Hitler

The BBC’s latest Churchill documentary is an outrageous hatchet job

Churchill: When Britain Said No BBC2 The 50th anniversary earlier this year of the death of Winston Churchill produced an international wave of commemoration. Churchill remains among the most widely admired – and most regularly quoted – political figures of the past century, especially in America. While Churchill’s role in history will be legitimately analyzed for centuries, there is a class of Churchill-bashers (‘revisionists’) for whom the adulation of the last few months (and decades) cannot pass without a spirited answer. And where better to do this than on Britain’s state-owned broadcaster. The revisionists’ first salvo was Jeremy Paxman’s programme (‘all the dockworkers hated Churchill’) on the January 1965 state

Sandi Toksvig makes Hitler jibe about Nigel Farage

Sandi Toksvig disclosed last month that she has given up her role on Radio 4’s The News Quiz in order to focus on launching the Women’s Equality Party. Appearing at the Hay Festival, Toksvig spoke about her reasons for wanting to start the new political party, which aims to ensure women are treated equally to men. In doing so, she also launched a series of jokes about today’s politicians, claiming that the current political system is ‘beyond broken’. She said that Labour’s pink bus had ‘[Emmeline] Pankhurst spinning in her grave’ while today’s government makes the coalition seem like the ‘good old days’ to many. While Toksvig is clearly no longer

The beginning of the end

Christmas Eve 1944 found thousands of Allied — mostly American — troops dug into trenches and foxholes along the Belgian front, where they sucked at frozen rations and, in some places, listened to their enemies singing ‘Stille Nacht’. Their more fortunate colleagues in command posts gathered around Christmas trees decorated with strips of the aluminium foil more usually dropped from planes to jam enemy radar signals. The following morning a wave of Junkers dropping magnesium flares led the German Christmas Day onslaught, soon answered by American P-47 Thunderbolt fighter bombers, dropping napalm ‘blaze bombs’ or strafing with machine guns. On the ground, following reports of appalling atrocities, the battle was

Children of Gomorrah

In the early hours of 25 July 1943, nearly 800 RAF Halifaxes and Lancasters launched a 50-minute bombing raid on the Third Reich’s second largest city, Hamburg. The pilots used the neo-Gothic spire of St Nikolai’s church in the city’s historic heart as a landmark and killed 1,500 people. Three nights later, just after midnight, the bombers returned. What was to follow was immeasurably worse. The RAF’s target was the city’s overcrowded working-class districts, Hammerbrook, Hamm and Borgfelde, to which many of those who had lost their homes in the previous bombardment had fled. Unusually warm weather and heavy loads of incendiaries combined to create a hurricane-like firestorm. In the

The devil’s devoted disciple

It is ironic that this weighty biography of Hitler’s evil genius of a propaganda minister is published on the day of a general election filled with Joseph Goebbels’s hallmarks: mendacity, media manipulation and the big lie. Seventy years after the spectacular suicide of Goebbels and his wife Magda, and their murder of their six children, in the Berlin bunker, the ‘little doctor’ is still a byword for the black arts of political spin and politicians regularly accuse each other of telling fibs ‘worthy of Goebbels’. The Nazi specialist Peter Longerich, Professor of History at Royal Holloway, University of London, offers a compelling chronicle not because he writes with sparkle —

Don’t get angry at Katie Hopkins if you don’t support policies that could save migrants

The latest issue of The Spectator carries an interesting piece by James Bartholomew on ‘virtue signalling’, the bane of social media and political debate; that is, people expressing how ruddy good they are by telling the world how much they hate bad things like Ukip and the Daily Mail. He writes: ‘It’s noticeable how often virtue signalling consists of saying you hate things. It is camouflage. The emphasis on hate distracts from the fact you are really saying how good you are. If you were frank and said, ‘I care about the environment more than most people do’ or ‘I care about the poor more than others’, your vanity and self-aggrandisement

Be different, be original: that’s what makes a popular politician

I sometimes try to imagine what it would be like being a political leader. I find this difficult because I would be so utterly ill suited to the role. I’m too lazy, too disorganised and too undisciplined to be remotely credible at it. But the area in which I would fail most completely would be in the projection of a suitable image. Not only would I be incapable of saying the right things at the right time; I don’t have the appearance or bearing or dress sense to convey calm, self-confidence and authority. I suppose you could say much the same of Adolf Hitler were it not for his gift

Ed West

Convince a generation that Ukip resemble the Nazis and you can make them do anything

There was something genuinely frightening about the disturbance aimed at Nigel Farage and his family this weekend; what’s scary is that there seem to be so many people in our country who think a man having lunch with his family is a legitimate target for such a stunt because of his views. If you’re prepared to do that in front of people’s kids, you can likely do anything. Their self-justification was telling; as one protester put it, Farage was a target because he ‘othered’ people. In my experience people who use the word othered are quite quick to ‘other’ anyone who disagrees with them. Likewise when another one of the

The madness of Nazism laid bare

‘If the war is lost, then it is of no concern to me if the people perish in it.’ Bruno Ganz, who not so much portrays Hitler as becomes him in Bernd Eichinger’s 2004 film Der Untergang (Downfall), spits the Führer’s nihilist venom so convincingly that the fundamental insanity of Nazism is at once laid bare, even to his closest collaborators. The madness of Nazism is now merely Hitler himself, and when on 30 April Ganz/Hitler, entombed in the Führerbunker, shoots himself, the film’s tension is at once gone. What follows is just rats fleeing the hole; and the rest, as it were, is silence. But it was not. VE

If we want to tackle anti-Semitism we must challenge hate speech, not censor it

One month on from the Charlie Hebdo massacre, free speech is still under attack. The outpouring of public revulsion at the bloody silencing of ‘blasphemous’ cartoonists after the attack was inspiring. It was a visceral display of support for the right to speak one’s mind – as crudely, offensively and blasphemously as one chooses – that has been absent for some time. But deep-rooted ambivalences have remained – and now these look to be exploited by policymakers looking to institute blasphemy laws of their own. When it comes to cracking down on aberrant ideas, Europe has long been leading the way. Restrictions on hate speech are in place across Europe.

Tom Stoppard’s The Hard Problem review: too clever by half

Big event. A new play from Sir Tom. And he tackles one of philosophy’s oldest and crunchiest issues, which varsity thinkers call ‘the hard problem’. How is it that a wrinkled three-pound blancmange sitting at the top of the spinal cord can generate abstract thoughts of almost limitless complexity? In real life Sir Tom is said to have such a flair for philosophical chitchat that he can fire off searching observations about Descartes, mind-body dualism, the nature of immateriality, being and non-being, the ‘cogito’ and so on, until those around him have slithered into a coma. Which is not rude of them. It’s perfectly acceptable to pass out during an

Process of elimination: the horrors of Ravensbrück revealed

Concentration camps in Nazi Germany were originally set up in 1933 to terrorise Hitler’s political enemies; as war drew near, their function expanded to gratify his obsession (and that of Reichsführer Himmler, as head of the SS which administered them) with ‘purifying the race’ by getting rid of gypsies, Jews, ‘asocials’ — prostitutes, criminals, vagabonds — as well as the mentally ill and handicapped. An all-female camp at Ravensbrück, set up in 1938, soon afforded the prison doctors a steady supply of women — the ‘rabbits’, as these prisoners became known — for medical experiments . After war broke out in September 1939, Resistance fighters from France and other occupied

Shirley Williams: Saving my mother from the scriptwriters

Shirley Williams sits at the head of a table in a large conference room in Lib Dem HQ. She will be 85 this year, but still has a finger in many a pie, most of which we’re not to talk about here, including the predicted wipe-out of a generation of her party’s MPs at this year’s election. It’s one of the reasons she never made it to see the Tower of London poppies. Too busy. She also had to dash to Russia where she is on the board of the Moscow School of Political Studies. ‘It is all about teaching people about democracy and has fallen under the frown of

What unites Churchill, Dali and T.S. Eliot? They all worshipped the Marx Brothers

‘I had no idea you were so handsome,’ Groucho Marx wrote to T.S. Eliot in 1961 on receiving from him a signed studio portrait. The Missouri-born Eliot was the Marx Brothers’ devoted fan; three years later, in June 1964, Groucho called on the 75-year-old poet at his home in London. Eliot was interested in the Marx Brothers’ first undisputed film masterpiece, Animal Crackers (1930), while Groucho wanted only to quote from ‘The Waste Land’; however, the men agreed that they shared a love of cats and fine cigars. Winston Churchill was another who admired the Marxes and their deliciously mad repartee. During an air attack on London in May 1941

That’s another year gone and, against the odds, I’m still here

A fruity voice on the train’s announcement system said, ‘Ladies and gentlemen, make sure you have all your belongings, family members and what have you with you when alighting from the train. We are now arriving in the naughty little station of Newton Abbot.’ This carriage was empty. The Teign estuary sparkled in the Sunday morning sunshine. The line from Totnes in Devon to Paddington is a lovely journey at any time of the year across the farms and pastures green of Devon, Somerset, Wiltshire and Berkshire. Always I have good intentions to read, but usually I rest my chin on the heel of my palm and look out of

The Nazi origins of the Vienna Phil’s New Year’s Day concert

It may be the last water-cooler moment in world television. On the first morning of the year, at 11.15 Central European Time, in a place that considers itself the epicentre of Europe, a group of men in formal dress mount the Musikvereinssaal stage in Vienna to perform a ritual that passes for culture and tradition. It is, of course, neither. The music is strictly bar-room, written by members of the Strauss family as social foreplay for the soldiery and serving classes in low taverns. Like most forms of dirty dancing, the music rose vertically from barroom to ballroom and was soon performed as encores by symphonic orchestras to dowager purrs

Hiding in Moominland: the conflicted life of Tove Jansson

Tove Jansson’s father was a sculptor specialising in war memorials to the heroes of the White Guard of the Finnish civil war. He did not like women. They were too noisy, wore large hats at the cinema and would not obey orders in wartime. Tove used to hide to spy on his all-male parties, where everybody got astoundingly drunk and attacked chairs with bayonets. ‘All men are chums who will never leave each other in the lurch,’ she concluded. ‘A chum doesn’t forgive, he just forgets — women forgive everything but never forget. Being forgiven is very unpleasant.’ Father and daughter had such a strained relationship that she sometimes had

Egon Schiele at the Courtauld: a one-note samba of spindly limbs, nipples and pudenda

One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated older artist, and showed him a portfolio of drawings with the abrupt query, ‘Do I have talent?’ Klimt looked at them, then answered, ‘Much too much!’ One gets an inkling of what Klimt was getting at from the feverishly intense work on show in Egon Schiele: The Radical Nude. From childhood, Schiele drew with manic fluency. His father, a syphilitic stationmaster, was irritated to discover that a sketchbook, a gift to the boy intended to last for months, had been filled in less than a day. In 1906, at the

Dylan Thomas: speeches for Hitler, balderdash for Walton and the true meaning of Under Milk Wood

My father came across Dylan Thomas in a Swansea pub in 1947. ‘Chap over there,’ said one of the regulars ‘is a poet.’ ‘What’s his name?’ asked my father. ‘No idea.’ That Thomas’s celebrity was rather patchy, even in his hometown just a few years before his death, illustrates how much his fame owes to the fans and memorialisers who have stoked the legend ever since. His centenary falls on 27th October. He was morose, shy, florid-faced and hyper-sensitive. He described himself as having ‘the countenance of an excommunicated cherub’. His first poems, published in the 1930s, were greeted with cautious interest. Edith Sitwell championed him. So did Cyril Connolly. Sceptics

I felt so awful I almost prayed that we would crash

This is about life up high. Two weeks ago The Spectator had that rapscallion and mischief-maker Peter McKay writing about how great it is to pilot a plane. (He’s taking lessons and has flown solo.) I’ve always been told that riding a motorcycle and piloting a plane are about the same, and McKay is a motorcyclist. His build, looks and accent are far more suited to riding on two wheels than to piloting a plane (that role is more one for a Cary Grant type). But I am being snobby and writing like McKay — cattily. Reading about flying brought back pleasant memories, but also a tragic one. When my