Hungary

The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation — was both the purpose and the substance of his life. The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation —

Gustav Mahler is the most subjective, the most autobiographical, of composers. Other composers, particularly in the previous century, have asked their audiences to show an occasional interest in their private lives, sometimes in rather coded ways. There are the allusions, which of course never were completely private, of Schumann’s piano cycles, Carnaval and Davidsbundlertanze; there are the heartbreaking bits of autobiography in the late Beethoven string quartets; there are significant mottos about private acts of adoration even in Brahms’s third symphony; and, much later, a hidden love affair to be decoded in the Berg Lyric Suite. But these were occasional diversions, for the most part, and music continued to be