Hollywood

Hollywood loves to self mythologise

Hollywood can appear self-satisfied and insular at the best of times, but it’s been a rough few months even by Tinseltown standards. Judging by the slew of trailers that have dropped in recent weeks, this season in cinema land will centre on only one thing: biopics. From Madonna and Marilyn Monroe to Elvis (and even Hillary Rodham Clinton) it’s time for a barrage of films in which big stars play bigger stars – in return for your adoration.  Hollywood’s fixation on global fame might not be entirely new – Ben Kingsley’s turn in Gandhi is about to reach its 40th birthday, incidentally – but there’s no getting away from the

Ten films starring comedians

The news that Dave Chappelle has the unwelcome distinction of being the second big-name stand-up comic to be attacked on stage this year has the worrying signs of a possible trend. The first of course was when Will Smith slapped Chris Rock after the comedian made a tasteless joke about Jada Pinkett Smith’s hair (or lack of it) at the 2022 Academy Awards. There is an odd twist of fate about these confrontations though. Back in 1996, Jada Pinkett (as was) played Carla Purty in the remake of Jerry Lewis’s The Nutty Professor. In one scene, she watches with tears of laughter in her eyes as boyfriend Buddy Love (Eddie Murphy) mounts

James Delingpole

Audiences don’t want woke: comic-book writer Mark Millar interviewed

Mark Millar has a raging hangover but he couldn’t be more chirpy or enthusiastic. ‘People say they get worse as you get older but I get reverse hangovers where I feel amazing. I wake up at four or five and I’m ready to go!’ I’ve caught him on a Sunday morning, on his way to Mass, after an exhausting three weeks in which he has been doing up to 45 interviews a day to promote Jupiter’s Legacy, his blockbuster superhero series for Netflix. He ought to be nervous: this is his first big project off the blocks since (in 2017) the studio bought up his publishing company Millarworld for a

The art of the witty riposte

One hundred or so years ago, a down-in-the-dumps Joseph Roth wrote to Stefan Zweig: ‘The barbarians have taken over.’ Later on, Zweig committed suicide and Roth drank himself to death. They were both talented writers depressed about the state of the world. Reading their correspondence last week I had to laugh. Neither Roth nor Zweig had experienced Hollywood, and obviously would have died much earlier if they had done so. Which brings me to what everyone is still talking about, how a trained seal smacked another seal half its size during the Academy Awards. It was done in order to protect his wife from the barbs of the smaller one,

Oscars diary: a jaw-dropping night

Oscar week is intense – and it’s been a while since it’s been as intense. The red carpet is full of eager paparazzi and interviewers waiting for a photo opportunity or a quotable gaffe. My husband and I went to a couple of parties, but the most coveted is the Vanity Fair Oscar viewing dinner at the Annenberg Center. About 100 people are invited by editor Radhika Jones, and we were delighted to be among the chosen few. The ceremony was long and snoozy, and people were scrolling down their phones for entertainment when suddenly one of the most celebrated actors in Tinseltown, Will Smith, rushed to the stage and

Could today’s Hollywood stars have made it in ancient Greece?

The Oscar frenzy spent, it is worth reflecting on how easy writers and actors have it these days. The ancient Greeks invented our idea of acted drama, and the conventions were tough. Here are the main ones. In myth-based tragedies, for example, all the speaking parts – young and old, male and female – were played, and occasionally sung too, by only three fully masked male actors (one play had 11 speaking parts – work that out!). There was also a ‘chorus’ – 12 or 15 actors, all masked, singing and dancing in unison between episodes, though the leader could converse with the main characters. Of low social status, they

Will Smith’s slap was a triumph

Will Smith’s straight arm slap of Chris Rock at the Oscars was, for my money, the most interesting event ever to have transpired at any awards show in history. It pips even my previous favourite, which was when Jarvis Cocker ran onstage during the 1996 Brits to reveal his buttocks in protest at Michael Jackson’s ludicrously overblown performance of Earth Song. Did Rock ask to be attacked for humiliating Smith’s wife, Jada Pinkett-Smith, on account of her alopecia? Yes, of course. But that was the point. The joke was predicated entirely on the comic getting away with saying the unsayable – a formulation of words intended to be deeply provocative

How to save the Oscars

This Sunday’s Academy Awards will be a litmus test of whether Hollywood can uncouple itself from the political agenda of young woke radicals that is proving so unpopular in the US. Joe Biden had a stab at it during his State of the Union address, criticising the ‘defund the police’ movement for fear of a Democrat wipeout in the midterms, and the New York Times did an astonishing volte-face last week, publishing an editorial in defence of free speech. A bit rich from the paper that recently forced out its most distinguished science reporter at the behest of its junior staff for using the n-word in a discussion about the

Hollywood, fist-fights and getting cancelled: Joan Collins and Taki in conversation

Introductions Scene: a drawing room in London. When the recording starts, Taki is already mid-anecdote… Taki: … I was sent out to Monte Carlo to speak to Roger Moore. The Spectator offered to pay all my expenses. I said thank you, I’ll pay my own. I went and had a terrific drunken dinner with Roger who really spilled the beans, cos we were buddies. I came back. The tape was empty because I’d never turned the recorder on. Joan: I’d known Roger since I was 15, because my father was a big agent in London and I came back from school — oh, 14 actually, because I left school at

Why I was labelled a bitch: Joan Collins remembers the old Hollywood days

Readers of this magazine will have enjoyed Joan Collins’s diaries, and her Past Imperfect was one of the funniest showbiz autobiographies ever. (One of her beauty tips: ‘Never eat rancid nuts.’) She started as a Rank teenage starlet who, after being beckoned to Hollywood, was given B-roles because ‘I wouldn’t be “nice” to studio heads and it gave me a reputation of being a bitch’. More accurately, her ex-fiancé Warren Beatty called her ‘Butterfly’ —always fluttering on to some new project, even now at the age of 88. I love gossip and was looking forward to a wagonload of it in these diaries, written between 1989 to 2006, ‘when I

Lumpily scripted and poorly plotted: Cry Macho reviewed

Clint Eastwood is 91; Cry Macho may well be his last film. Or maybe not. He has, after all, been directing himself as majestically craggy old guys for decades. Craggiest and most majestic of all, he was, in 1992, Will Munny in Unforgiven and, in 2008, Walt Kowalski in Gran Torino. In both those films, and now in Cry Macho, he is not just craggy, he is also broken. Munny is an old, widowed gunfighter barely surviving on his pig farm in Kansas. Kowalski, also widowed, is angry with America and missing, bitterly, the great days of the Detroit car makers. And now, in Cry Macho, he is Mike Milo,

The best podcasts where girls sit around talking about ghosts

‘I’ve actually seen ghosts.’ This statement comes less than ten minutes into the first episode of Dark House, a limited-series podcast about ghosts, houses and interior decoration from House Beautiful magazine. And this is the moment, I assume, a certain number of people roll their eyes and switch over to the next podcast in their queue. Humans are fascinated by ghosts. We tell the stories, we take the city tours of hauntings when we travel, we see all the films in the Conjuring and Insidious series. But that’s a bit different from seeing real ghosts, which is just someone taking things too far. It was a shadow, or a dream,

Why have A-listers stopped washing?

Something’s in the air in Hollywood. It’s the whiff of A-list celebs who’ve given up washing. Jake Gyllenhaal recently revealed that, ‘more and more I find bathing to be less and less necessary.’ Cryptically, he added, ‘we naturally clean ourselves,’ without explaining how he keeps himself smelling of roses while avoiding soap and water. Hollywood’s new dirty dozen is said to include Brad Pitt and Ashton Kutcher. Kutcher and his wife Mila Kunis have said they ‘seldom’ take the trouble to bathe. Power-couple Dax Shepard and Kirsten Bell offered this stern warning to anyone on the brink of a morning shower. ‘You should not be getting rid of all the natural

My literary heroes have led me astray

Gstaad   Good manners aside, what I miss nowadays is a new, intelligent, finely acted movie. Never have I seen so much garbage as there is on TV: sci-fi trash, superhero rubbish, dystopian crap and junk about ugly, solipsistic youths revolting against overbearing parents. The director Jimmy Toback blames the subject matter for the lousy content, driven as it is by the need for diversity. I think lack of talent is the culprit. The non-stop use of the F-word is a given in Hollywood productions. Combined with constant violence, it makes for a lousy and unwatchable film. When one thinks back to classic movies such as The Best Years of

The genius of Basic Instinct

Our occasional series on cinema’s most underrated films arrives at what many have considered the peak of misogynistic trash.  We’re in 1980s America, and a bunch of Hollywood execs are puffing on cigars, sipping scotch. ‘You know, I’ve been hearing a lot about these so-called “liberated women”. What do you think they’re like?’ And thus — or so I imagine — the erotic thriller was born.  Everything we’ve learned from the #MeToo accusations, scandalous trials and casting-couch innuendos suggests powerful men might have been shocked to learn that there were women engaging in sexual activity voluntarily — without having to be coerced or forced. Is this why they made so

Return to LA Confidential: Widespread Panic, by James Ellroy, reviewed

Even by James Ellroy’s standards, the narrator of his latest novel is not a man much given to the quiet life. Freddy Otash breaks legs for Frank Sinatra. He gets Dean Martin’s pregnant Latina maid deported. He sticks the hand of someone blackmailing Liberace into a deep-fat fryer. He sleeps with the 21-year-old Elizabeth Taylor while she’s only on her second marriage. And all that’s in the first 20 pages, while Otash is still an LA cop. Once he goes freelance as a private eye, things turn rather more lurid. Widespread Panic is a rare stand-alone novel among Ellroy’s assorted trilogies and quartets. But, as you can maybe tell already,

A nicer side of Nero

New York I haven’t felt such shirt-dripping, mind-clogging wet heat since Saigon back in 1971. The Bagel is a steam bath, with lots of very ugly people walking around in stages of undress that would once upon a time have embarrassed that famed stripper Lili St Cyr. How strange that very pretty girls do not shed their clothes as soon as the mercury hits triple figures, but less fortunate ones do even if the number is a cool 80. June is my London party month, or used to be before the city was transformed into a prison camp. And what about The Spectator party? I haven’t heard a woid, as

A Shakespeare play at the Globe whose best features have nothing to do with Shakespeare

Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press night, there were eight sentries patrolling the forecourt where just 42 masked spectators watched a revival of Sean Holmes’s A Midsummer Night’s Dream. The Globe describes his show as ‘raucous’. The action is set in a forest near Athens during the classical era but the text uses 16th-century English. So it seems crazy to add a third time zone but most directors do so unquestioningly. This modernised production features an array of multicoloured stylings inspired by funfairs and Caribbean carnivals. The palette is a mad rainbow of acid pinks, savage

Why Mick Jagger is an insult to rock

New York Orthodox Easter Sunday came late in May this year, and I spent it at an old friend’s Fifth Avenue home chatting with his young relatives. During a great lunch, I thought of those calendar pages one sees in old black and white flicks turning furiously to represent the passing years. It was the three generations present that brought on these reflections. My host George Livanos and I have been friends since 1957, and he and his wife Lita have five children and 15 grandchildren. Not all of them were present, but there were enough youngsters to remind one of the ballroom scene in The Leopard, when Prince Salina

Armie Hammer and Hollywood’s new moral code

I am always irritated by film versions of classic novels, especially when I’ve recently read them. I needn’t have worried about Death on the Nile. Kenneth Branagh’s Agatha Christie adaptation, already subject to no fewer than six delays, has been pushed back yet again to the first quarter of 2022. By the time it comes out – if it does – I’ll have forgotten the original. With that airless sense of ‘here we go again’, Nile’s delay has been caused because its leading man, Armie Hammer, has been accused of sexual assault, including rape, and sundry other unsavoury forms of sexual conduct – allegations which he denies. In an age