Georges perec

I probably won’t be the only one to say this of Vincenzo Latronico’s Perfection: it made me feel seen, and not in a good way. The novel takes aim at aspects of modern life, from social media to remote working and interior design trends, that aren’t obvious subjects for serious literary attention. Latronico, a philosopher who writes in Italian (this is his first novel to appear in English), suggests that our online profiles and material possessions have taken the place of integrity and community in society. He makes you question whether there can still be such a thing as an authentic personality. The narrative follows a couple whose existence is,

There are lots of reasons why non-scientists should be forced to study mathematics, but it’s hard to see why mathematicians should bother with literature. Literature is part of the entertainment industry: emotional manipulation, crippled by cheap assertions and hollow arguments. Maths is intellectual. Maths has rigorous standards. Literature hides guff under its pretty phrases. Hart discusses the statistical challenges for the Oulipo group and their refusal to use the letter ‘e’ in thir clvr novls Sarah Hart, a professor of mathematics, wants us to see literature and mathematics as the ancients did – mutually supportive, central elements of a rounded education.  Once Upon a Prime is an eager, straight-forward book.

Many would say the commute was one thing they didn’t miss in lockdown. But when Lauren Elkin was ‘yanked out of the public sphere and resituated, inescapably, in the private’, she felt nostalgic for the bus’s incidental intimacy. The Franco-American writer and translator revisited notes made on her iPhone between September 2014 and November 2015, after she pledged to ‘observe the world through the screen of my phone, rather than to use my phone to distract myself from the world’. The diary entries record biweekly journeys between her home in Paris’s fifth arrondissement and the university where she taught in the seventh. These private jottings take shape as No. 91/92: