Hollywood

The battle for decency has been lost

An intelligent letter from a reader, Stanislas Yassukovich CBE, warms my heart. It’s nice to know there are others as appalled as I am by today’s so-called elite’s ghastly manners. Good manners, a rarity these days, are not a superficial activity. They serve a moral purpose, that of an inner unselfishness, a readiness to put others first. They are the opposite of brute force, concealing man’s natural belligerence. After the Titanic went down, it was revealed that first-class passengers had died in disproportionate numbers because they had queued in an orderly manner for a lifeboat. Forget the movie, that was Hollywood bullshit; Astor and Guggenheim, the two richest on board,

David Cronenberg’s Map to the Stars: threesomes, incest, a dead dog and whiny farts

In a scene that sticks from Map to the Stars, David Cronenberg’s Grand Guignol of a Hollywood satire, Julianne Moore, playing an ageing Hollywood never-has-been, sits on the loo in front of her PA, expelling tired whiny farts from her arse, while listing – her trout pout doing its best impression of a quivering anus – the names of the laxatives and prescriptive drugs she needs as if they were old friends. Except she doesn’t have any friends; the only people she knows are casting directors who don’t call back. And it’s no wonder Havana Segrand’s bodily functions have stalled (surely a first for Cronenberg). Not only is she plagued

Lauren Bacall — a true great

As so often, no one put it better than Papa. Here is Ernest Hemingway talking of all the movies made from his novels and short stories: ‘The only two I could sit through were The Killers and To Have and Have Not — I guess Ava Gardner and Lauren Bacall had a lot to do with it.’ Mr S can’t say fairer than that of Lauren Bacall, who has died at the age of 89. Bacall was, however, rather more than a husky voice and a sultry look. In 1981 she starred in The Fan, in which she played a middle-aged film star idolised by a demented fan (played by

The accidental wit and wisdom of Samuel Goldwyn

For some of you younger readers the name Schmuel Gelbfisz will not ring a bell. Yet back in the Thirties Schmuel Gelbfisz’s identity was a dinner-party quiz question, and the one who guessed correctly would receive a kiss from Mary Pickford — America’s sweetheart — if he happened to be a man, or an expensive trinket if a lady got it right. Schmuel was born in Warsaw, Poland, in July 1879, a Hasidic Jew, but later on falsified his birthday in order not to serve in the tsar’s army. He left my favourite country as a 16-year-old and walked to …Germany. He had no money and no friends, got to

Joan Collins’s Diary: Springtime in the City of Angels

Ahh! Spring has sprung at last! Or has it? Leaving a warm and sunlit London last month we expected balmy weather in Los Angeles but the skies were grey and murky and, like Lena Horne sang in ‘The Lady is a Tramp’: I hate California, it’s cold and it’s damp. It’s necessary to dress in three layers in the City of Angels. It can be seriously frosty in the early morning, when the movers and shakers don their sweats and pant down the boulevards of Sunset and Beverly. By mid-afternoon, however, it’s boiling and everyone strips to sleeveless. Not that Los Angelinos are big in the sartorial stakes. Whenever Percy

James Delingpole

The lefty liberals may be losing their hold over the arts world

If you happen to be reading this column at breakfast, I’d recommend you skip to something more agreeable like Dear Mary and save mine till a bit later. It concerns the ugly details of one of the most revolting mass murderers in US history. His name is Kermit Gosnell — a doctor who ran a particularly dodgy clinic in Philadelphia specialising in late-term abortions for mostly poor black women. When police raided it in 2010, they encountered a scene of quite appalling horror. In a flea-ridden, blood- and faeces-stained basement, Gosnell had been operating on women using unsterilised equipment, killing babies well over the legal term limit, sometimes by sucking

Tea with Greta Garbo’s decorator

Many people write, or at least used to write, fan letters to their film favourites. Usually all they received in acknowledgement was a 10 x 8 glossy with a mimeographed signature. A little persistence sometimes resulted in another, with a brief ‘personal’ message written by the ladies toiling in the fan-club HQs. Not so for the two authors of this riveting book. The Mutti-Mewse twins, early on, became obsessed with all things Hollywood, firing off missives not just to the major stars but to every man Jill they saw or heard was connected to that once fabulous industry. They must have had a magic formula in their letters. Replies flowed

Who will win best film at the Oscars? Here are the runners and riders.

The Oscars dispenses its wisdom tonight. By tradition the award for the past year’s best film won’t go to the past year’s best film. This means 12 Years a Slave will probably win. Here’s a quick recap of the movies in contention and what our film critic Deborah Ross thought of them.   Wolf of Wall Street (Martin Scorsese) ‘It’s … three hours of the same events, over and over. Make a ton of money, get totally whacked on drugs, have sex with hookers. Make a ton of money, get totally whacked on drugs, have sex with hookers. And sometimes, for variety: make a ton of money, get totally whacked on

Want Hollywood’s conventional wisdom? Then read Blockbusters

You can learn a lot from this book. Latin America has a smaller economy than Europe. Big companies can spend more on advertising than small ones. Maria Sharapova is attractive. Given that the book is written in the dullest of academic prose, there may even have been a paragraph I missed about how there is a Tuesday in next week. I’ve often wondered what they taught in business schools and if this book, which has Harvard Business School plastered all over it, is a guide then the main subject is the stunningly obvious. On 20 June 1975 Universal released Steven Spielberg’s movie Jaws with a spend on television advertising and

Was Graham Greene right about Shirley Temple? 

Shirley Temple, who died last week at the age of 85, was the most successful child film star in history. During the second half of the 1930s, a decade in which she made 23 films and earned $3 million before puberty, she was America’s most popular film star of any kind; Clark Gable came only a distant second. What was the secret of her enormous popularity? According to Temple’s own oft-repeated explanation, ‘People in the Depression wanted something to cheer them up, and they fell in love with a dog, Rin Tin Tin, and a little girl.’ This surely has truth in it, for the precocious, confident, sparkling little actress

Matt Damon’s monumental diet

Mr S doesn’t usually notice A List waists, but he wasn’t totally surprised when he heard that Matt Damon was on a diet during the filming of Monuments Men. While your correspondent has no reason to be smug, he will say that Damon wasn’t looking quite his Jason Bourne self. Steerpike was surprised, however, to learn that Damon’s diet apparently consisted of just one thing: grapes. Speaking at the premiere, co-star Bob Balaban told me ‘Matt was trying to lose weight and was hardly eating anything, just grapes.’ Am I the only person who thought that Matt Damon preferred apples? ‘How do you like them grapes?’ doesn’t have quite the same ring to it.

Shirley Temple, 1928 – 2014, remembered in The Spectator

Shirley Temple has died in California at the age of 85. She was known as America’s little darling after she appeared in her first film at the age of three. Later in life she moved into politics, running for Congress and joining the diplomatic corps. Henry Kissinger, she said, was surprised she knew where Ghana was, but she became ambassador to Ghana and later to Czechoslovakia. As for her films, Graham Greene, reviewing Shirley Temple’s latest performance in August 1936, was rather shocked: Captain January, the latest Shirley Temple picture, is sentimental, a little depraved, with an appeal interestingly decadent… Shirley Temple acts and dances with immense vigour and assurance,

If Philip Seymour Hoffman wasn’t happy, what hope is there for us?

Celebrity deaths have no decorum. From Elvis on his toilet to Whitney face down in her bathtub, their last moments sit alongside their songs, or films, or their drunken stumbles out of nightclubs. Kurt Cobain, my teenage idol, had been dead from a shotgun blast to the mouth for — what? Days? Hours, even? — before the newspapers started running photographs of his Converse-clad feet visible through the doorway of the shed in which he died. Fans would pass them around. Weird, really. If a favourite uncle dies in his bed, you don’t go asking your cousin for a Polaroid, do you? Within a day of the death of Philip

Is Hollywood finally waking up to the talents of women? Nah

There is, we all know, only one anniversary that matters this year: 20 March 2014, 50 years since The Twilight Zone episode ‘The Masks’ was first beamed into America’s cathode-ray tubes. Bunting will be stretched from television screen to television screen in celebration. Champagne will be spilt over remote controls. After all, ‘The Masks’ isn’t just a particularly fine episode of a particularly fine show. It is also the only episode — of 156, if we don’t count the two revival series made in later decades — to be directed by a woman. Ida Lupino. Lupino, who died almost 20 years ago, was a Hollywood pioneer — and not just

Did Hollywood moguls really make a pact with Hitler?

At the recent Austin Film Festival, at every ruminative panel or round-table discussion I attended, I slapped my copy of this book down in front of me. The cover, I felt, was bound to catch the eye of the screen legends and louche suits from the big production companies. Above the uncompromising title, it shows a photograph of Adolf Hitler watching a movie with his entourage, his stern, blunt features palely lit by the glowing screen, his mouth small, his nostrils flared in concentration. What, one wonders, was he watching? Laurel and Hardy? Mickey Mouse? It’s not impossible, actually. We know for a fact that the psychotic cinephile adored cartoons

To ‘Flufftail’ from ‘Pinkpaws’: The Animals is only good for celebrity-spotting

There is a fine old tradition of distinguished literary men addressing their loved ones by animal-world pet names. Evelyn Waugh saluted Laura Herbert, the woman who became his second wife, as ‘Whiskers’. Philip Larkin’s letters to his long-term girlfriend Monica Jones are full of Beatrix Potter-style references to the scrumptious carrots that his ‘darling bun’ will have unloaded on her plate at their next meeting should wicked Mr McGregor not get there first. Wanting to soften the blow of his sacking by the BBC Third Programme in the early 1950s, John Lehmann went off on holiday with an intimate known to posterity as ‘the faun’. But none of this sentimentalising

Quentin Tarantino speaks

Quentin Tarantino has responded to allegations in this week’s edition of Spectator Life. In the cover feature, Diane Kruger claimed the king of cool fired an actor for not bringing a pen to rehearsals. The director told the New York Post: ‘I’m not really sure what she’s referring to . . . However, any actor who shows up at rehearsal without a pen to make notes in their script isn’t professional enough to either be in my movie or worthy enough to be trusted with one of my characters.” He added, “That’s actually part of rehearsal: to test the actors, and if they’re not up to snuff, get rid of

Hollywood and oligarchs descend on Art Basel

The art world has descended on the almost attractive city of Basel in Switzerland this week, for the annual art fair. And where the art world goes, glamorous collectors follow. Leonardo di Caprio appeared to be in the mood for some serious shopping when I glimpsed him, casting his eye over a Warhol or two. He may have looked at the Alexander Calder, or perhaps he saw the Edmund de Waal or the exquisite pair of Peter Doig etchings. And there’s this chap called Picasso; mark my words, dear readers, he’s going to be big. Di Caprio had competition from one Roman Abramovitch, who sloped by a few Edvard Munchs,

Seriously eccentric – Chaplin & Company by Mave Fellowes

Chaplin & Company is an alarming proposition for anyone with a low threshold for the cute and quirky. Its main character, Odeline Milk, is a mime artist. She is serious and eccentric. In bed she lies on her back ‘as if she has been arranged this way and told not to move’. She wears brogues several sizes too big for her feet. When we meet her, she is moving into a canal boat in London. Her mother, with whom she lived in Arundel, West Sussex, has just died. Odeline does not dwell on this. Instead she is thinking about her new life. In London, she thinks, her artistic endeavours will

Looking after Bruce Willis

Mr Steepike recommends this snippet about everyone’s favourite ageing action hero from Olivia Cole’s Hollywood Notebook in this week’s issue of the magazine: ‘To anyone wearing heels after a couple of cocktails, Soho House’s marble staircase is a potential death trap. And it’s risky even if you’re not in heels, to judge by the behaviour of Bruce Willis’s entourage. In the early hours, spotting the Talent holding court a couple of steps up, an assistant screamed, ‘Get him off the stairs! Get him off the stairs!’ They must need sedation when is called upon to do actual stunts.’ Subscribers, you can read the rest of the column here. Non-subscribers, you