Hoarding

In The Brothers Karamazov Dostoevsky writes: ‘It would be strange in times like ours to expect to find clarity in anyone.’ Given where the times have got to in the intervening 140 years, one would suspect that clarity would be even further from us. The clarity we seek is generally externalised, about the world and its workings; that which is most hidden is about our personal histories and our families’ intergenerational legacies. Nightshade Mother is the Welsh poet Gwyneth Lewis’s quest for clarity – a memoir of excavation positioned between what the infant experienced and what the adult has sought to understand. Multiple narratives are in play: the voice of

If you were hoping for an autobiography this isn’t it. Jarvis Cocker calls it ‘an inventory’ and insists: ‘This is not a life story. It’s a loft story.’ But anyway it’s as quirky and engaging as you would expect from Cocker and also the most beautifully produced book I’ve seen in years, designed by Julian House. And it does, in its circuitous way, tell us quite a lot about Cocker’s formative years in Sheffield. The MacGuffin is that Cocker is meant to be clearing out a loft where he’s been storing stuff for years and deciding what to ‘cob’ (chuck) and what to keep. Of course he has trouble cobbing