week, so talented are the make-up and prosthetics team that passing members of the public were fooled into thinking she was

Spying may be one of the two oldest professions, but unlike the other one it has changed quite a lot over the years, and continues to do so. During the quarter-century since the end of the Cold War, the main preoccupation of our intelligence agencies has not been with classic espionage by the Soviet Union, or with identifying new Philbys operating on their behalf. Espionage still goes on, but it is small beer compared to the terrorist threat that commands no less than 75 per cent of our agencies’ time and resources. Stephen Grey takes us through the transformation in the recent past experienced by MI6, MI5 and GCHQ, as

It was quite fun being named as the new writer of 007 — although actually I’d make a lousy spy. As my family knows, I’m hopeless at keeping secrets and I’ve found it almost impossible hanging on to this one for the past few months. Even now I’m forbidden to reveal the title, the story, the date it takes place or any of the characters… and I’ll probably get into trouble even for writing this. Believe me, Orion Books and their legal department are more sinister than Smersh. In fact I did quite well and only dropped one clue to someone who follows me on Twitter. He asked me what

It’s 50 years since the death of Ian Fleming and The Spectator has always taken James Bond seriously. The writer of the Spectator’s Notebook in 1962 went along eagerly to see Bond’s first screen appearance. It hasn’t seemed to matter but it seemed odd that the director hadn’t explained some key parts of the plot. ‘Apart from the fact that Bond is played with an Irish-American accent—not particularly noticeable, of course, when he is throwing chaps around or conversing into his mistress’s left ear—what struck me most was the assumption on the part of the film-makers that everyone would know the plot of Dr. No. I imagine that much of

Ian Fleming’s first visit to Jamaica was pure James Bond. In 1943, as assistant to the Director of Naval Intelligence, he flew from Miami to Kingston to attend an Anglo-American naval conference and to investigate the rumour that Axel Wenner-Gren, a rich Swede and supposed Nazi, had built a secret submarine base at Hog Island, near Nassau. He was accompanied by his old friend Ivar Bryce, who was also in intelligence, and who put him up at a house his wife had recently bought. As they left the island, Fleming told Bryce, ‘When we have won this blasted war, I am going to live in Jamaica… swim in the sea

Baz Lurhmann’s adaptation of The Great Gatsby (above) may yet enrage purists; but it seems that the Australian director already has his eyes on another product. Speaking exclusively to Spectator Life, Lurhmann reveals that taking on Shakespeare and the 20th Century’s favourite novel are not enough: ‘I have more things in my cupboard I want to make. There’s the Shakespeare canon, there are cinematic musicals, there are edgy psychological works. Sometimes having a brand is a burden because sometimes I’d like to be a shooter and knock off a movie just for the fun of making someone else’s script or a Bond film.’ Steerpike hopes Daniel Craig is getting his singing