Goya

The greatest paintings are always full of important unimportant things

Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection, at the Courtauld, consists of a selection of 25 absorbing paintings chosen from 207. I was disappointed but not surprised that one of the greatest paintings in the world, Pieter Bruegel the Elder’s ‘Die Anbetung der Könige im Schnee’ (The Adoration of the Kings in the Snow, 1563), didn’t make the journey from Winterthur in Switzerland. Too precious to put at risk. There is no requirement for a collector to accumulate thematically consistent paintings. Whim, availability, opportunism, taste, connoisseurship, pleasure, accident, catholicity all play their part. The Oskar Reinhart collection is gloriously heterogeneous, a series of bonnes bouches. What is it,

How ever did the inbred Habsburgs control their vast empire?

In 1960, Felipe Fernández-Armesto and Manuel Lucena Giraldo tell us, Lucian Freud went to the Goya Museum in Castres in search of a particular painting. He wanted to create portraits that were character studies and ‘not mere likenesses’, and Goya’s collective portrait ‘La Real Compañía de Filipinas’,a study in human nullity that represented ‘absolutely nothing’, was just what he was looking for. Fernández-Armesto explains: The work belongs in the tradition of what might be called Spanish ‘anti-portraiture’, from Velázquez’s ‘Las Meninas’ to Goya’s own devastatingly candid royal family group, ‘Familia de Carlos IV’, moral as well as physical delineations of regal vacuity. King Ferdinand VII appears amid the company’s directors,

A high-end car-boot sale of the unconscious: Colnaghi’s Dreamsongs reviewed

In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno di Scipione was based on an account in Cicero’s Republic of a dream experienced by the Roman general Scipio Aemilianus while serving in North Africa in 148 BC. In the dream the younger Scipio is visited by his adoptive grandfather Scipio Africanus, who foretells his destruction of Carthage, dishes out advice on dealing with populist politics and shows him ‘the stars such as we have never seen them from this earth’. Scipio’s is a recurring dream: it inspired Dante’s vision of Heaven and Hell and it returns to haunt us