How claims of cultural appropriation scuppered an acclaimed new ballet
On 14 March 2020 I was at Leeds Grand Theatre for the première of Northern Ballet’s Geisha. The curtains swung open on fishermen flinging out their nets, geisha, samurai, 19th-century Japanese village folk, followed by the sudden appearance of American sailors. It was in essence a Japanese Giselle: the tale of a geisha, spurned by her American lover, who dies of grief, and whose restless spirit returns from the grave. Far from being offended, the Japanese Embassy offered their official imprimatur It was a unique production. Many of the dancers at Northern Ballet are Japanese, Chinese or Korean and this was an east Asian story. The ballet was created by
