Islam

Next week, in the final episode of the BBC’s Wolf Hall, we’ll see Anne Boleyn face death by beheading. But if you watched last night’s episode, you’ll know – accurately – that in her final months, she grew to fear something far worse, death by burning. It was a real option, offered to Henry VIII’s discretion after her conviction for adultery. And she wasn’t the only queen threatened with this fate; in 1546, traditionalist Stephen Gardiner (played in Wolf Hall with pantomime villainy by Mark Gatiss), attempted to persuade Henry to order the arrest of his ultra-Protestant sixth wife, Katherine Parr, on heresy charges that would have carried the same penalty. I saw

It looks like this year’s Simon Hughes prize (awarded each year to the non-Muslim who does the weirdest impression of holding Islamic principle) must go to Lord Woolf. In a speech yesterday at the Oxford Centre for Islamic Studies the former Lord Chief Justice chose to explain why Muslim sensitivities should be especially respected.  He also used this pulpit to warn people in Britain not to exercise their rights as free citizens.  Here is an excerpt: ‘By now it must surely be appreciated that depicting the prophet in a derogatory way will cause grave offence among many Muslims and can lead to an explosive reaction with dreadful consequences. ‘The power of

It’s been said for years now: Islam needs its reformation. Some centuries ago, Christianity ditched its theocratic impulse and affirmed modern political values — let Islam do likewise! Let its Luther, who is presumably sulking in the corner of some madrassa, come forward! Islam hath need of him! This sounds briskly no-nonsense, in its willingness to say that Islam has a problem that needs fixing, and open-minded about religion, in its assumption that religions can change and be compatible with secularism. But it’s actually lazy and historically illiterate. It involves a misreading of how Christianity relates to modernity. It implies that, once upon a time, Christianity was in conflict with

Cairo’s Tahrir Square is turfed and tarmacked. Traffic police bustle about, watched at a distance by the soldiers in their tanks. There are few signs that this used to be more than just an intersection. But four years ago this week, it was at the heart of a revolution. After 18 days of mass protests, Egypt’s longtime dictator Hosni Mubarak resigned and the square exploded. The uprising was meant to signal a new era of freedoms and dignity for the country’s 90-million strong population. But instead, the revolution has soured. Egypt’s first democratically elected president, Mohamed Morsi, managed only one divisive year in office before being overthrown by another strongman, Abdel Fattah al Sisi in July 2013. Now

The V&A has recently decided to remove an historic image of the Prophet Mohammed from its website. The image remains in the collection and will be made available to scholars and researchers by appointment. I am not sure it is a very uplifting example, this censorship of the past, but they are certainly not alone in doing this.  Indeed over the last generation, a slow but efficient iconoclasm has been at work in Britain pruning images of the Prophet from published books, not just about the life of the Prophet but also illustrated surveys of Islamic Art.  It is extraordinary how successful this campaign has been, based not on any physical threat but on a deluge

I have spent most of the last fortnight debating Islam and blasphemy and wanted to take the opportunity to put down a few unwritten thoughts. In the immediate aftermath of the Paris atrocities most of the people who thought the journalists and cartoonists in some sense ‘had it coming to them’ kept their heads down.  I encountered a few who did not, including Asghar Bukhari from the MPAC (Muslim Public Affairs Committee).  In the aftermath of the atrocity Asghar was immediately eager to smear the cartoonists and editors of Charlie Hebdo as racists.  From what he and others of his ilk have been sending around since, they appear to have