History

Twitter and other easily accessible means of online communication have encouraged the public to believe that Their Voice Will Be Heard. When it isn’t, they express their frustration through abuse and threats or by blocking roads. In this way, the mentality of the ancient curse-tablet lives on. In the ancient world, the purpose of the curse was to ‘bind’ the person you disliked — i.e. frustrate them from achieving the end they wanted and you did not. It was written on a thin lead plate, rolled up tight, sometimes twisted (to ‘hobble’ the victim) and pinned (to constrain him), then placed into the tomb of someone who had died before

So James Bond is back, doing exactly what he always does, inviting the audience into a fantasy world for the pleasure of wondering ‘What if?’ In this respect, Bond films resemble the work of the world’s first recorded comic poet, the Athenian Aristophanes (c. 440-380 bc). His premise was that Athens’s problems could be solved only by little people of no importance, not the greedy, vain and incompetent leaders in the public eye. So the scene was set for the hero(ine) to put them firmly in their place. One favourite subject for his comic fantasies was the long war between Athens and Sparta (431-404 bc). Take three examples. In 421

In the 18th century, art historians’ admiration for the beauty of white-ish ancient Greek marble statuary led people to draw conclusions, on the back of their belief in classical ‘authority’, about white superiority. This, we are told, turned many classicists into racists. Today some members of the Cambridge Classics Faculty feel the white-ish plaster-cast replicas of those statues in their museum ‘entrench[es] racism’ in the same way. Their proposal is to put up a notice about it. Wow. Go, Cambridge! That’ll show those racists! And surely those still disgustingly white originals all over the world need notices as well. Two things need to be said. This is a modern ‘problem’:

On 11 March this year my father passed away from prostate cancer after several weeks in a hospital in central Athens. As we sat around his bed, I remember thinking that I was watching 3,000 years of Greek history slowly perish before my eyes. My father was an only child, and I am British. His line of Greeks is at an end. Now fires have ravaged Greece and the olive trees that stood in my ancestral village for centuries have burnt to the ground. This year has seen the almost literal burning away of my roots: because if I am British, I am also a Greek — of sorts. This

The Prime Minister is urging citizens not to throw caution to the winds when lockdown ends on 19 July but to behave ‘responsibly’. But there seems little incentive when legions of psychiatrists, lawyers, counsellors, social workers etc appear to insist you must never blame people (only ‘society’ or ‘the Tory cuts’) for anything. Can the ancients help? For ancient Greeks, it was the prospect of public shaming that kept people behaving responsibly. In Homer’s Iliad, the first work of European literature (c. 700 bc), the heroes who always feared what other people would say about them if their behaviour did not come up to what was expected of them exemplified

The EU has regularly been likened to the Roman Empire. But its current direction suggests that the Athenian Empire (478-404 bc) is a better parallel. The EU began as an attempt to unify countries economically after the second world war. By slow accretion of powers via the single market, Maastricht, the euro and finally Lisbon, the EU became, drip by drip, a full political union run by an unelected central authority, which now threatens to end vetoes and intervene domestically, suing member states with whose policies on immigration, civil rights, freedom of speech etc it disagrees. After the Persian wars, Athens in 478 bc assembled on Delos an alliance of

On the subject of leadership, the Athenian soldier, historian, biographer and essayist Xenophon (c. 430-354 BC) had much to say, having led the retreat of 10,000 Greek soldiers from Cunaxa (Iraq) through hostile territory back to Greece. Had Dominic Cummings paid more attention to him when he studied ancient and modern history at Oxford, his time in government might have been more successful. The key to Xenophon’s thinking was that the good leader had a positive relationship with his men, calculated to be of mutual benefit to everyone: the image of friendship between leader and men was never far away. In his life of the Persian leader Cyrus the Great,

Almost no ancients cared whether animals felt pain or not. The classical Stoic belief that man’s reasoning capacity elevated him above all other creatures was the intellectual justification. Cruelty to animals could be frowned upon, but only because it might encourage man’s cruelty to man. Descartes (d. 1650) raised the question of whether animals really were conscious and, deciding they were not, concluded they did not feel pain: their reaction to it was purely mechanistic. Behaviourists of the 20th century took the same line. But there is one ancient dissenting voice to that view: the Greek essayist Plutarch (c. ad 100). Now that UK law has legislated that animals are

‘Georgics’ are an ancient form of poetry about agriculture and the land. The term derives from Greek gê ‘land’ + ergon ‘work’ (cf. farmer George) and emphasises the necessity of working hard to counteract deprivation, build a nation and forge a civilised world. Virgil’s Georgics (29 bc) in four books are a supreme example of the genre and not without relevance to the modern ‘green’ agenda. Its opening outlines the subject matter: field crops and tilling the soil, viticulture, and the care and skill required to tend cows, sheep and bees. Virgil then calls on the gods to aid his task, and finally asks the young Octavian (soon to become